Name: Sweet Candy(demo) by INUIT in HK_Fantaisies_tracks_61
Duration: 4 min 54 s
Description: We can find some sweet, greasy warm taste from food or some snacks. Glucose is a essential elements of eatable things. But the music genre what I love does not include these things. It represents the cold, dry, and dangerous smell of emotion so I gather these things together

Fantaisies series

- short tracks

The tracks were uploaded from 08/2020(earliest) to 01/2021, mostly in the 10/2020- 01/2021 interval, except for the following slightly older ones:
. . - PHARISEE SOUVND LABZ "Mildred"(#18): 7 Y,
. . - ZODALITT "Forest Trolls And The Fairy Godmother"(#10): 4 Y,
. . - joowon "Stereo Bird Toys"(#19): 4 Y,
. . - AB7 (Yolo Snipes- Star Scream)(#4): 8 mo.

Have some nice dreams.

* Soundcloud time: 1 year = 12 - 23 months old

HK_Fantaisies_tracks_61

7ip7o3 with untitled 12 December 2023

Artist: Memeshift
Album: Echoes
Format: Digital / Tape
Cat.No: CHI048
Master: Justin Randel
Artwork: Dhomas Kampretz Yudhistira
Design: Saphy Vong, Morgan Sully
Release Date: 19 April 2022

Echoes, Chinabot’s first release with Morgan Sully of Memeshift, takes us from Borneo to Berlin, collapsing decades and continents through electronic experimentation and personal recordings. Through the process, he asks if it is possible to reconfigure a cohesive sense of home from the diverse elements of a diasporic experience.

Echoes’ fifth track, Balikpapan, takes its name from one of Sully’s first homes, a city on the eastern coast of Borneo that Sully fled with his family as a six-year-old in 1986. When his American father couldn't pay the bribe asked by corrupt local officials to validate their exit visas, his family hired a smuggler to ferry them by sampan from Batam Island across the Strait of Singapore. Under the cover of darkness, after the gunboats passed, they found themselves on a secluded beach in Malaysia, the first leg of a journey that took young Sully to many homes between Hawaii and (eventually) Southern California.

Balikpapan was started shortly before returning to the city, some 35 years after he left, and features a field recording of insects from a mangrove swamp near his former school. Pulsing with humid, clicking beats, and laced with haunting synths, Balikpapan transports us into the physical environment, as well conjuring an emotional landscape filled with a complicated nostalgia.

The journey through time and memory is revisited in Sad Sunda, which samples a cassette of ‘pop sunda’, a form of popular music that blends western pop and traditional instrumentation from Java, that his mother brought with the family to Hawaii when they fled Borneo. Composed on an Elektron Octatrack over three decades later, Sully cut the samples into small snippets and randomly resequenced them. The percussion is from Roland CR-78 samples and drum loops pitched down and resampled in the Octatrack; through the frenetic club beats, we hear his current life in Berlin, where he now lives, bleeds into the music of his past.

His migratory experience is apparent in Sully’s music influences, which he names as “Sundanese gamelan, the Beach Boys, pop melayu and eventually punk, industrial, and noise before utterly relinquishing to the music of clandestine raves of Southern California in the late 90s.” For Echoes, Sully synthesises all these through his DIY electronic lens, finding both a sense of playfulness and a melancholia. “Echoes is an attempt at recollecting a hybrid sonic language, an unattainable and elusive ‘home’,” Sully says.

The album ends with a trip to his mother’s actual home. The churning, meditative Mom_s Kettle was recorded in his mother’s California apartment in 2021, as she was recovering from an anti-Asian hate attack that hospitalized her, part of a wave of violence that had become a second, shadow pandemic throughout the United States during the Covid pandemic.

The track relies on deeply personal, diaristic textures. “The sound of my mom's kettle which starts off the track, was recorded on my iPhone while I searched for talismans to bring to my mom in the hospital,” says Sully. “The pointillist melodies came later in Berlin from a recording session with my friend, while the granulated percussion originates from heavily compressed recordings of the recorder shuffling in my bag.” In a final personal touch, the colours of his mother’s hand-made dayak Borneo beadwork inform the Echoes album cover, embodying the spirit of the record – a creative force that blossoms despite aggression and displacement.

Echoes

Memeshift - mom_s kettle

Memeshift -  Thesis Work

Memeshift - Arkaoda Kebyar

Memeshift - Clue

Rinse FM Podcast

Club Heart Broken w/ evin  - 15 March 2024

First solo release from vocalist, movement artist and composer Elaine Mitchener, whose work encompasses improvisation, contemporary music theatre and performance art. Solo Throat draws on the work of African-American and African-Caribbean poets Kamau Brathwaite, Aimé Césaire, Una Marson and N. H. Pritchard as source material for twelve new vocal compositions
Elaine Mitchener is a veteran of vocal expression in the global Black Avant Garde, traversing free improvisation, cross-disciplinary music theatre and contemporary composition with clarity and joy. Most recently, Mitchener has been improvising and composing with the written word as source material - challenging classical ensembles with her piece (“the/e so/ou/nd be/t/ween”), and commissioning composers Matana Roberts, Jason Yarde and George Lewis to respond to the work of Sylvia Wynter (“On Being Human as Praxis”, Donaueschinger Musiktage, 2020). Her performance of Umbra poet N.H Pritchard’s text FR/OG at OTO in 2021 was a revelation - a solo vocal recasting of the powerful visual-material form that Pritchard uses to disrupt semantic ‘sense’.

Building on this performance, Solo Throat takes the work of Pritchard alongside poets Edward Kamau Brathwaite, Aimé Césaire and Una Marson as its source material. Its compositions are a loose translation - a carrying from text to voice which holds multiplicity and celebrates the transformative power of literary possibility. Surrendered to the spacing and repetition of consonants and vowels, Michener’s exceptional phonetic freedom gives rise to a sensuous experience which intensifies the roles of rhythm, timbre and breath in expressing meaning.

Solo Throat comes together as much through difference as similarity. Mitchener’s own solo improvisations sit alongside the work of Brathwaite, Césaire, Marson and Pritchard, forming a constellation of unlikely alignments which make no aesthetic conclusion. Instead, Solo Throat is a site of encounter, an irreducibly plural de-composition of words into a heterogeneous assemblage of sounds and impulses, emphasising what Anthony Reed calls, “the play on and the surplus of margins of lyrical translation to resituate other pathways of expression”. Just as the poets cited use white space to complicate our act of reading, so Mitchener utilises silence and multiphonics to complicate the act of voicing and the way we listen.

Solo Throat

ROKU036 - Elaine Mitchener - "stretchedwoundspeaks" from Solo Throat

Zoë est de retour à Paris pour jouer à la Gaieté Lyrique avec sa collaboratrice visuelle Alessandra Leone. Un tour chez Rinse est nécessaire et toujours un grand plaisir !

Rinse France Podcast

Zoë Mc Pherson - 29 Mars 2024

7ip7o3 with Dayoung - 24 April 2024

JK FLESH is the 383rd guest of our original Hate Podcast series with all new and unreleased JK FLESH material.

Download available after 10.000 listens.

Follow #JKFlesh here:
https://soundcloud.com/jk-flesh
https://www.instagram.com/justinkbroadrick/
https://twitter.com/jkbroadrick
https://www.facebook.com/jkflesh/

HATE Podcast

HATE Podcast 383

Follow JK FLESH

JK FLESH - HATE Podcast 383

We can find some sweet, greasy warm taste from food or some snacks. Glucose is a essential elements of eatable things. But the music genre what I love does not include these things. It represents the cold, dry, and dangerous smell of emotion so I gather these things together

Sweet Candy(demo)

➤ Follow:
✖ Twitter: https://twitter.com/yolo_snipes
✖ Soundcloud: https://soundcloud.com/yolosnipes
✖ YouTube: https://www.youtube.com/channel/UCy8toFFH0M0Q8eF1vCWa3UA

✖ Subscribe for more EPIC soundtrack content ✖
▂▂▂▂▂▂▂▂
✖ Copyright Info ©

✔ Be aware all music and pictures belongs to the original artists.
✔ I am in no position to give anyone permission to use this.

Yolo Snipes - Star Scream (Epic Intense Powerful Orchestral)

Dark track to go with the feel and mood of current times....

Follow on my socials for all info about future releases:

instagram.com/sylphmusicuk/
twitter.com/SylphMusicUK
facebook.com/SylphMusicUK

Email: sylph.music.producer@gmail.com

...I'll Do Anything

Heart Of Darkness

Free Download

LP019   Lockdown Advent Calendar

Freaky Carol

Ambient 2

1. The First Ephemeral Dream
     ISRC
    GBSMU9352110
    UPC
    5059741268335
    © C Line
    Polvojack
    ℗ P Line
    Polvojack
    Pre Order Date
    2021/01/21
    SSD (Sales Start Date)
    2021/01/21
    Size
    2:54 minutes (20.03 MB)
    Format
    FLACStereo 44kHz 965Kbps (VBR)

2. The Second Ephemeral Dream
     ISRC
    GBSMU9352111
    UPC
    5059741268335
    © C Line
    Polvojack
    ℗ P Line
    Polvojack
    Pre Order Date
    2021/01/21
    SSD (Sales Start Date)
    2021/01/21
    Size
    2:50 minutes (15.88 MB)
    Format
    FLACStereo 44kHz 783Kbps (VBR)

3. The Third Ephemeral Dream
     ISRC
    GBSMU9352112
    UPC
    5059741268335
    © C Line
    Polvojack
    ℗ P Line
    Polvojack
    Pre Order Date
    2021/01/21
    SSD (Sales Start Date)
    2021/01/21
    Size
    2:11 minutes (14.49 MB)
    Format
    FLACStereo 44kHz 931Kbps (VBR)

Ephemeral DREAMS.Joy

The First Ephemeral Dream

The Third Ephemeral Dream

Music,
centered on dance but I made the circle very,
very wide, from everywhere, for everyone.
Enjoy.
...

2024/03/20:
My linux won't boot so I'm presently forced to use Windows, and because of the bug in Soundcloud's system my account is all messed up when I don't use a VPN to connect which I am unable to do now... trying to get help from my VPN provider.  Because of this, and because I started working very long days I will be less present here.  Sorry, I'm trying.

2024/02/22:
Hi,
"Tracks: 0" is wrong, it should read 40.
Ever since the closing of this account by error by SC two or three months ago, this problem has remained unfixed.  Soundcloud and their AI are apparently still working on solving this and other problems with this account, and with my other account ; )

2024/01/29:
What I wrote below was heart felt but presumptuous and pretentious.  I would have to not be stupid myself to be allowed to claim such a thing.  More importantly though, I don't believe it is correct or accurate.  These people are probably not stupid but just don't care.  Justice is a collective thing and many if not most people seem to live in bubbles.  It is perhaps economic oppression which is responsible, they just don't have the resources, the time, the energy to be concerned about what lies behond that bubble.  It used to be fine but there's this thing they call globalization which makes this increasingly impractical or impossible.

mid January 2024:
Justice and vengeance are not the same.  Apparently most people are too stupid to see the difference.  Unfortunately it is not something unique to the Israeli-Palestinian conflict, and not unique to group conflicts.

What happened to intelligence?  Aren't we supposed to be the "intelligent" specie.
...

Here's the other account, for celebrities, ... this one here is for regular folks:

https://soundcloud.com/ha-kekong

I love you.

...

You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West.
...

My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
... Sorry Joe. =(
...

I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
...

Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.

Sweet Candy(demo)

INUIT

Recent comments

Tonal Unity

Related tracks