en midsommardagdröm

Winter Drone

A new track to include in my EP based around using the Make Noise​ 0-Coast as the sole sound source for everything. Sequenced by the KORG​ SQ-1 and running it through Ableton​ Live's resonator and reverb, it's soundscapey, ambient and with a whole lot of feedback generated by hitting the resonator exactly at the right spot via the 0-Coast's Overtone circuit.
The full EP is now available on bandcamp for download/purchase: piearesquared.bandcamp.com/album/co-a-sts-ep
Enjoy x

Nearly There Now (Make Noise 0-Coast) *EP OUT NOW*

a brief, single-pass exploration of the Hordijk Blender module. quite versatile!

Blender Test 5

First test with my freshly build Lyra-8 kit from soma synth. Don't listen on a computer speaker (lots of low end)

#353 - Experiencing Bizarre Moments Of Time Travel That Serve No Narrative Function

Lights Out - Stephan Baer

Improvisation for Hordijk modular synthesizer. One pass, with an edit at the end of the piece.

Following

The basis of the twelve-tone technique is the tone row, an ordered arrangement of the twelve notes of the chromatic scale (the twelve equal tempered pitch classes). There are four postulates or preconditions to the technique which apply to the row (also called a set or series), on which a work or section is based:

1. The row is a specific ordering of all twelve notes of the chromatic scale (without regard to octave placement).
2. No note is repeated within the row.
3. The row may be subjected to interval-preserving transformations—that is, it may appear in inversion (denoted I), retrograde (R), or retrograde-inversion (RI), in addition to its "original" or prime form (P).
4. The row in any of its four transformations may begin on any degree of the chromatic scale; in other words it may be freely transposed. (Transposition being an interval-preserving transformation, this is technically covered already by 3.) Transpositions are indicated by an integer between 0 and 11 denoting the number of semitones: thus, if the original form of the row is denoted P0, then P1 denotes its transposition upward by one semitone (similarly I1 is an upward transposition of the inverted form, R1 of the retrograde form, and RI1 of the retrograde-inverted form).

marvin blotto

https://planetmu.bleepstores.com/release/107937-richard-devine-sortlave
https://richarddevine.bandcamp.com/album/sort-lave
http://smarturl.it/RDSortLave

After a break of 6 years, Atlanta based electronic musician, producer and sound designer Richard Devine returns with a new album ‘Sort\Lave’ on Venetian Snares‘ Timesig imprint. Recorded between 2016 and 2017 using Richard’s custom built Eurorack modular system and two Nord G2 Modular units, Sort\Lave features 12 tracks of intricate electronica that ranges from abrasive percussive experiments such as ‘Revsic‘ to ‘Astra’s dazzling juxtaposition of sounds and onto the radiant ambience of the album’s closer ‘Takara‘.

Talking about the album’s genesis Devine explains “I’ve been using modular synthesizers since I was 17, but have never written complete tracks using these newer systems. This was my first experiment to see if it would be possible and I probably spent about 5 years building up the systems that I used on this album.”

“I wanted the record to sound very different to my previous works which had been more cold, digital, clinical even, and had all been made using computers. The aim here was the complete opposite, to create something that felt very organic, detailed, spacious, big and warm and just as importantly, a record that you could put on and play all the way through that flowed in a seamless way.”

This new approach was to prove fruitful and enabled Devine to create music in an entirely new way. “I really wanted to break free from timeline-based music creation and do things with my hands on the fly,” he explains. “So the tracks are more like captured snapshot performances where I could experiment and play around with the idea of probability-based sequencing for every patch, string multiple sequencers together that would feed other sequencers to come up with interesting rhythms and melodies. It was really fun coming up with new sounds this way too, I felt like I created several I haven't heard before with this album. Some of the tracks on the album were complete accidents and evolved from something that happened spontaneously. In the end I feel this is one of the best records I have released to date, so I’m very excited to share it with the world.”

Making his debut in 1995, Devine’s releases for labels including Schematic, Warp Records and Detroit Underground have established him as one of the leading figures within the electronica community. In addition to his musical productions, Devine has enjoyed a lengthy and successful career in sound design, developing patches for many of the world’s leading music technology businesses and working with companies such as Google and Nike.

Sort\Lave

Richard Devine - Opaque Ke (TIMESIG009)

Taken from Portrait With Firewood smarturl.it/portraitwithfirewood

RS1810

Djrum - Showreel Pt.3

"Doinna"

DAW: FL Studio 20.5
Synth: Arturia MicroFreak

Doinna

I like sounds. Strange electronic sounds. Found and made. 
No keyboards here ;-)


Winter Drone

101010oxo

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