Better late than never.

Dürerstuben - Haeckls Kosmos
Rise & Fool - Toy Boy (Le Crayon Remix)
Luke Million - Sun Splash
Hot Toddy - Down to Love
CHVRCHES - The Mother We Share (Moon Boots Remix)
Surahn - Wonderful (Aeroplane Remix)
Yuksek (featuring Juveniles) - Truth

110bpm

A Bushy Mixtape - Nov 2013

22.2

Download: https://atishmusic.lnk.to/surfacetension

Happy to share a new studio mix today. For this instalment, I pulled back by slowing some tracks down and deliberately sustaining the transitions, resulting in a steady, contemplative feel. There's a bit of tension in this mix, bookended by some beautiful breezy summer tunes that I've been feeling. Hope you enjoy!

Tracklist: https://bit.ly/surfacetensiontracklist

As always, big thanks to my Patreon supporters, VIP tier and above:  Alex Kremer, Darius, Drew Proud, Farah Nanji, Gatsbo, James Fish, Jarry Ahmad, Mani, Michael S, Michelle, Reza, and Saqib.

Sign up for my mailer: bit.ly/atishmusic

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@atish

Check my latest gigs here: www.bandsintown.com/atish / bit.ly/atishsk

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Download

atish - [091] - august 2022 - surface tension

Consisting of No Replay, Pedro Bucarelli, and Zakov, rising act Triad brings us back to the infamous Albanian beach with a hell of two hours full of grooves and good vibes. After joining forces back in 2015, the Barcelona-based artists and Watermelon brand founders have been working nonstop, following a strict one-record-each concept for the full duration of the show in the same vision as Apollonia or a:rpia:r Soundsystem sharing tracks from minimal & micro-house mixed with classic house and deep tracks. This is all what Triad is all about and you're about to find it out on this Live Moments episode.

Follow Triad
on Facebook: https://www.facebook.com/TriadSlice
on Soundcloud: https://soundcloud.com/triadslice

MEOKO Live Moments with Triad - recorded @ UNUM Festival, Shengjin (05/06/2022)

PREORDER ALBUM
https://lautundlui.se/produkt/lul021brigadehard-times-soft-music/

In a time where electronic music gets harder and faster each day, Berlin-based duo Brigade‘s debut album „Hard Times, Soft Music“ reclaims easy listening as a badge of honour. Being released on the 14.10.2022, the record is a meticulously calibrated work of room temperature, a home cooked meal between friends or a warm sonic blanket that tugs you in after a rainy day. Pushing their club roots to the side, Brigade‘s debut album confidently sits between ambient, house and hip hop. „We took the pandemic as a cue to take a break from dancefloor productions and play around with different genres and production styles.“ The first single „International Communication™“ showcases that breadth and introduces an album pretty much anyone in the post-Shrek cultural landscape could agree on. Basically, if you appreciate a good hug, chances are you‘ll enjoy this LP. 
Also, theres a pretty cute dog on the cover.

∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿

Artist: @brigadeberlin
Titel:  Hard Times, Soft Music
Label: Laut & Luise
Cat-No: LUL021
Distribution: KOMPAKT
Format: 12” Vinyl + Digital
Release Date: October 2022

Hard Times, Soft Music

PREORDER

Brigade - International Communication™ (LUL021)

Für die Ewigwachgebliebenen zum Feierabendbier, für die Frühaufsteher als Seelenfutter zum Wochenbeginn: Montagssorbet mit Laut & Luise. Alles erlaubt, was gut tut und Gedanken kreisen lässt, nur der Name ist Programm: cremig, fluffig und ganz schön weich.

Das ist einfach nicht das Leben, das wir kannten. Muss man einfach sagen. Das kannst auch keim erzählen. Aber irgendwie hat's auch was schönes, weil's so ruhig ist. Montagssorbet mit @IsabeauFort.

(Intro: by Isabeau's besties | Photo: Julia Moebus)

#129: Isabeau Fort - Montagssorbet mit Laut & Luise

well, don't take this too serious, if you are into underground electronic music and if you don't understand any German.
this is a mix only including tunes with German lyrics.
I made this mix if for my son Otis including some of his favorite tunes, probably just because he understands the lyrics and can sing along :)

Deutschstunde: Mix 4 Otis

The first mix this year, recorded in the early morning, leaving day of spring. In these comfortable days of May, I especially wanted to remember the rhythms of house sound that made my inspiration to meet the morning of the dJ console. 


Taken by my father, in far 1987, in the street where I was born and spent his childhood.

Gallery

| mixtape My Street-My House

www.thelotradio.com
instagram.com/thelotradio
facebook.com/thelotradio
twitter.com/thelotradio
@thelotradio

Soul Clap Records Show with Eli and guest Till Von Sein @ The Lot Radio 12 - 17 - 2019

D Ü R E R S T U B E N
◆ Facebook: www.facebook.com/duererstuben
◆ Soundcloud: @duererstuben

Monaberry Podberry

Monaberry Podberry 55 – Dürerstuben

- Gina Sabatini auf FB: facebook.com/sabatinigina/
- Heimlich auf FB: facebook.com/heimlichmusik
- Artwork: www.instagram.com/vakat.at

Gemütlich und gemächlich schallt es aus dem Speaker. 
Mit Superleckerlis im Gepäck verpasst uns Gina eine gediegene Schelle nach der Anderen. Geflasht von den sanften, akustischen Backpfeiffen, spacen wir völlig weg und fühlen uns wie am Ostende auf der Slowereastside. Wem das noch nicht genug ist, kann gerne noch ne Afterhour mit dran hängen, passt nämlich vom Sound her.

Danke @gina-sabatini <3

Heimlich Music Podcasts

Heimlich auf FB

Heimlich Podcast #50 by Gina Sabatini

ABOUT & My STORY:
I’ve had that wish to turn the volume and frequency controls ever since I was a child. Once my Father plugged in an old reel tape recorder to record my voice, and I helped him at that. 
My first acquaintance with music dates back to 1989, when I was 6. The source was a magnetic tape on our old Soviet recorder, Jupiter 202. I listened to the tapes of Space, Pink Floyd, ABBA, Yello.
I was a pioneer in a summer camp, when I got into a DJ’s cabin for the first time. Then came the chance to play the first cassette – one of Technotronic.
When I was 12, I liked 2 Unlimited, Snap, Сulture Beat, Real 2 Real. 
1995. As I was growing up and the Soviet Union was falling apart, RAP was imported into our country. I bought my first modern tape recorder and began to spend all my money onaudio tapes of RAP performers.
1998. The first wave of RAP music retreated, and the group in which I had been singing broke up.My attention was then caught by a new radio station that played electromusic -  "Station 106.8 fm".
Back then, very few radio stations could boast DJs who played Hardcore,Trance,Jungle. 
Buying unrecorded tapes and recording radio broadcasts on them became my new hobby. I began to form new musical preferences. The number of broadcasts grew, and so did the number of my recorded tapes. Broadcasts with Acid-Trance and Techno-Trance music followed, and I gave them all of my attention. 
In 1999 radio station 106.8 fm brought me to a night club for the first time. The power of the clubloudspeakers amazed me so much that Ifell in lovewith club music. Installing professional DJ equipment at home became my biggest wish. After the visit to the club, I joined the Psychedelic movement.  Ilistenedto 106.8 fm practicall yevery night. 
2000 became the turning point in my understanding of the electronic culture because that was when I heard Rave for the first time.
From 2001 on I was not only a club DJ, but also one for school discos. That year I discovered the recordings of Jeff Mills, Joe Beltram, Dj Tonka and Mateo&Matos that motivated me to listen to Techno and House.
But Psychedelic music remained my No.1 choice. I got to know more and more people in the field and started to buy electromusic from the shop where the best-known DJs of Moscow worked.
In 2002 I rented an underground accommodation in a public office to arrange discos. Due to its location, the club got the name ‘Sewer’. The same year I had OpenAirs under the name of the club, which had both afterparty and preparty format. My nick then was Dj Hipnotyc, and I learned to handle DAT,MD and CD carriers. 
2003 brought another turning point, which had been meant to be: I discovered 5 discs: Process, Distrurbedances, RichardDavis, Maurizio and MRI. The sound captured me so completely that I stopped to collect Trance. In addition, Chris Korda came to Moscow, and he broke my stereotypes of how a DJ should work. A lot of music was produced to capture my mind: Gamat 3000, the first album SCSI9 of Anton Kubikov. Techno bar Phlegmatic dog was opened, which was later on frequented by many German techno stars.
2004-2007 were spent collecting not only compact discs but also vinyl and online releases. I tried to get my hands on anything that caught my attention: from Ambient and Trip-Hop to Electro and Classic music.
I gave some DJ performances in bars and tea-houses of Moscow. The music from radio station Deepmix and labels: Autoplate,Dial,Bpitchcontrol,Border community,Forcetracks,Resopal,Resist,Playhouse,Perlon,Sutemos,Sonar Kollektiv,No-Response,Kyoto,Klang Electronic, Traumschallplatten,Thinner,PlasticCity,Mule electronic,Morris Audio,Insectorama  were magnetic for me, especially  Peter M.Kersten aka Lawrence, Boards of Canada and Erlend Que.
Now I am more of a music collector than a DJ.
/Andrew/

| mixtape My Street-My House

Jupiter 202

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