Blogged: http://www.drunkenwerewolf.com/blog/pictish-trail-announces-wait-single/

makes you wanna move from the first seconds 👌

Amason - Älgen

Taken from debut 4 tracks EP 'Soap Carv' released on Nov 25th 2013 on Tape Club Records.

Alligator music video: http://youtu.be/_gpWrgB7C5I

www.facebook.com/febueder
www.twitter.com/febueder
www.youtube.com/user/febuedersketch

Alligator

Debut single released by Parlour Records

Buy from iTunes: http://bit.ly/1clN2WT

Pre-order 12" EP: http://bit.ly/1lI1kSm

http://www.acrobatHQ.com

Invincible

Heavenly for Record Store Day 2014
Temples / Jagwar Ma 'Shelter Song/ Man I Need' - 12” picture disc (1000 pressings)

A. Shelter Song (Jagwar Ma Jono's Wrong Mix)
AA. Man I Need (Temples remix)

Following on from last year’s Heavenly remix trade between TOY and The Horrors for Record Store Day, this year Heavenly releases another dream remix swap: Jagwar Ma’s Jono Ma reworks Temples’ debut single ‘Shelter Song’ and Temples' James Bagshaw takes on Jagwar Ma single ‘Man I Need’ for his first ever remix. Picture disc artwork by Oliver Hibert.

Record Store Day 2014 takes place on 19th April. All Heavenly releases will be available from participating UK stores. See below for details
http://www.recordstoreday.co.uk/participating-stores/

Jagwar Ma - Man I Need (Temples Remix)

The Pictish Trail's new single, taken from his forthcoming double album Secret Soundz Vol 1 & 2, out on 9th June. 

Get your free download of the track when you pre-order the album on iTunes here: http://smarturl.it/SecretSoundziTunes

He plays a full UK tour in May. For full dates and tickets see http://thepictishtrail.com/gigz/

Download

The Pictish Trail - Wait Until

'Owing' the first single from the Lilac Lane E.P released 13th October on Melodic. 

Pre-order the EP on iTunes and receive 'Owing' as an immediate download 
https://itunes.apple.com/gb/album/lilac-lane-ep/id914877091

Or direct from melodic and receive 'Owing' as an immediate download http://www.melodic.co.uk/lilaclane/



Febueder - Owing

Lakenskrekk

Buy the song on itunes: http://bit.ly/169P5L5
Preorder the album on itunes.: http://bit.ly/1Cp4HZn

Whereas last time around, they were all about "vocal harmonies from NYC to Cape Town" and "massive guitars from Portland to Düsseldorf, mixed with clattering beats from Berlin to Detroit" Aloa Input – a Munich-based three-piece that seems to be just as addicted to new input as it's quick and productive when it comes to releasing more genre-smashing, ebullient output – are about to leave planet earth altogether with their sophomore release: Dropping only a year after the band's debut album "Anysome" (with additional remix EP "RMX" released in-between), they return with an album that finds them dashing through the better part of recent music history, to eventually take off for the Red Planet: "MARS ETC." is terrestrial life condensed, an experimental study in hands-on, sonic set theory, both a stunningly wild and unbridled beast of an album and a long-overdue update to 1977's Voyager Golden Records.

Buy on itunes

Aloa Input: Perry

Single from the forthcoming EMPTY / EVERY MT album by OHIOAN.  Pre-order/support here:
https://www.indiegogo.com/projects/empty-every-mt--3#/story

OHIOAN - Pissing at Will

New album "Malamore" available April 15th

The collaborative garage psych duo are returning with a new album, "Malamore" on 15 April, and the first track taken from the record,' Garden Of Love' has been recorded with Peter Hook (Joy Division, New Order) on bass & vocals.

Video trailer: https://www.youtube.com/watch?v=usHOBkzaT2c
Facebook: https://www.facebook.com/theliminanas/
Twitter: https://twitter.com/theliminanas

The Limiñanas - Garden Of Love (feat. Peter Hook)

Second single taken from forthcoming album, "Other Worlds" out on Secretly Canadian on October 2, 2012. 
Produced by Henning Furst.

Taken By Trees - "Large"

Moshi Moshi Records started off as a hobby in 1998. Set up by three friends who had jobs working for major record labels. It was intended as a way of working with the bands that they loved but which didn’t fit in with the agenda of the day-job taskmasters. Early single releases from Zan Lyons, Kathryn Williams & Pedro and J Xaverre earned the label some plaudits. And sold a few records. Over the next five years Moshi Moshi slowly started to build a reputation for interesting, slightly leftfield, low-key releases. Then in 2004 things changed. For a start Moshi stopped being a hobby and became a fulltime job. Very soon after, Hot Chip and Bloc Party arrived and Moshi Moshi quickly became a name known to more than a few. Chart success followed with Yeti and The Rakes and higher-profile album releases from Architecture In Helsinki and Au Revoir Simone helped lift the label onto a new level. Then from 2006 onwards came artists such as Hot Club De Paris, Tilly And The Wall, The Wave Pictures, Slow Club, James Yuill, The Drums, Summer Camp, the list goes on.

In late 2006 the two remaining Moshi Moshi founders decided they wanted to get back to their one-off 7” release roots and the Moshi Moshi Singles Club was born. The intention was to try and release one 7” each month by a new up-and-coming artist. It would be limited to 1000 and only be available in a select group of indie stores. The artwork would be restricted to one colour and be designed by the bands themselves. Now some 40+ releases later the singles club’s roster makes an impressive list – (including) Kate Nash, Late of The Pier, Friendly Fires, Lykke Li, Florence and The Machine, Kindness, Dananananayckroyd. Disclosure. In 2011 Moshi Moshi expanded its remit by partnering up with some very talented young A&R folk to set up the imprints Tender Age, Not Even, Apricot and Dream Beach. Working under the Moshi Moshi umbrella these new labels have already yielded a clutch of exciting releases by artists from as far afield as Kenya and Seattle.

At the same time as running the record label Moshi Moshi Management has been quietly guiding the career of Metronomy and Slow Club as well as producers Ash Workman and Ollie Bayston. From 2012 this side of the business started to expand dramatically and now features a sizeable roster of emerging artists.

Looking back on the Moshi Moshi roster (particularly since the label ‘went fulltime’ in 2004) it’s a collection that bears comparison with any of its peers. For a label run by two people with no financial backing, it’s nothing short of an inspiration.

The Pictish Trail - Wait Until

moshi moshi music

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