its amazing how powerful music can be, beautiful, emotional music as ever, thats your stairway to heavenly music :)

Beautiful melody, relaxing and quiet. I would love to use it for one of my short movies, contact me if you want so. (Thibaut Coiraud on Facebook).

Right in the feels! This is one of the most inspiring works I've heard in a long time!

Clémence

Imber remixed by Stray Theories
https://soundcloud.com/straytheories 
http://straytheoriesmusic.com/

Original track available here: 
http://rhiansheehan.bandcamp.com/album/stories-from-elsewhere
www.rhiansheehan.com
Connect on Facebook:
https://www.facebook.com/pages/Rhian-Sheehan/15584763065

Photo by Robb North


Rhian Sheehan - Imber (Stray Theories Remix)

Headphones highly recomended
An afternoon improvisation.
Gear used: Waldorf Blofeld, Arturia Microbrute, Elektron Machinedrum, Akai mpc500 as main sequencer, Korg Ms2000, Clavia Nord Modular G2 and DSI Tetr4. Hardwire DL7 and RV8 were used on the Tetra.

Simplicity

Spark Mountain

ethereal

Ed Carlsen : piano, guitar, programming

Bandcamp : https://bigoandtwigetti.bandcamp.com/album/the-exquisite-corpse
Spotify : https://open.spotify.com/album/6e7OmHkh0X1pBKHWiJP01e
Itunes : https://itunes.apple.com/au/album/loom-single/id1174874435

We’re pleased to announce a new collaborative album in conjunction with Bigo & Twigetti. ‘The Exquisite Corpse’ is based on the surrealist game of the same name. Taking Leah Kardos 'Little Phase' as it's starting point, the piece will be reworked by a series of composers and producers to create an album of tracks which continually evolve as each new version is passed from one artist to another, adding to and transforming material from the original piece. We'll be releasing a new track from the album every 2-3 weeks with the first track due towards the end of October and the full album available in April 2017 so keep an eye on our social media for updates.

The Exquisite Corpse

Ed Carlsen - Loom

Something quick and simple that I've put together one night by messing around on the keyboard. It's a bit rough around the edges but I thought I'd leave it that way and keep the accents of my (sub-par) natural playing rather than manually correcting timing mistakes after recording. Just added some reverb afterwards for a bit more depth.  Let me know what you think.

More stiff to be coming soon hopefully :)

I hope you enjoy this piece, and don't forget that you can download it for free or make a small donation towards my work by downloading it through my BandCamp profile at your own price :)
mharris.bandcamp.com/

Facebook: www.facebook.com/airscape03
Twitter: twitter.com/M_Harris03

Thank you for listening!

Unnamed 6/8/17

Stream / download --> http://smarturl.it/elskavon-spring
New LP Skylight --> http://smarturl.it/elskavon-skylight
www.elskavon.com

INSPIRATION:

Can I give you a quick glimpse into the whirlwind mind of an independent musician?

It’s all about seasons. Last summer and into the fall, I was furiously writing a new Elskavon album, not to mention new Bora York songs with my wife, and Hi-Fi Cali collaborations and singles… For every album I release, which is typically around 9-10 songs, I end up with sometimes more than 50 demos and half-written songs. So there was a lot of writing happening. The ideas kept coming and the inspiration was heavy.

In September, I decided to set a release date for the new album, Skylight - this gives myself a deadline to actually call things done, and to get prepped for a release. From late fall on, leading up to that date (January 26), I was finishing songs, mixing and mastering the audio, working on artwork, studio and promo videos, show prep, social media content, reaching out for press and playlist possibilities, and more. There’s a lot of things on the independent release checklist.

In the midst of all this, I was about to step into a part-time freelance role, something my wife and I had been preparing for about a year. We’re very hopeful and excited about this season of our journey, which just started a few weeks ago. 

There has been a lot of things happening, and I’m grateful every step of the way. But I’m human and I get burnt out, as well. Last week it was tough to find any sort of inspiration whatsoever. And there was a definite setback regarding the new album - something I had been getting used to slipped away. It’s part of the process, and something I was fully aware could be a possibility. But it was still a bit of a punch in the gut.

Read the rest at http://anthemfallsmusic.com/blog/2018/3/28/elskavon-spring-piano-day-2018

Spring (Piano Day 2018)

Free download on Bandcamp: www.michaeljmcdonald.bandcamp.com/
Listen on Youtube: www.youtube.com/channel/UCbhh8ib_Rlip_Yeh-bVZRuA

2018

Scuba Diving in Space

Beautiful work from our friend Uncertain Voices - Please consider subscribing for the latest in underground electronica!

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Download

Uncertain Voices // Her Eyes (Part 2)

Descending Into Gold - Innocence (me) 🌲
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Descending Into Gold - Innocence (me)

Composer from Wellington, New Zealand www.rhiansheehan.com

http://rhiansheehan.bandcamp.com/

Rhian Sheehan is an award-winning music producer and screen composer from New Zealand. Known for his fusion of atmospheric-post-rock with electronic and chamber music, he has released 6 albums and 2 EP’s on Loop Recordings (NZ/Aus), Darla (US), Preco (Japan). His 2013 release Stories From Elsewhere has received much praise; renowned US reviewer John Diliberto (Echoes) calling it “a modern ambient chamber music masterpiece of quietly epic dimensions". His 2018 album, A Quiet Divide, is his most orchestral album to date, merging chamber strings & piano, with emotionally charged cinematic post-rock atmospheres. Releasing the album alongside a 6 date audiovisual live tour around New Zealand, the album reached no.2 on the NZ Top 20.
"A Quiet Divide is an album that swallows you whole, and sends you out the other side a lighter, calmer version of yourself." - Sunday Star Times
His work as a screen composer is diverse, actively writing scores for a wide variety of film, television, documentary, advertising, multi-media exhibits, and 360o Fulldome Planetarium dome show projects around the world, having worked on projects featuring luminaries Andy Serkis, David Tennant, Tim Allen, Martin Scorsese, Rupert Grint, and Jared Leto.  He has written music featured on many notable TV shows and channels, including Top Gear (UK), the hit HBO series Silicon Valley, BBC Horizon, CNN, National Geographic Channel, Discovery Channel, History Channel, Netflix, America's Got Talent, and has written music featured during The US Super Bowl, and The Academy Awards.
Sheehan has composed music for various multimedia installations and exhibits around the world, including UK's National Space Centre, The Kennedy Space Center, London’s Natural History Museum, Ferrari World, World of WearableArt, and Weta Workshop. His score for the 12-part prime-time series The Cult won him a Qantas Film & TV Award (Best original music in a TV series), and he also wrote the score for the Emmy Award winning series Reservoir Hill. Sheehan’s music was used extensively during NBC’s prime-time coverage of the 2012 London Olympics, and he has written music featured in a variety of commercials, including spots for Google, Nike, GoPro, American Express, Sony Pictures, Universal Pictures, and Facebook. He has written for Hans Zimmer's custom music company Bleeding Fingers and Extreme Music. Sheehan has scored music for the acclaimed films Belief: The possession of Janet Moses and Stray, and more recently scored the mixed-reality AR steampunk inspired robot shooting game, Dr. Grordbort Invaders, produced by Magic Leap & Weta Workshop (Peter Jackson & Richard Taylor's award-winning special effects and prop company).
He has written scores for numerous UK and US produced 360o Fulldome 3D Planetarium shows, most notably, We Are Astronomers, We Are Aliens, We Are Stars (for which he was awarded Best Original Score at the Fiske Planetarium Awards), and Back To The Moon For Good, which was produced by Google XPRIZE, the UK National Space Centre, and Robert K. Weiss (producer of The Blues Brothers). Narrated by Tim Allen (Toy Story), Back To The Moon For Good is one of the most popular and watched Planetarium Dome shows ever made; having screened in over 450 Planetariums around the world.

Rhian Sheehan - Imber (Stray Theories Remix)

Rhian Sheehan

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