ゆたかな風景 - 「かけがえのない」より
西森千明

ゆたかな風景 - yutaka na huukei

Always I have much to thanks for Nils's friendship and kindness.
I am glad to fulfill the promise with him.
When re-work this song,I wanted to focus on both sound and melody.
So, this is more musical than discarded the initial ambient rework.

Project

Nils Frahm - You (Tomotsugu Nakamura Rework)

Short Movie "ORANGE" closing theme

I played the live using a photograph and the collaboration movie of the music. It in October, 2015.
 I settled this music for the day.
PhotoMovie title "Chain."

I show it with the photograph in youtube. 
https://youtu.be/2MrMAjSwjZk

thanks listen!
have a nice time..


Nicol

Junya Nishimura × no11room

piano & photo : Junya Nishimura（jun)
https://soundcloud.com/junj6
guitar：no11room

春の庭、記憶の彼方 〜 remember spring garden 〜 Junya Nishimura × no11room

Lonesome can appear to be a tough task to go through in our life. It, sometimes leads us to existence without purpose, find a love one or even death in drastic cases. What comes as a closure from it, can be sometimes harsh or nurture us to be who we are today. And this is what we learnt from okamotonoriaki’s third album, “Happy Ending”.

Our Happy Ending EP consists of three new affiliates of mü-nest, Dae Kim, Burnie and Shuzhen, bringing re-worked versions of the song, expressing different perspective to their happy endings.

Korea-born producer/composer, Dae Kim, captures similar serendipity with the original track. The song is quite susceptible to sappy tendencies and rather pop infused at times. The rhythms are the decorations rather than the element that carries the songs’ momentum, when rather the melodies’ and musical notes create flows and rhythm for the listeners to hold on to. Reminiscing poem subtly lies within the layers of synthesizers.

On the other hand, Burnie, who released his debut album, “Lotus City” last January through 4daz-le Records, offers rather different perspective to the mix. The song introduces itself with a sampled vocals and the poem surrounded by lush synthscapes, collaged narratively. The part that makes this remix comparatively special is when the tastefully constructed beat with well mashed amount of swing emerges into the song. Furthermore, grim yet sentimental distorted ambient guitar shifts its emotion to rather sanguine with xylophones complementing the blend, which shows the Macao producer/DJ’s own closure of the song.

Meanwhile, Shuzhen offers more minimalistic approaches to her epilogue. Classically trained pianist, who arises from Johor Bahru of Malaysia has paved her path to be a composer by collaborating with local artists for variety of different projects. The Johor Bahru composer invigorates her arrangement with subtle soundscapes and the poem. Dramatic tendencies form itself through uplifting yet bittersweet phased chords of piano slowly fading in. When the drums fades out to present contrasting synthscapes, which elaborate themselves to form complex yet sumptuous kaleidoscope of sound which reflects her distinctive feminine sensitivity.

What separates us from one to another is how we define a happy ending. For some, what defines a happy ending would be a success in life, whereas for some, it is simply to get a taste of their favorite meal. Perhaps, the happiest ending possible in our life is in us. To truly understand ourselves and what lies ahead of us.

Our Happy Ending EP

Happy Ending (Okamotonoriaki's Original Ver.)

it's a musical - The Nap (sphontik remix)

Apple Music - https://music.apple.com/jp/album/%E8%8C%B6%E3%81%AE%E9%96%93/1469498814?i=1469498909
Spotify -https://open.spotify.com/track/07tqObYhSPp60wC608vmcf?si=4c0c90c5b4bd43ba

木原健児 - 茶の間

http://flau.jp/releases/je-suis/

„Everything starts with the words: I am – je suis!“

Henning Schmiedt and Marie Séférian, French / German singer of Lebanese descent, team up for a carefully woven, yet fresh and spontaneous collaboration.

Meeting in Henning’s studio Klavierraum in the melting pot Berlin they create this charming post chanson album with a slow music attitude.
Consisting of only first take recordings, it masterfully combines piano, toy piano, harmonium, vocals and electronic textures, resulting in a minimalistic and yet rich and fluid union of sound.

Lyrics are flung into the air like glittering confetti, combining eclectic elements from chanson, Indian vocal scats und jazz with the warmth of the piano and the breathing of the harmonium. The result is a stunning and organic musical interplay.

“Je suis” – I am – everything begins here.

On maison Marie plays a music box that quotes a piece of Henning’s earlier work, nach hause from his release Spazieren, as though to answer and to close the thought’s circle: “I am, I’ve come home.”

nous (Henning Schmiedt + Marie Séférian) - Maison

20th JUNE 2020 on Sale
◆01. Same Song : 0’00” // ◆02. BEAU PAYSAGE - Harvest Rain ver. -: 1’31” // ◆03. 夕凪 : 2’45” // ◆04. LAST HOME
 : 3’49”
http://www.resonancemusic.jp/orbe_lp/
https://rmusic.base.ec/

orbe

orbe feat. LUCA mini alubum demo mixed by hiroshi yoshimoto(bar buenos aires)

偶然這種沒頭沒腦的自然而然！偶然被澆濁，偶然隨波逐流。偶然迷路，弄不清自己搭載的什麼，怎麼表述眼前的複雜和純粹。偶然，我有話要說。
高木正勝Takagi Masakatsu
Tama Tama
2011
Soundtrack

02 Horo

mü-nest, where our daily music nests.
[ mü-nest（ミューネスト）が丁寧に作り上げたストレス解消プレイリスト。「聴く」をクリックして自宅で快適な音楽空間を作ろう。Check out our popular Spotify playlist 𝗠𝗨𝗦𝗜𝗖 𝗙𝗢𝗥 𝗛𝗢𝗠𝗘: https://urlgeni.us/spotify/musicforhome ]

Happy Ending (Okamotonoriaki's Original Ver.)

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