This piece is wonderful!  I love it so much.  Full of emotion and beauty.  Well done, Namiko!

The sword of vengeance - Drama, Asian

Composed and Orchestrated by Stefano Sacchi ©2011
Performed by the Brandenburg State Orchestra - Frankfurt (April 2014)

From the short film "Milo-n The Moon"

Tra Sogno e Fantasia - Live Recording

Spotify: https://smarturl.it/GoT80sSpotify
iTunes: https://smarturl.it/GoT80siTunes
Google Play: https://smarturl.it/GoT80sGPlay
Amazon MP3: https://smarturl.it/GoT80sAmazon
Bandcamp: https://smarturl.it/GoT80sBCamp

FACEBOOK: https://www.facebook.com/SteveDuzz
TWITTER: https://twitter.com/SteveDuzz
YOUTUBE: https://www.youtube.com/user/SteveDuzz

Made just for fun
Check out YouTube video too: https://www.youtube.com/watch?v=OKbtC223e30

Original Game of Thrones theme composed by: Ramin Djawadi
FACEBOOK: https://www.facebook.com/pages/Ramin-Djawadi/47172421402
SITE: www.ramindjawadi.com/
iTUNES: https://itunes.apple.com/us/artist/ramin-djawadi/id5581431

Art by: Mike Wrobel (With the authorization of Mike Wrobel)
STORE: society6.com/Moshikun
SITE: www.moshistudio.com/
TUMBLR: moshi-kun.tumblr.com/
FACEBOOK: facebook.com/MoshiStudio
TWITTER: twitter.com/MikeWrob_el

Game of Thrones - Main Theme (80's Version by Steve Duzz)

A Tale of 13 Strings

1. Another Life

Tarumizu Blessing (Orchestral / Beats / Dramatic)

Phil Chapavich / Dreamland

Music accompanied with jawbreaking video:

http://www.youtube.com/watch?v=ndSmciJWcCw

"If one is to look at the five tracks Seipä has on his soundcloud, one can see a very sure and steady progression in the artists sounds. From experimental funk and chillwave pieces he's arrived at his righteous destination; outrunning across the Sunset Highway in a dazzling crescendo of high energy 80s synth explosiveness. 

All I know about Seipä is that he makes a very strong case for understanding how to make utterly flawless 80s inspired synth music. This composition is textbook in it's choice of arrangements and sounds with crisply bright solos and turbo charged bass lines complemented with some 80s movie/TV samples that I SHOULD know but for the life of me just can't place; like every good dialogue sample used should do. Sunset Highway rides high in the saddle and deep into the night and is hopefully going to be the first of many new classics from this talented artist from Norway."

- Rick Shithouse, synthetixmusic.blogspot.com

seipä - mouches volantes

This work "Ecchu-Owara-Bushi VIDEOTAPEMUSIC Remix" by VIDEOTAPEMUSIC(http://videotapemusic.tumblr.com/) is
a derivative of the following works.

(Name)Ecchu-Yatsuo-Owara-Dojyo / (Title) Ecchu-Owara-Bushi (kokyu solo)(https://soundcloud.com/wearecc/ecchu-yatsuo-owara-dojyo_ecchu-owara-bushi-kokyu-solo)
(Name)Ecchu-Yatsuo-Owara-Dojyo / (Title)Ecchu-Owara-Bushi (https://soundcloud.com/wearecc/ecchu-yatsuo-owara-dojyo_ecchu-owara-bushi)

License notices from the works used are as follows:
”Ecchu-Yatsuo-Owara-Dojyo / Ecchu-Owara-Bushi (kokyu solo)” is licensed under CC BY 3.0 (creativecommons.org/licenses/by/3.0/)
”Ecchu-Yatsuo-Owara-Dojyo / Ecchu-Owara-Bushi” is licensed under CC BY 3.0 (creativecommons.org/licenses/by/3.0/)

For the purpose of attribution, the title of this work is Ecchu-Owara-Bushi VIDEOTAPEMUSIC Remix,
the name to be credited for this work are VIDEOTAPEMUSIC, other than those of the original works used in this work.

"VIDEOTAPEMUSIC/Ecchu-Owara-Bushi VIDEOTAPEMUSIC Remix" is licensed under CC BY 3.0 (creativecommons.org/licenses/by/3.0/). This work is also available under CC BY 4.0(creativecommons.org/licenses/by/4.0/)

In case you wonder, the license notice that you need to copy when using this work is the one shown above, and not the one auto-generated by SoundCloud shown below.

CC Japan remix special - Japanese Tradition, Ecchu-Owara-Bushi cross CC

Ecchu-Owara-Bushi VIDEOTAPEMUSIC Remix

VIDEOTAPEMUSIC / Ecchu-Owara-Bushi VIDEOTAPEMUSIC Remix

*Composer, Arranger, Orchestrator for Film, Documentary and Animation
*Multi-instrumentarist
Namiko Mori broadly explores her music by using many different kinds of acoustic instruments in wide range of music genre, preferring to play piano improvisation. Some her experimental music has been created by electronic tools. She had played classical piano in her childhood. She got into Punk/Rock, exposed to many different musical instruments and started to write songs and arrange band music during her teens. After she learned sound techniques, she has created much more experimental songs to mix Acoustic instruments, organic noises and MIDI sequences. She had experience in writing classical music at Dartington music school in the U.K in 2010. And she studied Film scoring at UCLA and awarded by BMI/Jerry Goldsmith Scholarship in 2014. Also she is elected as one of mentees for SCL mentor program 2015.

もり　なみこ
 
神奈川県出身。幼少期からクラシックピアノを習い、10代より独学でピアノやアコースティックギターで作詞、作曲、バンドアレンジなどを始める。楽器好き、エスニック楽器コレクターから、マルチインストルメンタリストとなり、数々のバンドへ多様な楽器担当で参加。パフォーマンスよりも楽曲制作へ力を入れる様になり、本格的に作曲を学ぶようになる。2010年イギリスのDartington International Music School にて作曲科への参加、2014年ロサンゼルスのUCLA extension Film Scoringコースにて、映画音楽を学ぶ。同コース、年に１度のBMI/Jerry Goldsmith奨学生に選抜される。2014年にはCertificateを習得。米国Society of Composers and Lyrisitsが主催する2015年の指導者プログラムに選ばれ、さらなる映画音楽の追求のためハリウッドの最前作曲家へ師事する予定である。 現在はLAにてインデペンデント短編映画、長編映画、アニメーションなどのサウンドトラック楽曲制作に取り組んでおり、その傍ら、自身の音楽やアートへ取り組んでいる。

The sword of vengeance - Drama, Asian

Namiko Mori

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