Name: Sisi @ RDC 2014 Opening Set by Rainbow Disco Club
Duration: 1 h 28 min 42 s
Description: Opening set from Sisi at Harumi Port Terminal

Mate, that is an obscene entry into Rene & Angela, had my grinning ear to ear when I realised what it was. Any chance of an ID?

Such a Great flow throughout, awesome set <3

i mean the whole set :D right know listening to it again, thank you!

passing it clockwise is good luck,
anyone can join the joy of joint, just choose a time and post !
"This mix was recorded in July 2021 at an indoor club in Omotesando, when lockdown was briefly loosen and was allowed to party at night little bit (maybe for about 2 weeks). It’s an excerpt of that all nighter set I have played, everyone wearing mask so was not able to see their faces but seemingly people were having a good time."

Kinkeshi doll made by Katchan

Passing it clockwise (0:30 - Powder)

It's a great pleasure to welcome Japanese electronic music stronghold Kaoru Inoue (@kaoru324), also known as Chari Chari and founder of the Seeds And Ground label, to the mix series. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Welcome on board of the series Kaoru. You're from Japan and are living in Tokyo. Do you find Tokyo, and Japan as whole, a positive place to be at as an artist?

KI: Tokyo is a fascinating city, full of crazy stimuli and exciting noise, but I don’t need it anymore as the years go by, especially after the pandemic. So now I feel like an outsider loving Tokyo and living a quiet life in its suburbs. I think it’s a positive place for artists in the sense that it’s still rich in nature and food, and the population is decreasing, despite having experienced the high economic growth and the high information society, but what we learned again after the pandemic is that government protection policies are fragile. 

MFM: Your musical output as a producer is quite large and rather versatile, from acoustic guitar sessions to more new age like soundscapes to broken beat and deep house. Where does this versatility come from? 

KI: I think it's because I've been deeply committed to music since my teens. From YMO to post-punk, ethnic, rare groove to deep house, I was already looking for and listening to music like a researcher from a young age. So I started DJing naturally as a way to mix and share my records, and my outputs could be a fusion of them. However, so to speak, I’ve been most influenced by the contextuality of House music, and when looking at everything from a bird’s eye view, I can say that my main interest is, in a word, in “Minimalism”.

MFM: Your music -regardless which moniker you use- sounds extremely organic, very earthly but also mystical and sacred. As if it was recorded far deep in nature amongst some indigenous tribe's ritual. Where does this signature sound come from, what are its origins?

KI: My early tunes were strongly influenced by the atmosphere of Bali & Java in Indonesia, where I used to visit in my twenties, and I think it still remains somewhere in me. I also have a cultural anthropological interest in folk or tribal music from all over the world, and I even am influenced by ecological ideas. (In recent years, I’ve been more into traditional & contemporary music from my own country than ever before.) I think that’s why it is.

MFM: Hence your own label's name Seeds And Ground too probably? 

KI: Indeed, and it’s a metaphor for sex and creation.

MFM: How about the instruments? There's guitar, lots and lots of percussion, marimba, field recordings, plenty chords too... Are you a trained musician and do you record all these parts yourself (with the real instruments)? 

KI: I had learnt to play piano as a child and taught myself to play guitar from the age of 13. However, after encountering DJ culture in my early twenties, I quit a band and didn’t play an instrument for a while. So I know a little more about harmony, chords and so on than the average DJ. I’ve also started to play the guitar again a little bit in a few projects since I started producing electronic music, but only in a very specific way. I’ve also recorded with many different musicians so far.

MFM: So, what can you tell about the mix you've made? Did you record it with a certain vibe or theme or purpose in mind?

KI: It’s a rethinking of “New Age”ish or “Obscure”ish music, past and present. Some Japanese music from the 80s and 90s has also been included with respect to Eiji & Norio who compiled “Heisei No Oto”. And two of my recent tracks as Chari Chari are also included.

MFM: By the way, by the look of your shirt you're a Jodorowsky fan? :)

KI: I look up to Jodorowsky as my mentor, especially after reading his autobiography. I got this shirt as a return from the Endless Poetry crowdfunding campaign.

MFM Mix 034: Kaoru Inoue

"This mix is the most close to my regular DJ set. I'm always enjoy playing many type of dance music like this. New, Old, House, Techno, Jazz whatever we can dance. Especially happy to share my favorite music from Ryota OPP, Yuji Kawasaki, Tornado Wallace, Kuniyuki Takahashi, Markus Henrikson, J.A.K.A.M., Dopeus, Jonathan Kusuma, Fantastic Man, Banana Moon (Massimiliano Pagliara & Luigi Di Venere), Idjut Boys, Masahiro Togashi & Isao Suzuki in this mix. hope you enjoy!"

@chida73

Mantissa Mix Series

Mantissa Mix 269: CHIDA

Ari Balouzian – Comfort Or Freedom
Pool Boy – Closed for Renovations
Agosta – Don Alfio
Tracisgrey – Night Eyes
Leisure Centre – 食料品店
Wojciech Jagielski– Śniadanie Pod Palmą
Wichita LimeWire –  Be My BonziBUDDY
Lil Creepshow – Underwater Racetrack
Tracisgrey – Wet Night
Alina Baraz –  The Beginning
死夢Vanity – ソウルメイト
Desert Sand Feels Warm At Night – 第一次
DX-Digital – Magic Rose
Employee – Romantic Relax
Bahamadia – Interlude
swing slow - Voo Doo Surfer
Tibor Szemzo - Einstein-Express
Dick Hyman - I'm Glad There Is You (5ive bit)
Civilistjävel! – Untitled
Thomas Fehlmann – Wunschwechsler
Dentistry - bdw
Odopt - Orch Noise
Twin Peaks Angelo Badalamenti explains how he wrote Laura Palmer's Theme (piano)
Tonio Rubio – Dead Slow 

artwork by Hiroto Ise
instagram.com/iseneehihinee

cosxmes 2022

cosxmes 2022mix

Powder & 5ive live from the Sunrise Sessions at Love International 2022.

Love International returns in 2023 from July 12th - 18th, tickets available now at: www.loveinternationalfestival.com/

Live from the Adriatic 2022: Powder & 5ive

STOMACH PROBLEM w/ ODOPT B2B CHIDA - Wednesday 18th January

Opening set from Sisi at Harumi Port Terminal

Sisi @ RDC 2014 Opening Set

The following mix recorded at MOLDIVE at NOON Osaka is by DJ Yukke, who is now based in Okayama and has been working as a dance music buyer at record stores in Fukuoka, Kobe and Osaka. Since the late 90's, he has rocked the dance floor at numerous parties and is very much trusted by the next generation. He always brings a little souvenir to warm everyone up, he always pumps everyone up with his own house music. On this night, he descended like as the “King of the Polar Bears'' and shook the floor up a lot!! Enjoy the miracle journey filled with the moment of immersion where you can let go of yourself…
@yukkkkke

DREAMING 023 : Yukke - MOLDIVE at NOON 19 NOV 2022

Broadcast live on WNYU 89.1FM in New York City on May 22nd, 2018.
https://soundcloud.com/thinner_groove
http://www.beatsinspace.net/playlists/939
http://www.facebook.com/bisradio
http://beatsinspace.bandcamp.com
BIS Hotline: 646-481-8189

www.beatsinspace.net

BIS Playlist

BIS Radio Show #939 with Powder

Japanese DJ and producer Powder rightfully debuting and delivering a mix of mirth house and techno on a sunny day.

Dekmantel Festival 2018

Powder at Dekmantel Festival 2018

For the August edition we've invited Donna Leake from London who handed over a high spirited 2 hour mix. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hi Donna, welcome to the series. How's your day so far? Does your day normally involve music from the moment you wake up?

DL: Hi. Thanks so much for having me. My day so far has been real sweet. I woke up at 6:30am and all I’ve done is make coffee, listen to and dig for music, draw and paint. It’s now 13:30. Not every day is like this though! 

MFM: Before lockdown, was DJing the only thing that brought food on the table? How is that now, did you revise your approach or strategy after the whole live events scene collapsed?

DL: Yes it was the only thing bringing money in and turned out it was one of the main things keeping my soul full and my spirit high. So I’ve had to re strategise a few areas of my life recently. I haven’t come up with anything solid yet, I’ve always just gone with the wind. But I think now there is a sense of urgency to save myself getting into more debt because of this! But I did gain something massive and far more valuable than money since losing it, a new perspective as to what it was we were doing and what I was a part of. I now appreciate the beauty of people making the effort to gather and listen and share music together and the industry and all it's efforts more than ever. I always had thanks, but I guess you can really check in on something more closely when you stop and look at it from the outside.

MFM: Do you then also feel positive about the future of nightlife and culture?

DL: Yes I feel positive about it. The force of music is so strong and what it does to people is unstoppable. It may take some time and maybe it will change, but that might even be a good thing. We all got an opportunity to check in with ourselves and stop and even though this was a disaster for the economy and the effects of that will last a while, the essence of art and music have nothing to do with money and that’s where it should restart. If anything it might have a wonderful impact. Art can sometimes be richer if we’ve been through some heavy experiences. 

MFM: What in your opinion actually makes a DJ stand out?

DL: Most importantly, and this probably applies to everything, I think is to be yourself which will naturally be unique if you are able to harness your true essence. I know that sounds obvious but it’s often a journey to feel as though you know or to find yourself, but I think being true and present in every moment of that journey is how you’ll be able to tap into what’s unique about what you do. Being fully present and playing with the times whether that’s trying to express what's going on inside you or a response to what’s happening in the world. Also not to think but feel your way through. This will often be more accurate since our heads are pretty full and busy! Authenticity and truth can be applied to any taste and style. For me I like to go on a ride with twists, turns and surprises and hear a story with a variety of feelings from the lowest to the highest, but keeping it coherent and without being too much of a mess. Although a bit of mess is all right too!

MFM: Thanks a lot for your contribution. Can you take us through your process of recording mixes?

DL: I would say all of the above is the general process for any mix, or at least as much of this as possible is considered. But since recording mixes is the only way I’ve been sharing music recently and I’ve made so many, I have started to try to give each mix more of a focus. For example one I did recently was called music for chess. And this mix has a particular focus on psych. This is because I can feel summer ending is just around the corner and it’s been the most hazy, mind bending, deep, confusing but colourful and dream like summer I’ve ever had and I’ve never felt so inside and removed from my head and the world at the same time as I have this summer!

Sisi @ RDC 2014 Opening Set

Rainbow Disco Club

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