Available now - https://www.adsrsounds.com/product/uncategorized/wa-production-what-about-slap-house-sidewinder-samples-loops

Step into the pulsating heart of contemporary dance music with What About: Slap House Sidewinder, a standout collection from W. A. Production. This royalty-free pack captures the essence of the rapidly ascending Slap House genre, known for its rhythmic dynamism and deep, resonant basslines. Drawing inspiration from trailblazers like Alok, VIZE, and Dynoro, it’s an essential resource for producers seeking to craft tracks with the signature energy and bounce of Slap House.

At the core of What About: Slap House Sidewinder are elements designed to fuel your creativity and set dance floors alight. Explore a rich assortment of deep, pulsating bass loops that are the hallmark of the genre, alongside crisp, punchy drum beats that drive the rhythm forward. The pack is also replete with a variety of melodic components, from synth leads and plucks to atmospheric pads, all meticulously crafted to infuse your tracks with the unique Slap House vibe.

This collection is not just for seasoned Slap House producers; it’s a gateway for any artist looking to delve into this energetic style. With a focus on high-quality production and contemporary sounds, What About: Slap House Sidewinder equips you with the tools to create music that resonates with modern dance audiences. Unleash the power of Slap House in your productions and watch as your tracks captivate listeners and ignite dancefloors around the world.

Pack Contents:

73 Melody Loops (+ MIDI)
60 Drum Loops
50 Serum Presets
50 Synth Shots
10 Claps
5 Crashes
30 FX
10 Hi-Hats
10 Kicks
20 Percussion
10 Snares
100% Royalty-Free

Total Number Of Files:

401
534.4 MB

Software Requirements:

Xfer Record’s Serum to access the presets

What About: Slap House Sidewinder

W. A. Production - What About: Slap House Sidewinder

Available now https://www.adsrsounds.com/product/presets/epic-stock-media-nexus-drum-kicks-and-snares-samples-loops

Introducing the Nexus Kick & Snare Percussive Collection – a meticulously curated sample pack tailored for producers in pursuit of unparalleled sonic richness and avant-garde inspiration.

Imbibe the intricate nuances woven into the sonic tapestry of our carefully crafted drum pack, showcasing 200 elite kick and snare one shots. Each element has been artfully selected to transcend the ordinary, propelling your hip hop productions to new heights, especially within the realms of underground and boom bap genres.

Immerse yourself in the rich, raw sounds that define the essence of hip hop.

Each one shot has been expertly designed to deliver powerful kicks and snappy snares that resonate with the soul of the genre. Whether you're crafting the next underground anthem or laying down beats for a classic boom bap track, this drum pack provides the foundation you need. What sets our Nexus Kicks and Snares pack apart is the meticulous attention to detail in capturing the authentic textures and nuances that define hip hop's distinctive sound. The kicks pack a punch that cuts through the mix, while the snares deliver that crisp, timeless snap that is characteristic of the genre.

Designed with both ease of use and creative flexibility in mind, these one shots are perfect for producers at any skill level.

Load them into your favorite sampler or drum machine, and instantly infuse your beats with the raw energy that hip hop demands. Everything is organized into understandable folders & meticulously form, bpm and key tagged. We’ve added Sound-miner metadata into the samples to help you find the right sound at the right time. All files are Royalty-Free and supplied to you in high quality 24-Bit .wav audio file format and can be used in the most popular samplers, DAWs, and plugins with drag & drop plugin features.

Pack Contents:

100 kick one shots

100 snare one shots

100% Royalty-Free
Works with All DAW’s 

Total Number Of Files:

200
559 MB

Epic Stock Media - Nexus

Available now https://www.adsrsounds.com/product/presets/image-sounds-big-beat-blazin-energy-samples-loops

Step into the electrifying realm of Big Beat with "Big Beat - Blazin Energy," a powerhouse sample loop library that takes you on a sonic journey through the iconic Big Beat styles that defined an era.

Inspired by legendary artists of this genre, such as The Chemical Brothers, The Prodigy, and Fatboy Slim, this collection encapsulates the essence of Big Beat's explosive energy. This library doesn't just aim to emulate the Big Beat sound – it takes it a step further by offering loops predominantly in the key of E.

This strategic choice unlocks a world of harmonic possibilities, allowing you to effortlessly layer, combine, and harmonize loops to craft an endless array of captivating variations.

Whether you're creating immersive soundscapes, atmospheric textures, or emotive compositions, these loops are your canvas, ready to blend and resonate with one another in perfect harmony. It's 100% royalty-free, freeing you from the constraints of copyright worries. You can dive headfirst into your music projects, whether they're personal creations or commercial releases, with complete peace of mind.

"Big Beat - Blazin Energy" isn't just a sample library; it's your ticket to channeling the explosive energy and timeless vibes of the Big Beat era.

It's a tribute to the music that rocked dance floors and festivals, and it's here to fuel your creative fire. Get ready to ignite your music with this premium-quality, royalty-free sample loop collection, where the key of E unlocks a universe of sonic possibilities. Your Big Beat journey starts here!

All or some samples in this product have already been released in Ueberschall products

Pack Contents:

801 Wav Loops
Tempo & Key Labelled
100% Royalty Free
Format: WAV
24 Bit & 44.1 Khz

Total Number Of Files:

801
1.09 GB

Image Sounds - Big Beat - Blazin Energy

Let me tell you why I made this:
(It's very petty and salty, it's about 5 years of anger bottled up at a city)
I live in Austin. My type of music is not accepted in this scene. For the entire time I've been making music in this city I have been told that basically no one will ever like my music without being told straight to my face, or ya know, being told my music sucks. But now, I have had ALBUMS back to back, produced, mixed, written, all by me, IN MY BEDROOM that have done well and people love. So you can not tell me I suck. You suck. You're close minded and you just won't give me a chance. You're stuck chasing trap metal or whatever is trending when I am trying to be original, be myself. I have numbers and reviews that prove yes my music is objectively considered good. Yes I can get a crowd hype. You just don't even give me a chance because I'm not a lil darkie clone or summrs' clone 356. It's funny because some of the people in the scene in this city only got involved because in school I was the first to make music. Think about that. Now they want nothing to do with me. I'm not gonna say my music has been good for the entire time I've been doing this, but damn the numbers ain't lying now. Get off your god complex. - YTR Forever (The name came from the fact I was talking about this on my instagram story this morning, and some dude who I forgot why he was following me or who he was, posted that shit in response on his without tagging me like I wouldn't see lol, the post is in the cover art. No I will not wrap it up. We just began)

WRAP IT UP

Satyavan is miraculously revived.

Moragh Brooksbank, Maryam Best – Vocals
Charlotte Stock, Andrew Jones, Anna Clark – Strings
Silbert Morris, Henry Miller - Djembe, Kumina Drums
Elizabeth Hall - Marimba, Xylophone, Gyil (Ghanaian Xylophone), Djembe, Stick
Christopher Best - Marimba, Glass, Voices, Sequencing, Sampling
Madeleine Bischof - Contrabass Flute
Peter Bernard – Trumpet
Leo Bachmann - Contrabass Tuba
With members of the Dartington College of Arts Balinese Gamelan led by Saj Heming

Recording engineer -  Christopher Best
Image from Twilight Tempest of Love and Death by Indra Thiagarajah

Buy at CD quality

Waking Dance 09 The Unveiling

Half my day was spent putting this song up here, taking it down, redoing the vocals, the guitars, the mix, the, the vocals and guitars again and again and again and again...I don't know at this point if I'll ever be fully satisfied w/ this song but for now I'm going to bed because it's six am and I've been at it an insane amount of hours. Got some other dope songs done tho so that's koo,,. Enjoy!

Fire In The Sky (V4)

DEGMS S1:E2 Don't Even Get Me Started

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Heating-Equipment-Supplier-Scottsdale-AZ

endeavour

Early Two

Embark on a mesmerizing journey with Sergio Suárez Benítez's 'Rhythmic Odyssey,' an instrumental marvel that invites you to explore the vast and diverse landscapes of electronic music. This album is a dynamic tapestry of beats, seamlessly blending ambient, techno, and house into an exhilarating symphony that charts a course through rhythmic dimensions.

From the first ethereal notes that envelope you, 'Rhythmic Odyssey' sets the stage with ambient undertones, creating a contemplative atmosphere that serves as the prelude to an auditory adventure. As the album unfolds, techno beats emerge, establishing a rhythmic foundation that propels you into the heart of the odyssey. House influences weave seamlessly, infusing an infectious groove that beckons you to surrender to the dance of sonic elements.

Trance echoes elevate the symphonic experience, guiding you through otherworldly soundscapes within the odyssey. Dubstep intricacies add a dynamic and unpredictable quality, creating peaks and valleys that mirror the emotional depth of the composition. Breakbeat rhythms contribute to the ebb and flow, ensuring each track is a unique exploration of beats along the rhythmic odyssey.

Downtempo interludes offer moments of reflection, allowing the listener to catch their breath amidst the relentless dance of beats. Benítez's exploration of IDM and chillout genres introduces a delicate balance, showcasing mastery in evoking emotions without the need for lyrics. Acid-infused moments and synthwave vibes add a futuristic allure, creating a sonic palette that is both contemporary and timeless.

Glitchy textures and drumstep intricacies bring an experimental undertone, challenging your perception of rhythmic patterns within the odyssey. Hardcore influences surge through, injecting an adrenaline rush that heightens the intensity of the composition. Electro and minimal undertones reveal meticulous craftsmanship, where every sonic element plays a pivotal role in shaping the overall auditory experience.

Psytrance and industrial tones interweave, creating a symphony that mirrors the complexity of 'Rhythmic Odyssey.' The bass resonates with a commanding presence, providing a solid foundation for the album's progressive and synthpop elements. Jungle beats and nu-disco aesthetics infuse a lively energy, inviting you to join the dance within the odyssey.

This album is more than a collection of tracks; it's a sonic exploration that invites you to traverse the expansive landscapes of instrumental electronic music. I implore you to immerse yourself in the 'Rhythmic Odyssey,' let the music echo within, and share this extraordinary experience with fellow enthusiasts on social networks. Sergio Suárez Benítez has crafted a masterpiece that transcends conventional genres, beckoning you to be part of the 'Rhythmic Odyssey' experience. Listen, share, and let the beats of the odyssey be the soundtrack to your rhythmic exploration.

Rhythmic Odyssey

Christopher Best is a freelance composer based in the Southwest of England, writing mostly concert, stage and acousmatic music. 

Commissioning groups have included the Malta Philharmonic Orchestra, the Fisarchi Ensemble of Florence, Scottish Dance Theatre, Jamaican National Dance, Emilyn Claid & Co., and Bimba Dance Theatre. Works have also been written for ensembles such as Aquarius, Jane's Minstrels, Kokoro, the choir of Selwyn College Cambridge and Onyx Brass.

In making new work, Chris places particular emphasis on collaborating with performers, and is grateful for having had the opportunity to do so with such distinguished musicians as accordionist Miloš Milivojević, trumpeter Alan Thomas, cellist Rohan de Saram, flautist William Sleath, pianists Tim Carey, Raymond Clarke and Julian Hellaby, harpist Ruth Wall, guitarist Matthew Marshall and organists Simon Hogan and Daniel Moult. 

His music has received widespread critical acclaim and been performed and broadcast internationally. Since 2010 Chris has held a senior lectureship at Falmouth University, having formerly been Reader in music composition at Dartington College of Arts in Devon. He has taught extensively throughout the UK and abroad, and co-directed residential music and dance exchanges in Devon, Manchester, London and Madrid.

Recent output includes the acousmatic cycle Worlds; Hawaiki; Six Conceptions for chorus and orchestra, Clarion Song for trumpet and organ; Odes and Episodes and Echoes of a Lost Music, both for electric guitar; They Fall, They Dance for flute and string quartet; Scending for flutes and accordion and Fragilities for flutes and cello.

For further information, scores, parts and recordings visit composer’s website:
https://chrisbestmusic.com

Waking Dance 09 The Unveiling

Chrisbestmusic

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