Kindly Left Behind

We’rewolves name emerged from a cloud of dreams. The quartet has forged a live show drawn from organic creativity. A remarkable transformation has evolved between drummer Austin Adams, the blues guitar of Rob Hine, the rhythmic groove of bassist Joe Cannariato, and the lupine carnality of singer Riley Knight. They are a group of Texas boys who found themselves in the Petri dish of Fort Worth’s rock scene. Sharing stages across town with local luminaries such as Oil Boom, they’ve also been called on to support road shows like the UK’s Little Barrie.

Their self-titled debut swirls with lush production, wrapping blues logic in spacious clouds. Co-producer Steve Steward anchors bass amidst the ‘wolves, conspiring with WizardVizion partner Jordan Richardson to design a pulsing sonic palette. Textures of Garage and Psych coat the rhythmic tensions Cashman and Steward derive, imbuing the energy with wild brilliance.

During the band’s tenure, they have worked with splendid talent, including Jeff Dazey, the otherworldly Panther City saxophonist who adds a fried 70s street sound to songs like epic rocker “Find My Way.” Weaving a tapestry that integrates dreamy pop vibes with inky rhythms, the hard rock drive is folded into spaced-out diffusion.
The album indicates the earliest incantations of a longer saga, an auspicious debut from a band that joined Blackbox’s roster of talent in August 2012. Their presence is being seen in the media, as they were voted Best Rock Act in the 2013 Dallas Observer Music Awards and Best New Act in the 2013 Fort Worth Weekly Awards.

Kindly Left Behind

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