Boltzmann & Gibbs: The Wrath Of Doctor Entropy
Entry for #173 Full Bucket Pops & ONE

In another part of the city, two cops were driving in their steam powered car. They were partners, and they were friends. They were Boltzmann and Gibbs.

They were opposites, but they complemented each other. They were the best cops in Miami.

They were also the only ones who knew about Doctor Entropy.

Doctor Entropy was a mysterious villain who had been terrorizing the city for months. He had a twisted mind and a twisted goal: to increase the entropy of the world, to make it more chaotic and disorderly.


Reaper: DAW
1 Instance of Bucket Pops
12 Instances of Bucket ONE

OrilRiver Reverb
Dead Duck: Delay, Filter, AutoPan
Valhalla SuperMassive Delay
JS Channel Time Delay
Khs Gain,
ReaEQ, ReaXComp
SPAN, YouLean Loudness Meter

Boltzmann & Gibbs

This is my entry for the 179th edition of KVR's One Synth Challenge - a month when we could use any synth, so I chose u-he's Zebra Legacy, or more specifically, the Dark Zebra. 

"In strange and uncertain times, sometimes a reasonable person might despair, but hope is unreasonable and love is greater even than this. May we trust the inexpressible benevolence of the creative impulse." Robert Fripp

hope is unreasonable - OSC 179 - Double Tap

Dm.Y.Dm - Deeply In The Forest(OSC 179)

Single instance of Regency synth.
Used inside Ildaeil mini-plugin host (as suggested for DAWs without CLAP support).
FX: Renoise built-in Reverb, Delay and EQ. Plus Limiter6 on Master.
Preset made by myself.
DAW: Renoise
This is my third song made for OSC (and probably last one). Greetings for all participants.

PeterBPL - Very Lonely Preset

Shadow Figures OSC#180

23 Surge synthesizers https://surge-synthesizer.github.io/

Self-Learning Customized Parallel Dimension Generators

UC - Self-Learning Customized Parallel Dimension Generators [KVROSC181]

SWC080. "Scaffold" theme.

As main constructors I used the old-and-true L-C-R panning technique to build three drum sets that each play a distinct rhythmic role when the track switches between 4/4, 6/8, and 7/8. The accompanying instruments are also assigned to the above panning matrix to strengthen the scaffolding elements’ positioning, and the percussion serves as a “universal” rhythmic glue. The melody is written in, and the EWI-like solo is improvised in the pentatonic scale to further convey the sense of development from basic building blocks of scales and harmony to something more complex, and the form is mainly A-B-A in analog to the L-C-R panning. “Molly” is perhaps the colorful element of the track, insofar as the beautiful melody feels sassy and playful in contrast to the otherwise “completely serious and down-to-earth” construction environment.

Molly (SWC080)

Track made only using sounds from the Charlatan 3 Synthesizer by BlauKraut Engineering

27x Charlatan 3 Synthesizer
Daw: Cubase 13pro
Stock Cubase Effects:  Compressor, Brickwall Limiter, EQ
3rd Party Plugins:  Fire, Couture, PanCake

Run Faster

MiJoFranDa - Run Faster - Charlatan 3 OSC#182

YYeet - Trick or Rave

Made For KVR OSC 182 - 
Using 20 instances of Charlatan 3 (Clap version) in Mulab v9.5
DAW Fx: limiter, High pass filters, stereo splitter.
Third Party analyser - Voxengo Span

KVR OSC 182 Charlatan3

Coral City OSC182 Charlatan3

Hey, quit your drum improv! I'm trying to play SWORD QUEST IV! I've been level grinding for 30 hours and I still can't get past the first dungeon!

---
This uses about 60 instances of CHARLATAN3. This started as a gag idea mostly for myself, but ended up being far more involved than anticipated. It takes a lot of inspiration from classic Famicom RPG's.

My drummer roommate won't stop practicing while I'm trying to enjoy a game! (#OSC 182)

For more music:
https://sebastianspanache.github.io

Molly (SWC080)

Cdbaksu

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