Loaded CODEOmega Filter Run Down & Out:

Timed LFO's provide sentient echo; Mini, SEM, Juno/Jupiter, CS-80 the coloration. Starts out raw and uncut, switching peacefully enough through the filer cards; then come cuts, treatment and Carlo St. Regis the Co-Producer (and dialog provider). 2021 2nd Gen. SE input—much needed and appreciated at this point.

MSR
4.10.21

CODE-Filtered Theriots

Time for Freakness

Digital Lust

DAWN HOPETRANE

CODE Luxe: Luscious and sometimes reversed polyphonics, perfectly percussive leads (think power banjo), ending Catero “Wurli”.

Tonestar 8106 colors: Multi-tracked chordal happenings (includes “CS-80 Wah Horns”), opening lead and bass, often hard-panned continuing bass intermittents, glorious near culmination lead—in its original key/formant.

Xtreme Lead: Tim Swartz piano clarifiers.

Boomstar 8106: “9th Avenue World” leads; mas mulit-tracked chords; “Mucca Nera” lead, flutter, supplimental glide leads; surprising bells; last minute bass uplifts; 3 part “Wurli” in-a-hurry lead-into.

Boomstar Brotherhood: Select kicks, all snares and claps—SE80 w/SEM clap.

SE-1X: Hi-Hats

"...Weeping may tarry for the night, but joy comes with the morning."

Enjoy,
MSR 5-16-25

Dawn Hopetrane

CODE Luxe everything (massive kick too), except for piano and luscious, extravagant, multitracked Boomstar 8106, supporting and contrasting the "ivories" at 13 seconds in.

Oh yes, Boomstar Modular Sensei delivers percussive octave bass tones beginning at :11.

New faster Luxe envelopes definitely assist in my homage here, to Stevie Wonder's immortal "I am Singing" GX-1 pluck patch.

Enjoy,
MSR 72525

8 Hours Of Yesterchords

Kudos to St. Regis eternal bandmate & friend Nick Tumler for never letting me forget this song (Love Transition) and its driving, determined changes, that Johnny Caswell (The Crystal Mansion) and I crafted into what should have become an R 'n B classic, one fine day in the QC booth at SIR's Gower Studios. "Is it me? "Is it you?" "Could it be it's really true...?"

CODE Luxe: Main chords & more chords—gorgeous in reverse per usual—(:28 "Hopesichord too"), subs, :14 cymbals, lead bass/bass leads, whistle closure.

Boomstar 8106: Kick-matched bass, multitracked chordal support, processed "guitar" leads, "When we were new" leads... plentiful and fanciful lead 'n bass cluster ensembles... poignant plucks, "Strairway" flutes, David Frank inspired "System" basses.

Boomstar SE80: Assorted Boomstar Brotherhood Drums.

Tonestar8106: Horns, New Wave-y Boomstar Bass octave double.

SE-02: Tabla Dudes

SE-3X: Hi hats

Not an exhaustive SE rundown, but close.

Enjoy,
MSR 8-27-25

Love Transition '25

song- let it go**.m4a

CODE Luxe: Robert Lamm inspired LFO pulsed Chordal figures, feedback/drive fantasies, needle-dropped polymoods, swan song chirping.

Boomstar8106 Faux-llphonics: multitracked piano-stalking chords; stereo leads & cries (sounding very ObieRack-ish); bass accents & smoothing; soothing ending lows.

Tonestar8106: Magic Dorothy Ashby Harping.

Enjoy,
MSR

SighOp Shadows

Taken from YAYAYI's exclusive MP3.WAV guestmix. Listen here: https://youtu.be/1G5-9dmWS4U

For the first in our mix series YAYAYI comes through with a cold remix blending Joeyy's 2024 hit "Thanks" with a slick West Coast beat that you may also recognise.

▶ *Discover Seán:* https://instagram.com/seangran https://tiktok.com/@seangran  https://soundcloud.com/seangran
▶ *Discover MP3.WAV:* https://instagram.com/themp3wav  https://tiktok.com/@themp3wav https://bit.ly/TheMP3WAVSpotify
▶ *Discover Stay Cool:* https://instagram.com/staycoolfam https://tiktok.com/@staycoolfam https://soundcloud.com/staycoolfam https://spoti.fi/3VrMpEZ

YAYAYI documentary

YAYAYI AKA ATIVAN COREA - Joeyy "Thanks" Remix [UNRELEASED]

Two passes panned hard as granite, much of the time. Nothing to prevent such satisfying... separation. There's a thought.

SE-02 - Rubber Man Banding

WASTED

Once upon a drum machine, The Brothers St. Regis had to part with their beloved, stock TR-808; before it left the building, Greg St. Regis programmed this beat: "HE is The Rhythm Man, tapping at he backseat..." Several summers passed and it again found favor in their sight, after hundreds of cuts & creases and "Boomstar Brotherhood" SE-80 percussion pieces. Soon Rhodes chords followed the Rhythm-Man's-flow. It is commonly believed bass was next (30+ tracks): driving, testifying, border-defying Midimini V30, in the lead role, with wildly versatile and colorful programmable support from the SE-02. 10 or so passes of Omega 8—essentially MIDI Channel 1/1980’s style—broadened and brightened the Gospel of Chordal Excellence. The Oracle at Ableton/Atlanta spoke a Wayne Shorter spirit into the leads, so the SE-02 and Midimini began stacking up the solo flights, fighting and reuniting like play-cousin nights. Voices from the “Family Herrre” Chorus preached and ascended majestically—though soothingly prosaic at times—inspiring, shaping, begging, cajoling, demanding, elevating and refining the piece to unforeseen coherence and towering heights… feigning silence for moments, only to reanimate through & beyond fragmentation challenges with that magical dialect and love from The Lou.

"Consider all that."

FINIS

Captain’s log supplemental: 1182021:

Most if not all of the polyphonic detail work (apart from the Waves Morphoder vocoding), not tracing or amplifying the piano track MIDI, rather often clustering around spoken and sung WORD, like a gritty reverent glitter (WORD, arguably entirely too sacrosanct to digitally preserve… to orchestrate, yet now its dope message moves forward and out), was tracked note by Motu's brilliant “Split Notes” feature in DP10: Midimini V30 and SE-02 battling again for the muse’s attention/affection. There is no other DAW ;)

Original Midimini on the 1st and last conspicuous bass slides.

Additional Cameos: Modstar Sensei, Tonestar 8106, 2600.

Writers: Marc St. Regis, Greg St. Regis
Produced by MSR
Executive Producer Adrian Drummond

Special thx to Drummond, Sean Charles and Huston Singletary.

WASTED

mylan

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