nice, this could be expanded in to a full thing

Nice! This would be a cool track to revisit/remix..extend, even?

The Sustain Series project continues with its second volume, 24 recycled forms created from old and unused material. Since the release of Volume 1 in November last year, more artists have come together to salvage, repurpose, restore and deconstruct each other’s pieces, or collaborate on a particular idea. What results is a growing variety of approaches and outputs, from minor embellishments to full disfigurement.

Volume 2 moves thematically, as if in four chapters, from the expressive openers, through enchanting natural-sounding pieces, before opening up to more ethereal expanses, and finally darker and more thoughtful ones. As it does, visions emerge of our natural world - its power, its beauty and its vulnerability.

Donate

Halftribe & awakened souls - Upstream

Filament and Place

Innesti - Notwithstanding

This well known track by Zawinul (originally from Weather Report’s “Tale Spinnin’” record) is one of our favorites. This was our encore at UpFront on 9/30/22.

The Album That Never Was

Badia (Zawinul) - UpFront Exhibition Space 9/30/22

EuroS5000

This is an improvised piece - just sitting at the piano, and playing whatever comes out. As the title says, it was a rainy day in May. 3:15 in length.

RainyDayImprov May 21 2021

Pillars of Creation - Dust Two

Quick test of Eastwood Classic Tenor Guitar, Haken Continuum, and Korg Wavestate

quick and dirty ambient demo

Another wonder around on the CS80 and Oasys

After the Storm

As I continue digging though my old recordings, I found a song I wrote in 1979 and recorded on my Teac A-3440 4-track reel-to-reel tape deck. Punk was all the rage, and the Sex Pistols had just played their U.S. debut at Atlanta’s Great Southeast Music Hall two years earlier. Note that the refrain, “It hurts so good,” was two years before the hit single with a similar title. ©1979 by Geary Yelton

Beat Me (1980)

This is what happens when Robert tries to sound like Peter Gabriel, back in 2006. Seriously, I was trying hard to emulate "The Last Temptation" soundtrack, but on a Mac Mini with limited tools, haha.

I forget what all the elements are, except I do recall the vocal samples are from Native Instruments' Kompakt, the "lite" precursor to Kontakt; vowel changing depending on the mod wheel position.

The drums were most likely from Spectrasonics' Stylus RMX.
I didn't have many other VSTs, so the synths must have been either stock GarageBand synths, or more likely something called up from Spectrasonics Atmosphere, if you remember that precursor to Omnisphere. (I still have the install CDRoms somewhere!). 

Anyway -- thanks for listening.

Out Of Character

Either Or (2006)

Processed ukulele, modular synth, and Haken Continuum

Anisochrony

Eclectic multi-Instrumentalist. I just freakin' love sound, and the tools to create and shape sound. 


Either Or (2006)

Robert Dorschel

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