'Reworks: Vol2', out now on Ahead Of Our Time: https://jamesheather.lnk.to/reworks-2So

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Reworks: Vol2

Immortal Beloved (Freya Arde Rework)

People keep saying this reminds them of this guy "Burial" in the style of drums & vocals etc. I'd genuinely never heard of the fella. Checked out his entire back catalogue today. Fair enough he does seem to have copied some of my style esp in his early albums I cant hold that against him its good music its just his sounds a bit derivative after listening to mine...

Hollow Head

Little Sister

We’re excited to announce our second EP ‘Rayquaza’ is now out on our mate Mr Sosa's label Viceworks Records

It’s a three track EP with a breakbeat tune, housey/disco track and a floaty electronic thing we hope you’ll love ❤️

We’re really grateful to be the first artists other than Mr Sosa to release on his label Viceworks Records. He’s believed in our music from early, played Rayquaza as part of his Anjuna Jurassic Coast set (on YouTube and is a quality mix and setting, give it a look) and has helped us improve as producers and engineers!

Hope you enjoy the EP and we have alotttt of material ready to come out later this year crossing a lot of different genres! Shout to Four Heads, Les Yeux Orange & Houseum for the premieres. 

💿 Rayquaza EP track list:

1️⃣ Rayquaza
2️⃣ Don’t Be Square
3️⃣ Newquay

Listen/stream or buy here: https://linktr.ee/viceworks

Don't Be Square

An Unforgettable Slice Of Life

▶ Who is CLD.RĀN:

CLD.RĀN is (/klaʊd/. /reɪn/) is Victor Ferreira’s new adventure that steers toward all things glitchy. Ferreira’s new realms are based on digitally degraded, click n’ cut groove textures and artfully granular melody experimentation. It is a fresh outlook and a bit of fantasy for Ferreira's mind, taking a breather from his usual occupation as the head honcho of Sun Glitters.


▶ About the song:

"/sɪnˈθetɪkli/ /ɔːˈθentɪk/" delves deep into the facade-laden world
of social media, where filters and effects reign supreme.
It unveils the captivating yet unsettling reality of social media personas, where authenticity is often obscured by digital illusions.

The track's glitchy beats and distorted melodies serve as a sonic reflection of the dissonance between authenticity and artifice online.
CLD.RĀN skilfully captures here the tension between the desire for validation and the loss of genuine connection in the digital age.

In a world where appearances often overshadow reality,
"/sɪnˈθetɪkli/ /ɔːˈθentɪk/" serves as a powerful reminder of the importance of embracing one's true identity beyond the confines of the digital realm.

▥ Label: DXFXWXU Collective
▧ Running time: 5:54 min.
▩ Cover artwork: madeByhujo

⌖ Follow:
www.instagram.com/cld.ran/
www.instagram.com/madebyhujo/
www.dxfxwxu.com


C̵͙̔̄̀̈́̚̚͝L̵̩̝͔̟̹̇͐͂̚͠͝Ḑ̵͇͍̹̻̊̀̅͐͑͛͒͂̕.̷̡̭̼̞̒̌͑̅́̕͝R̷̰͔͓̃̈̔͊̈͆̈͝Ą̵͍͚̼̹̫̘͓͚̄̀͑͑ͅN̷̟͔̠̖͒̆͂̒ͅ
/‘klaʊd/ . /‘reɪn/

/s​ɪ​n​ˈ​θ​et​ɪ​kli/ /​ɔ​ː​ˈ​θ​ent​ɪ​k/

Grab It Here

CLD.RĀN - /s​ɪ​n​ˈ​θ​et​ɪ​kli/ /​ɔ​ː​ˈ​θ​ent​ɪ​k/

Arbor - Holdfast LP out on @frenchtabloid [FT026]
Lenght : 32 minutes
Tracks : 8
Style : Ambient, Experimental, Future Garage
Country : US
Platform : Bandcamp
Artist : https://soundcloud.com/yojimbo123

Listen / buy

Arbor - 4u

From the upcoming Fiasko! by Kaboom Karavan

June 2024

Kaboom Karavan - How to put valium in a madmans drink

ableton set broke so here you go it was almost finished

Daydreamz

Twin heavyweights Kevin Richard Martin (The Bug) and Joseph Kamaru (KMRU) unite for Disconnect, a powerful study of dread, hope, and profound sonics that marries depth-trawling dub with Kamaru’s voice, ambient sensibilities, and negative space.

Kevin Martin first became aware of Kenyan ambient musician KMRU “watching the short 2020 documentary Under The Bridge,” he tells us. “Which, aside from immediately finding Joseph's approach to sound and music so instantly impressive, I also found his spoken voice possessed a captivating, lilting, tonal quality, with his soft-spoken accent.” Following this, Martin dug into Kamaru’s records, and found not only a kindred spirit in skillful exploration of sonic space, but also a fan of The Bug. So began a mutually respectful relationship, initially held in Instagram DMs and reciprocal admiration for each other’s work and eventually blossoming into an invitation sent by Kevin to Joseph to collaborate on a new album.

The results - debut collaboration album Disconnect - collect a back-and-forth creative dialogue that started life in Martin’s studio. “I think I surprised Joseph by suggesting he contributes vocals,” Martin tells us. This ability to identify, isolate and exploit the nonstandard is a trait shared by both musicians and employed to devastating effect on Disconnect. Its vocals, sitting somewhere between intonation and spoken word, capture the ear and fizz with simmering power. They are indeed a surprise, coming from a musician specialising in instrumental, field recording-laced ambient musics, but tell intensely evocative stories, weaving poetry into the pair’s grandiose greyscale musical architecture.

The record is just as deep, dark, and arresting as we can expect from Kevin Richard Martin, following his acclaimed rescore of Solaris (released in 2021 on Phantom Limb) and a handful of self-released solo albums that explore a sound just as heavy as The Bug but at a menacingly slower pace. And it is just as evocative and unique as Kamaru’s KMRU canon, each object delicately and purposefully placed so the timbral mosaic builds with shimmering and hypnotic beauty.

KRM & KMRU - Differ

The Disco

Brummie Beat Makers 💿⚡️
Resident DJs at Insular 🎧🔋
Rayquaza EP is out now on Viceworks Records ▶️🔂
Stream, listen and buy!

Don't Be Square

Panaflex

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