Cover art done by Brennan Harris

If you like his work, check out this website

https://brennanmajorharris.com/store

Photon

Snovi

Paral·lel & Senmove - Crónico

Getting back to Industrial roots with a Soma Lyra 8/Uno Synth Pro duet.

Phantom Oscillator - Factories Have Feelings 2

Yuge

Commissioned and performed by Prague Quiet Music Collective

Part of a project called 'Five Uncertain Situations' with Prague City Gallery. Exhibition and concert at Dům U kamenného zvonu (Stone Bell House), Old Town Square, Prague in December 2022.

Bass clarinet - Anna Paulová
Baritone electric guitar - Ian Mikyska
Violin - Milan Jakeš
Double bass - Luan Goncalves

Mixed by Juraj Mišejka

This piece was written in response to a set of photograms from Aleksandra Vajd’s The Thirty-Six Dramatic Situations, which features two parallel lines, each changing colour halfway. To me this work is about things in flux, things moving toward or away from something else. In my piece, I am interested in how players might focus on periods of instability and change within and between sounds. By leaving the score more open, I hope to provide more space for the players to follow their curiosity and their ears, to be responsive to the sounds and to each other in the moment. - SL

"Sylvia’s piece is a rare occurrence: a simple, relatively undefined score that does not provide instructions for formal development over the entirety of the piece, yet immediately, the first time we rehearsed it, it was clear that the piece had a clear-cut character and a complex web of internal relationships. The simplicity and directness of Vajd’s photograms is here transformed into a focus on all the chaotic and noisy shadows, interferences, and byproducts that appear when players are tasked with exploring well-chosen, fluctuating effects and various transitions between them. Here, instability is always present at multiple levels — perhaps we could even speak of an interaction between instabilities, a dusty sonic layer covering the simple material play of the photograms." - Ian Mikyska

Overlapping Transformations (2022)

lovely to sit at @stellato-strings piano again and record improvisations again for the first time in 2023. more pieces to be made in the coming weeks from yesterday afternoon's session. for starters here's me, the piano and its harmonics, the wind chimes outside, Audacity editing and the life game of chance (there's no such thing as chance) at play.

This is this week's response to the weekly Naviar Haiku challenge:

Evening sky,
the silhouettes of farmers in their fields
deepen.

(translated by James Abrams)

A wandering poet and ascetic Zen priest, Santōka was a disciple of Ogiwara Seisensui, one of the first poets to discard the traditional use of the 5-7-5 structure in haiku.

Santōka’s poetry emphasizes the necessity of sabi (solitude) in order to achieve spiritual enlightenment and serenity.

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 18th January 2023

haiku by Santoka Taneda https://www.chzc.org/Nonin.htm

picture is by me of the Anthony Gormley figure currently keeping watch outside Turner Contemporary.

Yuge

Tomonolaru

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