STUDI

Blu Deux
by Philippe Lamy & MonoLogue
https://marieelerose.bandcamp.com/album/blue-deux-by-philippe-lamy-monologue

Collaboration can often be a difficult prospect for some musicians, with one artist’s vision often superseding their partner’s in a cyclical bout of directionless one-upmanship. But sometimes, you find that perfect balance of creativity and rhythmic elasticity, and something miraculous is created. For French musician Philippe Lamy and Italian artist MonoLogue (aka Maria Rosa Sarri), this idea of call-and-response musicality has given each the necessary impetus to sharpen their already impressive and impressionistic aesthetics against the keystone of common and separate melodic foundations. Both Lamy and Sarri have pushed the boundaries of experimental music and noise to their proper extremes, but under the guise of cooperation, they’ve found a deeper and more emotional stability to their dizzying and often cacophonous work. 

On “Blu Deaux,” their new cooperative cassette, Lamy and Sarri venture into some fringe electronic landscapes. Full of inspired glitches, unexpected percussive cycles and frayed melodies, these tracks invoke a darker and more experiential approach to these complex and unhinged sounds. By allowing these transmissions to unwind at their leisure, we’re given a small opening through which to peer at the clacking revelations inherent to these pieces of wired eclecticism. They often start in the most unsuspecting manner before becoming fully illuminated in their hiss-filled grandeur. There is a tendency within the genre to maintain a discrete distance from these writhing electronic movements, we’re given no such luxury as both artists force our attention squarely on the creation and resolution of circuital sounds which possess an operatic bearing and promise. 
credits
released December 12, 2016 

Music composed and performed by MonoLogue (Marie e le Rose) and Philippe Lamy. 

Executive production and editing by MonoLogue (Marie e le Rose) 
in PynkLab StudioS and AmanitaConceptualResearch Labs 

Moon Ra aka Marie e le Rose aka MonoLogue 
www.facebook.com/MarieRoseLAB 
soundcloud.com/marie_e_le_rose 
marie.e.le.rose@gmail.com 

Philippe Lamy 
www.facebook.com/Philippe.Lamy.Official/?fref=ts 
www.philippe-lamy.net 
soundcloud.com/philippe-lamy 

Mastering byFix In The Mix 
fixinthemixlabs@gmail.com 
www.facebook.com/FixInTheMixLABS 

Art by Elena Zago 
www.facebook.com/KLLRimages 
www.flickr.com/photos/occhiodistrega 
(www.facebook.com/medeaaminamorgante) 

For a better performance 
we recommend listening with a 
great pair of headphones!!



license
all rights reserved

BUY on BANDCAMP

PREVIEW: "Blu Deux" by Philippe Lamy & MonoLogue for PHINERY

MOON RA
Space is STILL the Place
an EP on 
No Problema Tapes

NOP-007

http://noproblematapes.bandcamp.com/album/space-is-still-the-place

MOON RA's "Space is STILL the Place"

from the EP for the label NO PROBLEMA TAPES
"Space is STILL the Place" by MOON RA

Buy digital and tape

ACME

from the EP for the label NO PROBLEMA TAPES
"Space is STILL the Place" by MOON RA

http://noproblematapes.bandcamp.com/album/space-is-still-the-place

Il Est Fou (eruption)

developmental disorder

questo set è formato soltanto da un brano musicale. le preview di ascolto del brano sono due: la prima eseguita soltanto con l'hang (strumento a percussione melodico/armonico -http://en.wikipedia.org/wiki/Hang_(musical_instrument) http://it.wikipedia.org/wiki/Hang- e la seconda con voce e hang.nel pezzo è stato usata soltanto un minimo di elettronica e di effettistica. tutto quello che si sente è frutto delle armoniche realizzate dalla voce e dall'hang, delle varie tecniche percussive, della vocalità usata come strumento musicale.il brano musicale, regolarmente registrato s.i.a.e., fa parte di un progetto specifico "in progress"!

this set is formed only by a piece of music. the preview of the song are two listening: the first is done only with the hang (melodic/harmonic percussion instrument -http://en.wikipedia.org/wiki/Hang_(musical_instrument) http://it.wikipedia.org/wiki/Hang- and the second is done with voice and hang. in the piece was only used a minimal electronics and effects. everything you hear is the fruit of harmonics produced by the voice and hang, various percussive techniques, voice used as a musical instrument. the song, regularly registered by Italian society of authors publishers, is covered by the laws of copyright. "change" is part of a project specific "in progress"!

rosa maria sarri: composer, musician
daniela dolce: voice
nicola cavina (eipe records), rosa maria sarri: arrangement
nicola cavina (eipe records): recording and post production audio.

CHANGES: an instrumental remixed abstract

due pianoforti.
quattro mani.
due tempi diversi.
un'immersione.
dove?
chiudete gli occhi e guardate.
(omaggio a gavin bryars).
il brano è regolarmente registrato alla s.i.a.e. e coperto dai diritti d'autore.
piano: gaia palesati
piano: rosa maria sarri
arrangiamento: rosa maria sarri
recording, editing e mastering: rosa maria sarri e nicola cavina (eipe records)
two pianos. four hands.
two different times.
an immersion.
where?
close your eyes and look.
(tribute to gavin bryars).
 the song, regularly registered by Italian society of authors publishers, is covered by the laws of copyright. 
piano: gaia palesati
piano: rosa maria sarri
arrangement: rosa maria sarri
recording, editing and mastering: rosa maria sarri and nicola cavina (eipe records)
foto (photos): http://www.flickr.com/photos/marieelerose/sets/72157627048114966/


Preview CHIUDI GLI OCCHI E GUARDAMI (close your eyes and see me) ft. GAIA PALESATI

Enmossed x Psychic Liberation (ENXPL) is pleased to present the first section of "Micro", a trittico (three-part operatic suite) by Afro-Belgian, Italy-based musician, composer, sound designer and music art therapist Marie Rose Sarri. With extensive academic training and now helming the well-equipped studio FixInTheMix LABS, Marie Rose creates music in "a 360° mode". Sarri expresses a cultivated sonic curiosity across commissioned pieces for radio, television, film, installations, and festivals, as well as through a variety of monikers (Marie e le Rose, Moon RA, MonoLogue, and more) in the form of numerous releases for labels worldwide. 

"Controvento" is a 40-minute electro-acoustic surround-sound composition marked by meticulous sound design and elegant progression. Combining modern computer-based composition methods with traditional analog processing, the stereo mixdown presentation of "Controvento" is warmly inviting, floating the listener across breezy vistas. A subtle foreboding provides a counterpoint to playful whispers and whooshes, harkening to both Groupe de Recherches Musicales (GRM) and basement ambient tapers of the latter half of the 20th century. But Marie Rose's masterful execution places "Controvento" in a class of its own, a singular piece centered in the present day. 



Composed, recorded, and digital mastering by Marie Rose Sarri 
Mastering for cassette tape by Glyn Maier 
Design and layout by RJM Vanderheyden 

Includes unlimited streaming of CONTROVENTO via the free Bandcamp app, plus high-quality download in MP3, FLAC and more

CONTROVENTO

BUY tape&digital

Marie Rose Sarri - CONTROVENTO_excerpt from ENXPL07

• a previously constructed track was inserted into the Sloom plugin. Sloom is an extreme timestretcher from Anemond. I used it in the standalone version and then hosted it as a plugin within Ableton's Live (Suite version 11.3) ||\

:::::::: I modified the stretch percentage and used the ‘wide’ agorithm to paint a panorama, resorting to the spectral shaper to avoid the likely excessive staticity of the stretched sounds. 
I worked on a low stretch to create a phrase even though I then cut sharply by not creating an ending |\\

_the character of the texture is descriptive, ambient, very suitable for accompanying images, so not overly invasive •



studio A

• "happy halloween" is a track born as demo for @UVI-official Modular Drums.
the short edit is here https://www.uvi.net/modular-drums 
or here https://on.soundcloud.com/yfDk4BFfQg4uwfX39 \||

|| studio B is the long edit •

:::: the challenge was to build a track only with the sounds from Modular Drums. I was able to do this by only inserting an external sound (the sound of the digital piano) which comes from another package also made by UVI.
all the rest of the sounds were made from Modular Drums presets, modifying them in various ways \||

• after listening to a few presets and testing the sounds and timbres in various ways, I decided to dive into this challenge by taking as my pretext the time when this Falcon synth expansion would be launched: October, so close to Halloween \||

so, after establishing an imaginary context and a rough outline of structure, I took as examples some names of people associated with this period: Alfred Hitchcock, John Carpenter, Rob Zombie •

1) Hitchcock is remembered here for the movie Psycho, in the orchestration and arrangement of the string section (in which he somewhat participated) for the famous shower stabbing scene. the initial sound design (the initial percussive sound to which a delay was applied by a plugin also from the UVI factory: Relayer) recalls just that. this sound comes out at the end to indicate the beginning and end of the track and the division of the various parts of the track.
https://en.wikipedia.org/wiki/Psycho_(1960_film)

2) Carpenter is remembered in the track written for him by E. Morricone for the film "The Thing". the rhythmic accompaniment of my track mimics that of the movie's main theme. however, anticipating an increase in bpm throughout the track, I used a different numerical bpm value. as for the instruments used, in order to create a wider frequency texture, I doubled the notes played on the bass in the upper octaves, playing them with other presets. in this way, the compactness of the rhythm constituted a structure that suggested a specific narrative.

3) Zombie is, to tell the truth, the main inspiration for the whole track, in particular the way he uses sound in the film Halloween - The Beginning. a few channels with a few instruments from Modular Drums were used for the construction of the track. however, many other channels of the DAW in which I hosted Falcon, Ableton Live, were used to create the small ‘disturbing’ sound cues. particularly high-pitched sounds popping out of the magma of the mid and low-mid frequencies, drones of low frequencies escaping from this magma thanks to the various compressor side-chains and so on.



• the track was not voluntarily subjected to any particular mastering after its realisation. the mastering performed is a simple ‘in the box’ chain to check what would appear in various listening forms (earphones, consumer monitors, computer monitors) to avoid important parts disappearing, carrier frequencies being cut or the initial intention changing •

studio B_happy halloween

this is the abstract of my guitar suite "corde a distanze minime".
it's a study of the track "materia vivente", a rielaboration for guitar.
it's in low resolution.
THIS IS THE COMPLETE TRACK!. it's still a "work in progress".

questo è l'estratto della mia suite per chitarra "corde a distanze minime".
è uno studio della traccia "materia vivente", una sua rielaborazione per chitarra.
è in bassa risoluzione.
QUESTA è LA TRACCIA COMPLETA! anche se si tratta comunque di uno "work in progress".

CORDE A DISTANZE MINIME-STRINGS TO MINIMUM DISTANCES   (beta-low fi)

Collaboration can often be a difficult prospect for some musicians, with one artist’s vision often superseding their partner’s in a cyclical bout of directionless one-upmanship. But sometimes, you find that perfect balance of creativity and rhythmic elasticity, and something miraculous is created. For French musician Philippe Lamy and Italian artist MonoLogue (aka Maria Rosa Sarri), this idea of call-and-response musicality has given each the necessary impetus to sharpen their already impressive and impressionistic aesthetics against the keystone of common and separate melodic foundations. Both Lamy and Sarri have pushed the boundaries of experimental music and noise to their proper extremes, but under the guise of cooperation, they’ve found a deeper and more emotional stability to their dizzying and often cacophonous work. 

On “Blu Deaux,” their new cooperative cassette, Lamy and Sarri venture into some fringe electronic landscapes. Full of inspired glitches, unexpected percussive cycles and frayed melodies, these tracks invoke a darker and more experiential approach to these complex and unhinged sounds. By allowing these transmissions to unwind at their leisure, we’re given a small opening through which to peer at the clacking revelations inherent to these pieces of wired eclecticism. They often start in the most unsuspecting manner before becoming fully illuminated in their hiss-filled grandeur. There is a tendency within the genre to maintain a discrete distance from these writhing electronic movements, we’re given no such luxury as both artists force our attention squarely on the creation and resolution of circuital sounds which possess an operatic bearing and promise. 
credits
released December 12, 2016 

Music composed and performed by MonoLogue (Marie e le Rose) and Philippe Lamy. 

Executive production and editing by MonoLogue (Marie e le Rose) 
in PynkLab StudioS and AmanitaConceptualResearch Labs 

Moon Ra aka Marie e le Rose aka MonoLogue 
www.facebook.com/MarieRoseLAB 
soundcloud.com/marie_e_le_rose 
marie.e.le.rose@gmail.com 

Philippe Lamy 
www.facebook.com/Philippe.Lamy.Official/?fref=ts 
www.philippe-lamy.net 
soundcloud.com/philippe-lamy 

Mastering byFix In The Mix 
fixinthemixlabs@gmail.com 
www.facebook.com/FixInTheMixLABS 

Art by Elena Zago 
www.facebook.com/KLLRimages 
www.flickr.com/photos/occhiodistrega 
(www.facebook.com/medeaaminamorgante) 

For a better performance 
we recommend listening with a 
great pair of headphones!!

license: all rights reserved

A1.Tout est blu from "Blu Deux" by Philippe Lamy & MonoLogue for Phinery

A2.Les yeux de mezzanotte from "Blu Deux" by Philippe Lamy & MonoLogue for Phinery

remix of CHANGE.
by nicola cavina (eipe records) 
http://soundcloud.com/nicola-cavina
http://soundcloud.com/nicola-cavina/borg-material

CHANGE
by marie.e.le.rose
http://soundcloud.com/marie_e_le_rose/change

photo by: j. menichetti
http://www.flickr.com/photos/jacopomenichetti/

BORG MATERIAL

Moon RA LIVE "Sinestesie Overseas" FLORENCE - 20th of May, 2018

new ep by "rue analogique, 11" on Fresh yO! label

FREE download:
http://freshyolabel.com/2012/rue-analogique-11-red-signal-e-p/
http://freshyolabel.bandcamp.com/

teaser video:
http://vimeo.com/54252403

Infinite vision Part2

ITA
i brani sono stati composti e realizzati fra il 2011 ed il 2012.
le tracce compongono una suite che parla dei disastri naturali: terremoti, alluvioni e uragani.
niente rimanda rumoristicamente e didascalicamente alle materie principali: aria, acqua e terra. i suoni seguono i principi della sinestesia per provocare sensazioni che richiamino i contesti, le materie stesse e ciò che provocano.

-"broken cities" (terremoti): tape recorder tascam 133, korg ES1, una vecchia radiotrasmittente, akai mfc 42, alesis 3630.
-"underwater cities" (alluvioni): piano recordings, 5 strings double bass recordings, akai mfc42, korg ER1, field recordings, LAaudio MPX1, TLaudio 5013, tape recorder tascam 133.
-"windy cities" (uragani): sherman filterbank, tape recorder tascam 133, lexicon vortex, filed recordings, akai s950, microkorg, TLaudio 5013.

http://manyfeetunder.bandcamp.com/album/monologue-oblivion-atlas
la cover è un quadro dell'artista cody hooper, "summer storm".
(www.codyhooperart.com)



ENG
the songs were composed and produced between 2011 and 2012.
the tracks make up a suite that speaks  about natural disasters: earthquakes, floods and hurricanes.
nothing refer rumbling and didactically to the main subjects: air, water and earth. sounds follow the principles of synesthesia to produce sensations that recall the context, the subjects and what they cause.

-"broken cities" (earthquakes): tape recorder tascam 133, korg ES1, an old radiotrasmitter, akai mfc 42, alesis 3630.
-"underwater cities" (floods): piano recordings, 5 strings double bass recordings, akai mfc42, korg ER1, field recordings, LAaudio MPX1, TLaudio 5013, tape recorder tascam 133.
-"windy cities" (hurricanes): sherman filterbank, tape recorder tascam 133, lexicon vortex, filed recordings, akai s950, microkorg, TLaudio 5013.

http://manyfeetunder.bandcamp.com/album/monologue-oblivion-atlas
the cover is a painting by the artist cody hooper, "summer storm".
(www.codyhooperart.com)




MonoLogue is one of the projects by Marie e le Rose
www.facebook.com/MarieRoseLAB
soundcloud.com/marie_e_le_rose
vimeo.com/marieelerose
twitter.com/marieelerose



Broken Cities

ITA
i brani sono stati composti e realizzati fra il 2011 ed il 2012.
le tracce compongono una suite che parla dei disastri naturali: terremoti, alluvioni e uragani.
niente rimanda rumoristicamente e didascalicamente alle materie principali: aria, acqua e terra. i suoni seguono i principi della sinestesia per provocare sensazioni che richiamino i contesti, le materie stesse e ciò che provocano.

-"broken cities" (terremoti): tape recorder tascam 133, korg ES1, una vecchia radiotrasmittente, akai mfc 42, alesis 3630.
-"underwater cities" (alluvioni): piano recordings, 5 strings double bass recordings, akai mfc42, korg ER1, field recordings, LAaudio MPX1, TLaudio 5013, tape recorder tascam 133.
-"windy cities" (uragani): sherman filterbank, tape recorder tascam 133, lexicon vortex, filed recordings, akai s950, microkorg, TLaudio 5013.

http://manyfeetunder.bandcamp.com/album/monologue-oblivion-atlas
la cover è un quadro dell'artista cody hooper, "summer storm".
(www.codyhooperart.com)



ENG
the songs were composed and produced between 2011 and 2012.
the tracks make up a suite that speaks  about natural disasters: earthquakes, floods and hurricanes.
nothing refer rumbling and didactically to the main subjects: air, water and earth. sounds follow the principles of synesthesia to produce sensations that recall the context, the subjects and what they cause.

-"broken cities" (earthquakes): tape recorder tascam 133, korg ES1, an old radiotrasmitter, akai mfc 42, alesis 3630.
-"underwater cities" (floods): piano recordings, 5 strings double bass recordings, akai mfc42, korg ER1, field recordings, LAaudio MPX1, TLaudio 5013, tape recorder tascam 133.
-"windy cities" (hurricanes): sherman filterbank, tape recorder tascam 133, lexicon vortex, filed recordings, akai s950, microkorg, TLaudio 5013.

http://manyfeetunder.bandcamp.com/album/monologue-oblivion-atlas
the cover is a painting by the artist cody hooper, "summer storm".
(www.codyhooperart.com)




MonoLogue is one of the projects by Marie e le Rose
www.facebook.com/MarieRoseLAB
soundcloud.com/marie_e_le_rose
vimeo.com/marieelerose
twitter.com/marieelerose




Underwater Cities

ITA
i brani sono stati composti e realizzati fra il 2011 ed il 2012.
le tracce compongono una suite che parla dei disastri naturali: terremoti, alluvioni e uragani.
niente rimanda rumoristicamente e didascalicamente alle materie principali: aria, acqua e terra. i suoni seguono i principi della sinestesia per provocare sensazioni che richiamino i contesti, le materie stesse e ciò che provocano.

-"broken cities" (terremoti): tape recorder tascam 133, korg ES1, una vecchia radiotrasmittente, akai mfc 42, alesis 3630.
-"underwater cities" (alluvioni): piano recordings, 5 strings double bass recordings, akai mfc42, korg ER1, field recordings, LAaudio MPX1, TLaudio 5013, tape recorder tascam 133.
-"windy cities" (uragani): sherman filterbank, tape recorder tascam 133, lexicon vortex, filed recordings, akai s950, microkorg, TLaudio 5013.

manyfeetunder.bandcamp.com/album/monologue-oblivion-atlas
la cover è un quadro dell'artista cody hooper, "summer storm".
(www.codyhooperart.com)

ENG
the songs were composed and produced between 2011 and 2012.
the tracks make up a suite that speaks about natural disasters: earthquakes, floods and hurricanes.
nothing refer rumbling and didactically to the main subjects: air, water and earth. sounds follow the principles of synesthesia to produce sensations that recall the context, the subjects and what they cause.

-"broken cities" (earthquakes): tape recorder tascam 133, korg ES1, an old radiotrasmitter, akai mfc 42, alesis 3630.
-"underwater cities" (floods): piano recordings, 5 strings double bass recordings, akai mfc42, korg ER1, field recordings, LAaudio MPX1, TLaudio 5013, tape recorder tascam 133.
-"windy cities" (hurricanes): sherman filterbank, tape recorder tascam 133, lexicon vortex, filed recordings, akai s950, microkorg, TLaudio 5013.

manyfeetunder.bandcamp.com/album/monologue-oblivion-atlas
the cover is a painting by the artist cody hooper, "summer storm".
(www.codyhooperart.com)

MonoLogue is one of the projects by Marie e le Rose
www.facebook.com/MarieRoseLAB
@marie_e_le_rose
vimeo.com/marieelerose
twitter.com/marieelerose

Windy Cities

from the ep "Perfect Imperfection"
Laverna 

"PERFECT IMPERFECTION"
"small sonata for humans and machines"

Lav56

all tracks composed and performed by MonoLogue
executive production and editing by MonoLogue
in PynkLab StudioS
mastering by
Amanita Studios

tracklist:
1.the ghost (prelude) -tape mix-
2.walking inside me
3.wandering dream in distortion (interludio) -tape mix-
4.eclectic electric in distortion (scherzo) -tape mix-
5.the ghost in the machine (fuga)
6.no words (postlude)

MonoLogue is a concept by Marie e le Rose.

photo by Fabio Orsi
behance.net/orsifabio
design by: Diego Ritz
video by: Robert O'Donnell
be.net/robertodonnell

contacts: marie.e.le.rose@gmail.com
monologue.bandcamp.com/


laverna netlabel: laverna.net

1.the ghost (prelude) from "Perfect Imperfection"

from the ep "Perfect Imperfection"
Laverna

"PERFECT IMPERFECTION"
"small sonata for humans and machines"

Lav56

all tracks composed and performed by MonoLogue
executive production and editing by MonoLogue
in PynkLab StudioS
mastering by
Amanita Studios

tracklist:
1.the ghost (prelude) -tape mix-
2.walking inside me
3.wandering dream in distortion (interludio) -tape mix-
4.eclectic electric in distortion (scherzo) -tape mix-
5.the ghost in the machine (fuga)
6.no words (postlude)

MonoLogue is a concept by Marie e le Rose.

photo by Fabio Orsi
behance.net/orsifabio
design by: Diego Ritz
video by: Robert O'Donnell
be.net/robertodonnell

contacts: marie.e.le.rose@gmail.com
monologue.bandcamp.com/

laverna netlabel: laverna.net

2.walking inside me

3.wandering dreams in distortion (interludio)

4.eclectic electric in distortion (scherzo)

5.the ghost in the machine (fuga)

6.no words (postlude)

Marie Rose (aka Marie e le Rose aka MonoLogue aka Moon RA)

MuSIciAn and COmPoseR, SoundCreator/SoundDesigner and Music Consultant

mastering_mix_sound design w/ FixInTheMixLABS (DM me)

marie.e.le.rose

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