Slow and steady gets you there in the end. Very tasty perambulations : )

Loving the mesmeric rhythm and cool guitar!

Interesting to read here about your spontaneous writing and recording -- I think that's very cool.

something in there reminds me of The Velvet Underground-I'm totally unsure of why but...

michael, yer funky musical soul on display, love the laid back, low key sweetness here bother :)

Breaking Through

Original by : FPMORISTUDIO/Francois Pierre Morin

Morning light

World of Bells

I've decided just to be happy today (and everyday). Join me and send me a smiley

Be Happy Today

a collaboration with a wonderful artist #AdaDaveed 
Soar my friends SOAR !!
Sitar Roger Walker 
Vocals Ada Daveed
Keyboard Ada Daveed
Percussion Ada Daveed
Bass Guitar  Roger Walker

Powdered Mountains 

YOUNG BUZZARD by #AdaDaveed and Roger Walker .

Haunted Memories (Richsoundz, John Stone)

Performed & Produced by John Stone
Music John Stone
Lyrics Richsoundz, John Stone


All my thoughts, they're still bearing traces
Your face  imprinted deep upon my mind
And your melodic, lilting voice
Like I ain't really got no choice
They're staying here inside me for all time

Even when I lay me down to sleep
You're stalking all my dreams
I  can't leave you behind
Everywhere I  see the signs
You're always present and won't let me be
Your spirit follows me
Through the halls of haunted memories

All my thoughts past events they're chasing
With you beside me everywhere I go
Your perfume always trailing me
And everywhere your face I see
There’s nowhere I can go that you don’t show

Even when…


I never saw it come to this:
What started with a simple kiss
Then love grew and we thought we knew
That life was long if love was true
But that was never meant to be 
When fate took you away from me
Till death us part our sacred vow 
But though you’re gone I see you now

Your spirit  follows  me
Through the halls of haunted memories 
Your spirit follows me
Through the halls of haunted memories 
Your spirit …

Haunted Memories (Richsoundz + John Stone)

Oddrun Eikli: vocal and vocal composition https://soundcloud.com/oddrun-eikli
Arne Hiorth: trumpet and trumpet arrangement https://soundcloud.com/arnehiorth
Torbjørn Vagle: Instrumental composition, piano, bass, synth, drums&percussion https://soundcloud.com/tobbenv
Photo: Oddrun Eikli
Cover: Vetle Vagle
Mix: Torbjørn Vagle
Mastering Njål Frode Lie https://www.nflproduksjoner.no/

I am very grateful for this song with Oddrun and Arne. 
It is truly amazing to see how things falls into place and ends up like this fine result of our pleasant collaboration.
Poem: Emily Jane Brontë

Mild the mist upon the hill
Telling not of storms tomorrow;
No, the day has wept its fill,
Spent its store of silent sorrow.

O, I'm gone back to the days of youth,
I am a child once more,
And 'neath my father's sheltering roof
And near the old hall door

I watch this cloudy evening fall
After a day of rain;
Blue mists, sweet mists of summer pall
The horizon's mountain chain.

The damp stands on the long green grass
As thick as morning's tears,
And dreamy scents of fragrance pass
That breathe of other years.

Upon The Hill.  Oddrun Eikli. Arne Hiorth. Torbjørn Vagle

I’ve been living this life … for so long, 
Still ain’t… used … to being myself. 
There’s a lot of things … I’m sorry for what I’ve done. 
Sometimes…I’d trade all my tomorrows, 
To live … one day … of yesterday 
But that ain’t happenin’ … no matter how I try ,all I get is, 
Regrets… Sorrys, …and Whys 

Angry at a lot of things …so sorry …for some 
But it’s too late  to change the past.
Can’t erase the things that’s done. 
Baby, …If I hurt, you even once  …made you cry,
I’d do anything I could …to make it right. 

You asked me WHY so many times,  
Why … I would never settle down. 
I always told you …why,  “WHY you need to do this now”? 
So, you left me … now I’m alone. 
Guess you answered … me so well. 
You left me standing there, with one last word GOODBYE, and all my, 
Regrets… Sorrys, …and Why’s. 

Why was I so foolish? Look at what I’ve done. 
Had the whole world in my hand, 
Can’t outrun the past I’ve run. 
I’d turn the clock back, … to begin, … here tonight. 
So, I’m writing you this song with words I cry. (this time I cry)
Can’t find enough words… in my emptiness, …tonight, 
to make it right, … to make it right. 
Just my, … Regrets, …  Sorrys and Why’s …(wo, wo, wo, why’s). 
MY  REGRETS, …, MY SORRYS, … and … WHY’S.

Regrets, Sorrys, and Why (still Rough 2nd take)

Creative Spirit Online: "Colorful and engaging from beginning to end, this is the latest of Robert John Brooks’ virtuosic offerings. The three movements (Rondo, Variations and Finale) are scored for large orchestra—a twenty-minute journey through sometimes tender, often energetically playful, occasionally threatening, and ever-changing musical textures. Brooks’ musical gift lies in his ability to create highly structured, clearly defined musical gestures within the context of a challenging and thoughtful harmonic and rhythmic language."

“Contrapunctus III” was completed in February 2024 in Fairview, TX. The work is in three movements: Rondo, Variations, and Finale'. Performance time is about 20 minutes. Printed and electronic copies of the score are available now and instrumental parts will soon be available soon from www.CreativeSpiritOnline.com.

About this recording:
The present virtual recording was produced using Finale 27.4.1 and the Garritan Personal Orchestra 5 virtual instrument library. For the best listening experience, high quality headphones are recommended. This recording was mastered by EMastered. 

Instrumentation:
2 Flutes. 2 Oboes, English Horn, Eb Clarinets, 2 Bb Clarinet, Bass Clarinet, 2 Bassoons, Contrabassoon, 2 Horns in F, 2 Trumpets in C, 2 Tenor Trombones, Bass Trombone, Tuba, Timpani, Percussion, Strings

Performance notes:
• Tempo, expression, and dynamic markings should be strictly observed.
• There is no key signature. Accidentals apply to the end of the measure or to the note or notes tied over the measure, and only to notes of the same pitch class, in the same octave.
• Hairpin pairs (e.g.: mp <>, mf ><) indicate a temporary volume change of one dynamic level.
• Passages marked fff or ppp indicate playing as loudly and as quietly as possible, respectively.
• Double-bass “C-extension” is required.

Contact information:
Robert John Brooks, Fairview, Texas USA
Email: robtjbrooks@yahoo.com
Web: www.CreativeSpiritOnline.com
Web: eMastered.com/profile/robtjbrooks

Engraving by the composer
Artwork by the composer
Copyright 2024

Contrapunctus III for Orchestra

View/Buy Score

Composed, arranged, performed, and produced by
Carlos Vivanco & Jason Mowry
Final mix by Jason Mowry
@asleepwithheadphones
@lazydadamusic

Cherry Blossoms

Cherry Blossoms by Jason Mowry & Carlos Vivanco

The Dream Continues(See You In The Continuation Of Your Dreams)

All tracks  are recorded in a spontaneous manner typically in a single take. Most lyrics are also spontaneous improvisations derived from the feelings of the moment. We let the guitar and drums interact and the music just happens. Most if not all of the music is inspired from this interaction.

The recording equipment up until January 2019 consisted of a dated Fostex 8 track and a few microphones...We simply lay down a guitar and drum track and let it unfold the way you are hearing it by bouncing tracks. We just have to make music to live. Music of any kind, music that speaks for itself... 

In January 2019 recording equipment was upgraded to Logic X and a UA Apollo MKll Quad Core Recording interface...We entered a new building and still trying to find the light switch so bare with us as we keep lighting matches...  

MW

Breaking Through

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