Beautiful Track ~ Shared on Mr.Within ~ https://soundcloud.com/mrwithin/sets/mr-withins-dream-6-8-14

Okay i'm getting a music box this is awesome!

"Places We Could Have Gone" was initially a piano sketch for my 2018 solo piano album Sanctuary Sessions. I recently revisited and recorded the idea in the same space, then further manipulated the recordings through my modular rig to add atmosphere. The track took on an incredibly nostalgic quality that made me reflect on the past year in lockdown and dream about all the new people and places that we might have missed out on during that time.

Places We Could Have Gone

Spotify

Headphones highly recomended
An afternoon improvisation.
Gear used: Waldorf Blofeld, Arturia Microbrute, Elektron Machinedrum, Akai mpc500 as main sequencer, Korg Ms2000, Clavia Nord Modular G2 and DSI Tetr4. Hardwire DL7 and RV8 were used on the Tetra.

Simplicity

A textural piece I recorded whilst playing around with an old tape recorder and some musicbox's. 

Image by P. Avendaño

Solis Ortus

new song.
ambient live at Shibuya 7th Floor 2014.07.13.

booking contact :
https://www.facebook.com/moshimossofficial
http://kosukeanamizu.com/

"Paris,Texas,Yamanashi"    ambient live at Shibuya 7th Floor 2014.07.13

Don't Buy Anything Today

23 2 18

https://valotihkuu.bandcamp.com/album/a-new-beginning

Rising Dawn

#3ammelodies

One of these rare moments:
Sometime last week, 1am - just finished watching a movie and it was time to get some sleep. But I don't wanted to, even though I was pretty tired. I wanted to do something, be active. So I sat down and played some notes on my piano.. one thing led to another - 4am.

Open windows, traffic sounds - the city was waking up again already. Microphones hanging out of my window.. yep, that's a passing truck in this track.. it's this time in the morning, when I feel really creative and things can be so easy.

This is The Awakening.

License on Music Vine:
https://musicvine.com/track/2745

Buy on Bandcamp:
www.clemensruh.bandcamp.com/track/the-awakening

Cover Photo by Matt Bower:
www.flickr.com/people/uga
www.mattbower.net

© 2015 Clemens Ruh

www.facebook.com/clemensruh
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www.clemensruh.bandcamp.com

License on Music Vine

The Awakening

Falling asleep in the place of my dreams.
Download: https://valotihkuu.bandcamp.com/album/morning-calm

Valotihkuu
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Picture by We The People
https://flic.kr/p/ww1VJX
http://we-t-h-e-peoplee.blogspot.ru/

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Download

Valotihkuu - Sleeping In Wildflower Meadow

As Guiding Lights Appear

A collaboration between Hong Kong-based ambient artists Antarctic Wastelands and Norvik, Deliverance is the final track on Antarctic Wastelands' new EP Requiem. Written in the first half of 2020, and inspired by the overwhelming feeling of loss that is often present in our society, Requiem is a journey from darkness into serenity, culminating in Deliverance.

+ Download & stream: https://echoes.blue/requiem

Join Antarctic Wastelands
+ Bandcamp: https://antarctarcticwastelands.bandcamp.com
+ Facebook: https://facebook.com/antarcticwastelands
+ Instagram: https://instagram.com/antarcticwastelands
+ Twitter: https://twitter.com/AntarcticWL
+ YouTube: https://youtube.com/antarcticwastelands

Join Norvik
+ Bandcamp: https://norvik.bandcamp.com
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Requiem

Deliverance (feat. Norvik)

Deliverance (with Norvik)

Track 5 from 'Those Who Remain' - Available from : http://straytheories.bandcamp.com/album/those-who-remain

Stream the full album on Spotify @ spoti.fi/2L64Xo8

Limited Edition Cassette : http://alreadydeadtapes.bigcartel.com/product/ad084-stray-theories-those-who-remain-cassette

Those Who Remain

Exposure

Composer from Wellington, New Zealand www.rhiansheehan.com

http://rhiansheehan.bandcamp.com/

Rhian Sheehan is an award-winning music producer and screen composer from New Zealand. Known for his fusion of atmospheric-post-rock with electronic and chamber music, he has released 6 albums and 2 EP’s on Loop Recordings (NZ/Aus), Darla (US), Preco (Japan). His 2013 release Stories From Elsewhere has received much praise; renowned US reviewer John Diliberto (Echoes) calling it “a modern ambient chamber music masterpiece of quietly epic dimensions". His 2018 album, A Quiet Divide, is his most orchestral album to date, merging chamber strings & piano, with emotionally charged cinematic post-rock atmospheres. Releasing the album alongside a 6 date audiovisual live tour around New Zealand, the album reached no.2 on the NZ Top 20.
"A Quiet Divide is an album that swallows you whole, and sends you out the other side a lighter, calmer version of yourself." - Sunday Star Times
His work as a screen composer is diverse, actively writing scores for a wide variety of film, television, documentary, advertising, multi-media exhibits, and 360o Fulldome Planetarium dome show projects around the world, having worked on projects featuring luminaries Andy Serkis, David Tennant, Tim Allen, Martin Scorsese, Rupert Grint, and Jared Leto.  He has written music featured on many notable TV shows and channels, including Top Gear (UK), the hit HBO series Silicon Valley, BBC Horizon, CNN, National Geographic Channel, Discovery Channel, History Channel, Netflix, America's Got Talent, and has written music featured during The US Super Bowl, and The Academy Awards.
Sheehan has composed music for various multimedia installations and exhibits around the world, including UK's National Space Centre, The Kennedy Space Center, London’s Natural History Museum, Ferrari World, World of WearableArt, and Weta Workshop. His score for the 12-part prime-time series The Cult won him a Qantas Film & TV Award (Best original music in a TV series), and he also wrote the score for the Emmy Award winning series Reservoir Hill. Sheehan’s music was used extensively during NBC’s prime-time coverage of the 2012 London Olympics, and he has written music featured in a variety of commercials, including spots for Google, Nike, GoPro, American Express, Sony Pictures, Universal Pictures, and Facebook. He has written for Hans Zimmer's custom music company Bleeding Fingers and Extreme Music. Sheehan has scored music for the acclaimed films Belief: The possession of Janet Moses and Stray, and more recently scored the mixed-reality AR steampunk inspired robot shooting game, Dr. Grordbort Invaders, produced by Magic Leap & Weta Workshop (Peter Jackson & Richard Taylor's award-winning special effects and prop company).
He has written scores for numerous UK and US produced 360o Fulldome 3D Planetarium shows, most notably, We Are Astronomers, We Are Aliens, We Are Stars (for which he was awarded Best Original Score at the Fiske Planetarium Awards), and Back To The Moon For Good, which was produced by Google XPRIZE, the UK National Space Centre, and Robert K. Weiss (producer of The Blues Brothers). Narrated by Tim Allen (Toy Story), Back To The Moon For Good is one of the most popular and watched Planetarium Dome shows ever made; having screened in over 450 Planetariums around the world.

Solis Ortus

Rhian Sheehan

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