A short extract of my forthcoming collaboration flexi 7'' with Michael Esposito, to be released in 2013 on Geräuschmanufaktur Records.

Assembled by Francisco Meirino from a live collaboration recording and EVP results from a workshop at Standard/deluxe art gallery in Lausanne, 2012.

Francisco Meirino & Michael Esposito "The Pressure Of Knowledge"(extract)

This piece has been arranged from sounds produced with glass and metal containers, heating elements and water. Recorded in 2004. Composed/arranged 2012-13.

The Nettle Daughter

Track 1 Birgit Ulher, trumpet, radio, speaker, objects (Excerpt)

BIRGIT ULHER, ILIA BELORUKOV, ANDREY POPOVSKIY 
Live at Teni Zvuka 2012
CDR, (36'07''), 100 copies, cardboard sleeve
1000füssler 024, released in August 2014


Birgit Ulher, trumpet, radio, speaker, objects
Ilia Belorukov, ipad with sine waves, mini-speakers with preparations, objects
Andrey Popovskiy, motors, ebows, mini-amp, dictaphone, contact mic, surfaces, objects

In 2012 Birgit Ulher got an invitation to play at the Teni Zvuka festival in St. Petersburg. Besides solo playing with the trumpet, radio, objects and preparations Birgit also played with Ilia Belorukov who used sinewaves fed through little speakers and Andrey Popovsky who was extracting sounds from mini-amps, contact microphones and other mini-electronics. All the material of this album is recorded live at the festival. 

www.1000fussler.com

01 Birgit Ulher, trumpet, radio, speaker, objects (Excerpt)

Release date: December 24, 2014 (Cat. F90111)
Format: CD + Digital

01 FmF 4 (7:28)
02 L10RC (6:04)
03 L10RB (6:40)

Time 20:12

The three pieces of "Fahl" are the results of a never ending recycling (not remixing!) of one and the same structure recorded deep in the past. That means recyclings of recyclings of recyclings… With "Fahl"  the series comes to a temporary end to be continued sometime. The idea behind this esthetic stategy is the question: why further on creating  genuine music? Our recent digital and analog tools enable us to derive nearly every sonic event from nearly every other sonic elements. But that is the theory. Actually that tiny "nearly" constantly holds unexpected aural surprises. To perceive these surprises is a question of ear calibration. To be ready for active listening (opposite to passive hearing) is the basic requirement for analytical perception.

Asmus Tietchens – Fahl (Excerpt)

splitting 21 is a collaboration with Michael Maierhof, who provided the splitter (plastic cup with marbles) and the with it connected concept of splitting the trumpet tone in combination with the tape, which enlarges the 10 min piece into the orchestral. On this basis I developed the trumpet voice.

Splitting 21 for trumpet, splitter and tape by Michael Maierhof and Birgit Ulher

Trauerschwalben Am Hinterwiesenweiher

Sample from forthcoming 3" CDr to be released by Nonlinear (www.thisisnonlinear.com/). Hand made edition with art work by David Mutch (http://davidmutch.net/). 

https://tarab.bandcamp.com/album/id-e-fixe

01 Birgit Ulher, trumpet, radio, speaker, objects (Excerpt)

1000fussler

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