Album: La Cassette

Labels: SEVEN SEAS RECORDS (on line) // KILOTECH RECORDINGS (solid state devices) 

Genre: electronica

Styles: minimal deep house, groove house, acid house, minimal, techno, acid techno, hard techno, ebm, idm, indie pop, future pop, disco funk, down tempo, chill out, ambient, classical

Release: Double Digital Album 

A01 Avec La Cassette -1000io-

A02 Hate Sax, Love Sex -1000io-

A03 Certainly Maybe -1000io-

A04 Lose Control -1000io-

A05 Casácida Novechentera -1000io-

A06 Fat Birds -1000io-

A07 Tap The Butt -1000io-

A08 Chavo's whining -1000io-

A09 Subfluvial -1000io-

B02 Dreams Are Dangerous -1000io-

B03 Primavera Tímida -1000io-

B04 Interludio I -1000io-

B05 Tastes Like Meeting -1000io-

B06 Olmedo Está De Fiesta -1000io-

B07 The Picture In The Magazine -1000io-

B08 Aftertrip -1000io-

B09 Nothing Lasts Forever -1000io-

B10 Acid Torture Machine -1000io-

B11 Cute Love Song In Spanish -1000io-

Emilio Corbari was born in a cold July of 1979 in the bohemian city of Rosario, Argentina. And just 10 years after that he was singing the most traditional pieces of classical music at crowded theaters, studying Piano, Audio-perception and composing his first "piano & voice" song just 2 years later. In all this period, electronic music was fully of presence, with Old School Techno, Techno Pop, Acid house, Euro House, Trance, Tribal, etc… It was the nineties.
As a teenager he did what musician teenagers do: play a lot! Guitar mostly, composing and singing many several songs in different “garage bands”.
But nearly 2000 the electronica’s epiphany showed up and it all came like it has been there for ever. The sounds started to flow, roughly, and the shape was looked for; the shape of sounds and the shape of waves. Synthesizers, rhythm machines and bunch of different electronic devices engaged on programming, letting hear timid ruffs of Ambient, Chill out and Rave music. This is the start of the primal idea of "Seven Seas".
At first, it was a way to call a music project; after that, a workstation to finally become in a net label, around 2002.
The new generated electronic sounds merged with the traditional rock pop style and in 2005 Silverfish births. "Not released yet" was the debut album, but it wasn’t released (paradox) the full length cd. An EP appeared instead, "Face", including the hits "Face" and "Godspeed".
Years later, tired of pop sound, Emilio gets back to an old habit: dee jaying.
Thevice was the “don’t know what to do”. Thomas Vaissen was the “don’t care what you say”. In 2009 Thomas Vaissen appears playing a couple of times at Gotika City Club in his hometown, but at this time, he’s involved in producing and mastering a collection of singles released one each two months, a double cd album of mash ups and remixes, and the first Thomas Vaissen’s album: "Ludomatic"; an exotic combination of Latin sounds, acid techno, electro, 8-Bit and Cumbia. This is a pillar to Emilio’s sound develop. Getting known of old school techno groove box, such as Roland TR 808 and 909, he begins a path through Detroit Techno and Chicago House. This arises in the second album: "Destroy Detroit", finished in the earlier 2010.
But meanwhile, when "Ludomatic" was on process, a different and extraordinary idea came up: Sound Versus Failure; an experiment between order and chaos, harmony and distortion. "79/84" was the album also released in 2009, included with the other releases of that year in the compilation "Seven Seas Records 09". "79/84" is a compendium of EBM, IDM, Downtempo, Glitch, Noise and Future pop 9 songs, forty some minutes length and one of the most risky projects ever made by him. 
Coming back to Thomas Vaissen’s Destroy Detroit, it’s a more abstract piece of work, getting into the minimal, the acid house with no respect, rocking out the scene with no limit for the cowbells and the rimshots; and always procuring to keep a defined artistic line, to finally reach the “hell yeah!, this is techno!” stuff.

So, what now? Well, Emilio disengages all the projects and kill all the characters, to forge the real being; a combination of Silverfish, Sound Versus Failure and Thomas Vaissen. Like a Voltron episode. Now Milio Kilotech, or just 1000io, is the final Emilio’s creation. The characters become in the self being.
So, the machine is on and releasing "La Cassette", a double album debut to tribute old mixed tapes, like a sort of compilation, with many different styles, categorized only as an electronica album. But this is not a compilation. It’s a studio album, rearranging all the musical components to performance a varied type of styles such as Minimal Deep House, Techno, Acid House, Disco Funk, IDM, EBM, Future pop, Indie Pop and many more.
La Cassete would be released, like the others Emilio Corbari’s releases, by his personal on line record label SEVEN SEAS RECORDS, and pre-loaded in exclusive solid state devices by KILOTECH RECORDINGS. 

1000io

Popular tracks