A battle theme for @bigpancake-nort's game

Knuckleball 100

THIS AND OTHER TRACKS FOR THE BM2 PROJECT HAVE RELATED LORE THAT YOU CAN READ AT THE FOLLOWING ADDRESS: https://sites.google.com/site/thisisrandomlunacy/home/articles/12-tracks-2020

The accompanying artwork was designed and produced by Dio Maxwelle: www.instagram.com/diomaxwelle/

Two and a bit months is probably the longest turnover I've had on a track in... a while. I sincerely apologies; you can thank an untold amount of IRL bullshit, piss poor luck, and bad mental health for that one. Hopefully, future BM2 tracks won't be in the kiln for quite as long.

For the most part, ideas were strong for this one for the outside; a lot of the early roadblocks I hit (when I had the opportunity to actually work on the damn track) were in things like sample choices, audio balancing- the minute details. Everything had to be just-so, and at several points in the process quite a few things I tried weren't working out and had to be tweaked. One of the biggest headaches I had was with the melody during the "chorus" sections- the actual melody was easy, but I spent ages cycling through samples to find one I liked. I'm still not 100% sure if I made the right call with the one I ultimately went with, but it sounds better then everything else I tried out. Another rough spot, believe it or not, was bridging the first "chorus" with the second "verse"- that little two bar break was the very last thing I worked on in the composition process cos I just didn't know how I wanted to handle that bit of connective tissue.

I am pleased with the song in the end- as I type I'm still just coming out of the mindset of actively working on it (and given that work phase went on as long as it did and was as difficult as it was, I'm mostly just fucking thankful it's done and I can move the fuck on), but what's there is strong. I completely fucked up in one spot and dropped the wrong version of the vocals I was editing in post- take a guess which one- and didn't even notice until it was too late to fix it, but fuck it, mistakes happen. I'll just work it into the metanarrative and say Takayuki Mitsuyoshi (the Gonkaka member wrong the song "in canon") encountered an error with the sampler playing those vocals or... something. Yeah.

This song contains the following sample + audio from freesound(.)org:
- audio from The Wickerman 1973's trailer
- strong windy night (170129)
- Nightscapes Asplund (1ratatosk1)

Battlemania 2: King of Blues OST

DOWNLOAD / PURCHASE

Takayuki Mitsuyoshi - Those Who Lay in Wait and Watch in Secret (Stage 6: Clay Cross)

walking around

Little Frog Game is a tiny platformer game developed by myself over the course of several months.  Its available now for free on my itch page! You can also buy the soundtrack on my Bandcamp.

Play the Game: https://jamphibious.itch.io/little-frog-game
Buy the OST: https://jamphibious.bandcamp.com/album/little-frog-game-original-soundtrack

Frog On The Beach

.it file written for 16KB module format in BotB "tinymod grandprix" battle https://battleofthebits.org/arena/Entry/solitary.it/60159/

solitary.it [16kb module]

album art: https://twitter.com/TomasPraestholm
music: @damifortune
track 3 live drums written, performed & recorded by @jaxcheese
track 16 co-written with @doctorn0gloff

Distant Islands: 51 minutes of experimental SNES chiptune, treating the soundchip like the quirky 8-channel sampler that it is; featuring microtonality, glitches galore, heavy manipulation of the chip's available effects and parameters, and unusual, often homegrown sounds. All tracks were recorded straight from a single Super Famicom system, with the exception of live drums layered onto "Welcome Back to Dragon Airlines".

Someone once told me that when I write I "leave keys for distant islands" and the phrase has stuck with me ever since. This is my first full-length, non-compilation album in three years, and I focused on making something that resonated with me personally and employed the kinds of sounds I wanted to hear. I also went all-out in exploring just how strange, incredible, and absurdly messed-up the SNES could conceivably sound. I'd like to think this covers some new, fresh territory in Super Nintendo chiptune, and I hope you enjoy it!

All songs were composed and written to blank SNES ROMs using osoumen's C700 VST (or forks of the VST that add microtonal functionality and extra MIDI tooling), then recorded from my Super Famicom. The rendered audio is lightly mastered for consistency.

Distant Islands

🏝️Buy🏝️

Thank You for Flying DragonAir!

Composed and Arranged by June Chikuma / 
Musicians : June Chikuma(keyboards), Kaoru Akimoto(g) / 
from SEGA SATURN Saturn Bomberman / Intro / 竹間ジュン


Saturn Bomberman No.1 Funky Breakbeat Remix

i listened to smile by the beach boys everyone goes through this phase once

lyrics by mioh

The Burger

Polarity

A very dirty sketch resampled through a NAGRA-IV.

CoQ Sessions - Artifice Activation at Grit Gate Alternate Historical Context (b-side)

https://polariapoyon.bandcamp.com/track/metropolitan-dusk get this song here!

METROPOLITAN DUSK

Hello; my name is Decon Theed. I make tunes using MUSIC™ 2000 under several different aliases. Originally from St. Albans

Takayuki Mitsuyoshi - Those Who Lay in Wait and Watch in Secret (Stage 6: Clay Cross)

Decon Theed

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