Blind World

3 tony miału [remix album]

super smutny - Gibby-Dj remix

Out There * Instrumental

ju ca x Yoshitaka Hikawa -On The Dispersion Of Materiality [GNM001]

‘On The Dispersion Of Materiality’

Through vast perceivable soundscapes and a broad array of influence,we momentarily reflect on the individual perspective. In our withdrawal from
this deliberate capability, both complex and challenging circumstances allow us to comprehend our own human condition. ‘On The Dispersion Of Materiality’ relies to some extent on pastiche and the generality of its social content, perfectly demonstrating how the consequence of artistic expression can be distributed through technology.

ju ca @ju_ca

01  Orochi 
02 Fatal Cache 
03 Quiet Mentions 
04 Morphosis

Yoshitaka Hikawa @yoshitaka-hikawa-1

05 Keayea 
06 Hndd 
07 Lemonde

ju ca x Yoshitaka Hikawa

08 (Dome) Bonus

Mastering by ju ca

Artwork by Tavi Lee aka @16666666

Yoshitaka Hikawa - Keayea

Arcleamn

Taken from the upcoming HYMN compilation out on January 5 📡 
🔴 facebook.com/00.nekyia 

@grasps (Christian W) is an experimental electronic music producer based in Sydney, Australia; exploring the darker realms of post-club & ambient soundscapes. His music emanates raw power, emotion and vulnerability in the context of feelings of loss and hopelessness. Grasps has released two EP's via. the LA imprint @wearetar, as well as a number of releases through Sydney labels @sidechainsclub and @eternal100000000.

imagery from Afonso De Matos 
instagram.com/eletrico.verde

Grasps - Divine Providence

@genotcentre

GRAFFITO by CORPORATION (Keru Not Ever & Racine) is a volatile point cloud forged from a peculiar alloy, a paradoxical blueprint inviting multiple readings. Various perspective lines can be tracked but it never becomes explicit what space, what landscape, which geometry is being sketched, where these lines of inquiry precisely converge. The sound approach is diagonal, smeared, aerosolized - but as the diffusive movement advances the quantitative turns qualitative and moments of pure texture turn ornate, verticalized again - the phase transition is complete. During this state of emergence, iridescent precipitations, multi scale order and newly formed domains ossify, only to venture into the fracture zone again, to crumble into dust, to roll along the path of entropy. Yet time linearity has no business here and many crossroads are offered, insinuations to loop back, to overlay, to spin the arrow of time like a top - resulting in an entangled sound agglomerate that is transient in contradictory senses: with both a fleeting, elusive aspect as well as the intermittent sharp time differential. 

xxxxxxxxTHINKING THE THINKING OF GRAFFITOxxxxxxxxx

"(Music slowly fading out…) What to do when one gets asked to write a description? It is in this question that the space of the circular drawing of Graffito appears. Music accompanies, but always traces and presents itself as a metaphor; the words, the sentences are tragically peripheral, to the point where they, not knowing where to place themselves, constantly miss the show. It’s impossible to get out of it, the metaphor waits for us, stalking us and asking for its clarification indefinitely, like a demon on our shoulder or a virus in our stomach: what did you have to say? "Express yourself!" It would be tempting to say anything about it, but it would be unbreathable, the request will always be made, against our desire, from its periphery, in front of its law. 
So Graffito is a gift to our inability to say anything. It is there, its gaze passing each day, more and more alien to us, multiplying itself, weaving itself, becoming what we would never have believed it, like a child becoming ineluctably stronger than his hosts, his parents. But the gift remains, the murmur never ceases: infinite-generosity. We read cards and here’s what was written: "smog powder blindness endless sun of a land like no other". Cards force you to shut up: gratitude-à-la-John Cage. "Isn’t it that the description will be the projection of what we would like to project? Naturally, the answer is simple, are you moron? — I guess, but at least I feel the warm wind melt around my hand and my shaved skull, like in a car ride (where the smell is a fine balance of honey and tar), and I can not tell if this feeling is close to The Metaphor, its reality or to a polyphonic laughter I’ll never ever seize. It’s better now, isn’t it?" (…The lulling music is still playing from the terrace, immaturely.)"

https://genot.bandcamp.com/album/graffito

Graffito

Corporation - Fold (GEN037)

GF001

'Emotional Abuse Music'
A collection of emotionally charged ambient works.
Featuring works from Crystal Warmth, Himera, homefell, lil art project, Sangam, COLE LONGANECKER, BYZ, Cedric Madden, sv1, Various Artists and dj celes.

Mix, master and artwork by Daniil Masterov.

L.Cie - GHADIUS

A collection of 4 songs

Evening star incantation

All songs produced, mixed and mastered by DJH

Artwork by DJH

Imprinted

Twine Bread & Old Spells

Swoyd Garden - Twine Bread & Old Spells

«Standing on vapor» — a mixtape series featuring mixes by lulu, wim dehaen,  seraphim, & Alley Catss is out now 🗝 listen here: http://daddypower.cc/standingonvapor

seraphim x swivel - (a)photic
Lichen Adress – Ege Agi Kwel
network glass – whscr19 
f/ - Bomb Theory Director’s Cut (excerpt)
Amselysen – Jet Black Jet Stream
trngs – fake vs full-sail ironic labor(UNHINGED INDEPENDENT CONTRACTOR OFFICIAL FLIP) 

🛡🛡( wishing you a better 2021  )

derangements of my contemporaries [mix]

Just Where It Was, Forever Yours

Run by @farwarmth & @swanpalace
nekyiacollective@gmail.com

Grasps - Divine Providence

00:NEKYIA

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