Featuring the amazing violin work of Joylin!

Long Time Gone

Today, humanity is killing all that's humane. This track is my way of protest against all atrocities carried by human against fellow human. You can also see my short film "Liberty" by clicking the link. 
Tridibesh.
https://www.youtube.com/watch?v=XAdNg2fhdl0

Liberty Is Dead

Dialogue With You

Irony of Chaos - Nocturnal Melodies for Erratic Romance

Irony Of Chaos - Nocturnal Melodies For Erratic Romance (HyLGZ22 & Damga)

This Could Be Love

So the album I've been working on for quite some time Neurotypical Empire Vol I 2244, is alas, still nowhere near completion. So I've decided to release a second song from it that is fully complete, called Memories Of The Invasion. In this song, we are introduced to the Neurotypical Empire, and how they will stop at nothing to make everybody identical to them and destroy all individuality and difference, and the terrible sacrifice that had to me made to stop them.

Memories Of The Invasion

Messing with Ambient sound for a whole new track. Only time \m/

Song Title: A Measurement of Darkness
The lead, improvising over the track was done with the following;
Picture with Track: Is what the Guitar looks like.
Guitar Used: 1998 Ernie Ball Wolf Gang Axis in HH configuration.
Color: Crimson Red, Flame body and neck
Strings: Ernie Ball Super Slinky Hybrid 9-46
DAW: Reaper
AmpSim: Helix
Preset: Bulb Ambient
Interface: Focusrite 2i2 2nd Gen

Raw: What does RAW mean to me, not having undergone processes of preparing, finishing, refining, or mastering: It is what was recorded at that time in its current state.
Comments: Please follow if you like, comment if you like and I’m opened to feedback to improve my playing, recording, mixing etc.  Thanks for listening \m/.

Encounter_00X

A Measurement of Darkness WIP

Third piece in a series of experiments to try other approaches:
'The Crystalline'. You're welcome to listen if you like, if you can.

Future III: The Crystalline

Cardea (Sol Invictus)

Vocals: Kamalimani (Is the mothership on the way)
Also featuring: Among the Stars, TvMcc, Soundbyte DJ, Orange Slice, Charis Hawke, niCKed (BB00, BB01 and BB48 samples)

Mothership Beat Battle (ft. Kamalimani)

Songster version was a little ‘copla’ about not being able to be with, nor without, a loved person.  As usual, I’ve ‘upgraded’ it, process from which you only get the final result, normally. 

But, following lyrics’ contradictions, I not only serve parts with different levels of (dis)order in heavy rock - flamenco sauce, but raw vs very cooked parts as well, starting with the improvised phone recording of the very first idea I had to develop the song, so please excuse my failures and noises.

Letra  /  Translated lyrics:

Te veo venir (No te vuelvas a ir)  /  I know where you're coming from (Don’t you leave again)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pena,        /  when you come with that sweet sad face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes llorando sin que te duela,     /  when you come crying without any pain,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando dices que quieres hablar conmigo,  /  when you say that you want to talk to me,
te veo venir,                                                  /  I know where you're coming from,
cuando quieres estar al lado mío,                /  when you want to be by my side,

te veo venir (x3)                                           /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pilla,          /  when you come with that sweet sly face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes con esa sonrisa, chiquilla,    /  when you come with that smile, little girl,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

ER33FI03 RUIZZO©1996 – FRANCÉS RECORDS®2016


Factor Integrante

Te veo venir (No te vuelvas a ir)

I have a great distaste for not making music.

Here you’ll find all of the songs I have written , my improvisations, as well as a good few weird experiments. I aim to keep changing my music, hopefully never getting stuck in a musical rut or staying in the same genre too long. When I started it was all one guitar stuff (no overdubs), and very bad sound production (i.e, no sound production!), but since then I’ve started adding more instruments such as drums bass and saz and I’m slowly but surely getting better at sound production. And last but not least, I am slowly but surely getting into singing. I welcome all feedback whether good or bad. Or indifferent. I also want to hear from those who are apathetic about my music! I recorded three albums:

Lifespan (2018):
soundcloud.com/user-429211267/sets/lifespan
The Telescope (2019):
soundcloud.com/user-429211267/sets/the-telescope
On these first two there is no sound production as such because I didn’t understand that stuff at the time, then I recorded this one:

 Argentavis Magnificens (2021):
soundcloud.com/user-429211267/sets/electric-juniper-saz
at which point I was finally starting to get my head around the sound production thing. I’m currently working on an album called Neurotypical Empire, Vol 1: 2244, the first song of which I have released:

https://soundcloud.com/user-429211267/neurotypical-empire-vol-1-2244-edit-1-export-1

All are welcome here, except of course bigots. If you are racist, homophobic or transphobic, I respectfully ask that you go away.

Memories Of The Invasion

Colm Philpott

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