[EP025] Guest mix by https://soundcloud.com/3yyccee & https://soundcloud.com/matttecson.

Aired via https://soundcloud.com/stegi-radio-athens.

Tracklist by TRYCE

TRYCE - mnemo fluid
Hildegard von Bingen - timor dei 
Modern Collapse - Prelude ACMC 
Gud - just hear me out now
XXXTENTACION - teeth
Enter the void - car crash scene
Mutate & Kareem Lotfy - static 
Torus - Sound of the drums
Peter rehberg - boxes and angels
Ana caprix - terminal
Skrillex - With You, Friends (Long Drive) piano cover
V3sta - nothing but the truth
TRYCE & bod [包家巷] - hex 2.2 (shadow of a dying luna)

Tracklist by Matt Tecson

Ultrademon - In the High Court of Scorn
Burial - State Forest
Escha - into the nothingness of scorn and silence
Max Richter - Winter 1
Grouper - I'm Dragging a Dead Deer Up a Hill
Tempa T - Next Hype (Acapella)
Merzbow - Yellow Hyper Balls
Max Richter - Winter 2
Giant Claw - Until Mirror (vocals: Tamar Kamin)
森口博子 - BEYOND THE TIME ～メビウスの宇宙を越えて～
Max Richter - Winter 3
Linkin Park - H! VLTG3 (Acapella)

Stegi | evo-natura with TRYCE & Matt Tecson ― 26 October 2022

Réveil Retour w/ Notos (07.04.2024)

Gotye - Somebody That I Used To Know (Emil F Edit)

w @morsel-tales

++ PRESENTATION ++

“Never in my born days did I see such night”

(  (("))  )
Club Late Music and Morsel are happy to present a new addition to GUN-X __ a series of releases that enlarge the processes of collaboration beyond the borders of the Global URL Nation. For each project, members of the GUN community collaborate with members from another collective or label - exploring the results of cross-pollination and pooling across the global ecosystem of electronic music.

After an edition with Heel.zone in 2020 and with Hide Productions in 2023, we warmly welcome Morsel from the UK ! Morsel is a Manchester based label and arts platform inspired by literature and folklore, exaggerating the mysticism of our urban environments. Launched in 2023 only, their very just and sensitive approach convinced us instantly to extend the series with them.

(  (("))  )
For this one, Morsel wrote up a poem, which would serve as the primary source of inspiration to create a new track by musicians from both extended communities. 

It resulted in 17 tracks from Antonia XM, Bademjan, Clair X, Cralias, Dj Würm, Eurrope, excel dj, Flegma Joe, Griigg, Hajj, HR boat party, Ice_Eyes, Junior XL, Locre, Lucy Grey, Lukann, Older Brother, Pithe, Tobey, Yaka, Yauhei ASJ & Ziyiz.

“Never In My Born Days Did I See Such Night” is a collective exploration and experimentation into poetry as inspiration for composing music. The album oscillates between a sombre, dynamic landscape through a selection of heart-felt ambient tracks to bass driven club rhythms, mirroring the dark melancholic yet heavenly imagery painted in the poem. 

The album opens with angelic trance-like soundscapes decorated with glitches and robotic vocal elements that lead to a heavenly chorus of rich pads and textural field recordings. This feeling of euphoria is confronted with the latter half of the album drawing inspiration from deconstructed club music, flitting between sub basses and broken drum samples. The sludgy beats gather energy through the closing tracks through euro-dance-esque synths and electro-inspired drum patterns where they are met by the final track; an experimental collage of textures, computerised dialogues and dystopic sound bites that draw the compilation to a hypnotic close.

(  (("))  )
The release also comes with a zine of written contributions, which were inspired both by the original story, and by the tracks of the compilation, with Andres Komatsu, atrophene, Brice Reiter, Charlie O'Brien, Diana Serik, griddyeyes, Griigg, Ifuseekamy, julie nicol, Julieta Colantonio, l'autre champ d'eau, Léo Dubois, Le Spieman, Luz de Amor, Naledi Chai / Pillow Man, Older Brother, RAVEN, Solstice, & zozo.

The zine experiments with concrete poetry, broken narratives and long form writing as a response to the sonic landscape of the compilation. The collection delves into themes of longing, self discovery and hope through a textural lens reflected in the soundscapes of the album. Visual elements accompany the text facilitating melancholic narratives through depictions and arrangements of words, collage and graphics supporting the project.

(  (("))  )
For one year, all proceeds of the compilation will go towards Medical Aid for Palestinians. After that, the release will be proposed as Name Your Price, like all our other ones, and benefits will be reinvested into CLM & Morsel for upcoming projects and functioning costs. Thank you for your understanding and your help <3

++ CREDITS ++ 

Tracks produced by Antonia XM, Bademjan, Clair X, Cralias, Dj Würm, Eurrope, excel dj, Flegma Joe, Griigg, Hajj, HR boat party, Ice_Eyes, Junior XL, Locre, Lucy Grey, Lukann, Older Brother, Pithe, Tobey, Yaka, Yauhei ASJ & Ziyiz.

Guest vocals on ‘The Fell Demiurge’ by Ingrid Chabert

Cover and visual works by Gaspard Emma Hers
https://www.instagram.com/dj_wurm/

Mastering by Gaspard Emma Hers
https://www.instagram.com/dj_wurm/


DOWNLOAD

Yaka - Urban Fears

For this final episode of 2024, I invite my friend Lou, also known as the creative force behind the fashion label Meiloumi –– for her first mix/collage. 
Immersion into the Garden of Eden, searching for angels between shadow and light. Rise above while keeping an eye on the angels that brighten your daily life <3.
@lou-millet-1

✰TRACKLIST*ੈ
J.S BACH – magnificat in D Major, bwv 243_ quia respexit humilitatem 
RYUICHI SAKAMOTO – birth 
HILDEGARD VAN BIGEN, STEVIE WISHART, SINFONYE – o virtus sapientie alio modo 
APHEX TWIN – Jynweythek 
BJÖRK – Unison 
TARQUINO MERULA, ENSEMBLE SUONAR- La merula
YASUAKI SHIMIZU – honda 
GAVIN FRIDAY – angel 
LENA RAINE – golden  
MC SOLAAR – solaar pleure 
ALAIN CHAMFORT – paradis (slowed) 
A. VIVALDI, JAKUB JOZF ORLINSKI - il giustino, rv717, act 1_ vedrò con mio diletto_ 
KLAUS NOMI – valentine’s day 
BENJAMIN BRITTEN – songs from friday afternoons, op. 7 – cuckoo 
MEREDITH MONK – respite 
SHAGGY – Angel 

✿ Meiloumi : www.instagram.com/meiloumi
✿ Ariane Kiks : www.instagram.com/arianekiks

✰ Initially aired on @lyl_radio the 17th December 2024

*XWISHES w/ Meiloumi ✧ lyl Radio

"nararamdaman ko laging tinatago
oh baka nauunahan lang ng takot
oo ganon pa rin lang pinagbago
yoko bigkasin sayo malabo

pagod na rin mag antay ng sino sino
pa tong mga hinahanap ko nandito
ka lang yeah nanatili
nandyan ka lang palagi sa paligid

gusto kong bigkasin
pero di ko masabi
oh ano anong nangyare
di maka imik"

produced, arranged, mixed and mastered by obese.dogma777
performed by nouvul
words written by Rb Slatt

FREE DL

Dyan_Tinatago ft nouvul

Mastered by William Binta

Cover art by Kuthi Jin & Elod Janky

humble under (Daddypower Records)

Field Of Dreams w/ Grasps - 13/01/2025

Boris Rogowski – The Darkness of Future Past
(out on piano and coffee records on November 7, 2025)

Jonas Burgwinkel—drums
Viktorija Kukule—vocals
Roland Muenchow—flute
Boris Rogowski—keyboards, (bass) guitar, percussion, programming, vocals
David Schuette—cello
Isabelle Seemann—vocals

Press info:
Somehow, Boris Rogowski’s The Darkness of Future Past manages to go from Renaissance and Baroque influences and minimalist piano pieces via Ambient all the way to arena-sized pop music. It has no right to work, but it works perfectly. I don’t know how.
If I had only one word to describe its general mood, I would call it haunting. And the album itself is haunted, too, by the ghosts of the past, of classical composers (Orlando DiLasso, Eric Satie and Alfred Schnittke explicitly, many others lurk in the shadows) and more recent musical specters. It’s called The Darkness of Future Past, and yes, that’s a Twin Peaks reference… but let’s not make too much of it, there are no real connections (I think!) except for a general love of mystery, darkness and beauty.

In contrast to Rogowski’s 2023 album The Waste Land that was largely defined by a good amount of classical rigor, consistent chamber instrumentation and a complete lack of vocals, The Darkness of Future Past is almost loose: We have long, winding instrumental pieces that straddle Ambient (The Past, Like a Strange Bird), Minimalism (The Bloom and the Flutter) and Jazz noir (the title piece). They are humming with sounds and melodies that always seem in a state of either synthesis or decay, giving way to one another or sticking around in the form of eerie echo loops that build up a dreamlike musical structure always on the verge
of collapsing into itself.
Those long-form soundscapes, some of which feature ominous spoken Journal Entries, alternate with solo piano pieces that sound like at least three different instruments—but were, in fact, all recorded with an old upright built in 1906 by some regal German manufacture. The audaciously titled Gymnopedie No. 4 wears its influence on its sleeve—and delivers on its promise: Rogowski’s love, respect and understanding of the original works of Eric Satie shine through in every note. Similarly, the other piano pieces, from the tiptoeing Sleeping Dogs to the dreamy, improvisational One Lonely Autoresponder Message, feel a bit like memory palaces—reminiscent of music that has always been around, but at the same time very much their own beasts.
And then, of course, we have the songs: Nothing Wrong is strikingly beautiful, its sparse musical arrangement serving as the perfect bed for Rogowski’s falsetto and the ghostly choir backing it. breatheINbreatheOUT is downright scary, like a field recording of some strange initiation rite: The words ‘breathe in, breathe out, it’s all right/mankind is no longer your kind’ are delivered in a moody croon that seems to channel the later Scott Walker.
And then, just when you think you have finally figured out how this album works, it leaves you with Them!, a monolithic sound colossus that begins as a shoegaze-y electro pop song and develops over 6 minutes into an arena-sized hymn with an otherworldly female voice lamenting ‘What a lonely world’ over and over. Rogowski did much of the work on The Darkness of Future Past in a desert cabin near Joshua Tree—maybe he passed Coachella on his way back; that, at least, would be a good explanation of the sound of Them!

There is a very clear and distinct consciousness of the past, and there are projections into the future that are as nebulous as they are frightening. The Darkness of Future Past has the power to conjure up mysteries, to shed just the right amount of light on them and keep us intrigued—without ever giving them up or serving us easy explanations. The beauty of the music itself remains a secret, one that Boris Rogowski as its composer seems hell-bent on protecting. After all, no-one needs to know who killed Laura Palmer.

Journal Entry #2—The Bloom and the Flutter : DiLasso, Schnittke, Goats, Ghosts

Floating In The Cosmic Drift ♡

GUSLI IN DANDELIONS

Upcoming shows 

2024
11/10 Villa Kultur Ambient show (live set) (DK) 
10/10 Søren Michelsen support (live set) - Ideal Bar (DK)
26/9 Smokeshow (live set)- Garage Noord (NL)
14/9 Fraads Festival Portal 2 Party - Pumpehuset (DK)
24/8 Final Summer Getdown - Nordhavnstippen (DK)
21/6 100Blaa 4 Year Birthday Party - Baggen (DK)
19/3 Karl Meyer Afterparty (live set), Le Carmen - Paris (FR)
1/2 SPOT warm up (live club set), Volume Village - Aarhus (DK)

2023 
24/11 - HyperBall (live club set), Basement CPH - Copenhagen (DK)
22/11 - Weval support (live ambient set), Lille Vega - Copenhagen (DK)
10/11 - Uden Ord Release party (DJ), Christianshavns Beboerhus -Copenhagen (DK)
2/6 - Corecore, The Grey Space - Den Haag (NL)
1/6 - Distortion 100Blaa Dayparty - Copenhagen (DK)
16/03 - Rietveld Pavilion, Picturesque_pavillion - Amsterdam (NL)
11/03 - Pumpehuset live with Kingtommi - Copenhagen (DK)
9/02 - Murmur, Voices From Rivera  - Amsterdam (NL)

Gotye - Somebody That I Used To Know (Emil F Edit)

Emil F

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