Name: Zrуб (Digital Taiko) by Маркіян В.
Duration: 2 min 50 s
Description: Зруб. Набір патернів навмання і зсув кроку як на льоді...

Muslimgauze was formed in response to Operation Peace of the Galilee, Israel's 1982 invasion of Lebanon to stem attacks from Palestinian Liberation Organization guerrillas stationed in South Lebanon. This event inspired Jones to research the conflict's origins, which grew into a lifelong artistic focal point, and he became a staunch supporter of the Palestinian cause, and often dedicated recordings to the Palestinian Liberation Organization or a free Palestine. Jones's research further grew to encompass other conflict-ridden, predominantly Muslim countries including Afghanistan, Pakistan, Chechnya, Iran, and Iraq. He concluded that Western interests for natural resources and strategic-political gain were root causes for many of these conflicts and should Western meddling halt, said regions would stabilise.
Jones frequently netted criticism for never having visited the Middle East. He explained in a 1994 interview, "I don't think you can visit an occupied land. It's the principle. Not until it's free again

http://www.muslimgauze.org/

Muslimgauze - Every Grain Of Palestinian Sand - 1998

Suzanne Ciani
Buchla Concerts 1975
FKR082LP
Finders Keepers Records

Finders Keepers invite you to witness the incredible first ever Buchla synthesiser concerts/demonstrations providing a distinctive feminine alternative to The Silver Apples Of The Moon if they had ever been presented in phonographic form. This is history in the remaking.

This spring Finders Keepers Records are proud to release an archival project that not only redefines musical history but boasts genuine claim to the overused buzzwords such as pioneering, maverick, experimental, groundbreaking and esoteric, while questioning social politics and the evolution of music technology as we’ve come to understand it. To describe this records as a game-changer is an understatement. This record represents a musical revolution, a scientific benchmark and a trophy in the cabinet of counter culture creativity. This record is a triumphant yardstick in the synthesiser space race and the untold story of the first woman on the proverbial moon. While pondering the early accolades of this record it’s daunting to learn that this record was in fact not a record at all… It was a manifesto and a gateway to a new world, that somehow never quite opened. If the unfamiliar, modernistic, melodic, pulses, tones and harmonics found on this 1975 live presentation/grant application/educational demonstration had been placed in a phonographic context alongside the promoted work of Morton Subotnick, Walter Carlos or Tomita then the name Suzanne Ciani and her influence would have already radically changed the shape, sound and gender of our record collections. Hopefully there is still chance.

In short, Suzanne was a self-imposed twenty-year-old employee of the Buchla modular synthesiser company, San Francisco’s neck and neck contender to New York’s Moog. Buchla was run by a community of festival freaks and academic acid eaters whose roots in new age lifestyles and the reinvention of art and music replaced the business acumen enjoyed by its likeminded East Coasters. In the eyes of the consumer the creative refusal to adopt rudimentary facets like a piano keyboard controller rendered the Buchla synthesiser the more obscure stubborn sister of the synth marathon, steering these incredible units away from the mainstream into the homes and studios of free music aficionados, art house composers and die-hard revolutionaries. Championed and semi-showcased by composer Morton Subotnick on his albums The Bull and Silver Apples Of The Moon, Buchla’s versatility began to open the minds of a new generation, but the high-end design features and no-compromise modus operandi was often confused with incompatibility and, in the pulsating shadow of Moog’s marketing, the revolution would not be televised nor patronised. Suzanne Ciani, as one of the very few female composers on the frontline (and also providing the back line) did not lose faith.

These “concerts” are the epitome of rare music technology historic documents, performed by a real musician whose skills and academic education in classical composition already outweighed her male synthesiser contemporaries of twice her age. At the very start of her fragile career these recordings are nothing short of sacrificial ode to her mentor and machine, sonic pickets of the revolution and love letters to an absolutely genuine vision of and ‘alternative’ musical future. In denouncing her own precocious polymathmatic past in a bid to persuade the world to sing from a new hymn sheet, Suzanne Ciani created a bi-product of never before heard music that would render the pigeon holes “ambient” and “futuristic” utterly inadequate. Providing nothing short of an entirely different feminine take on the experimental “records” of Morton Subotnick and proving to a small, judgmental audience and jury the true versatility of one of the most radical and idiosyncratic musical instruments of the 20th century. These recordings have not been heard since then.

Suzanne Ciani - Buchla Concerts 1975 (Excerpts)

09 - Halcyon + On + On

David Lynch - Movin' On

HVNX-400 Lawrence Le Doux
'Music for Documentaries'

Release date May, 19th

B1 - Agility

Gargantuan

Little Bullet (High Velocity Mix)

Pre-order/Stream: https://17Steps.lnk.to/KiwiEP

Full EP released on 11 September

Marmora's Theme (Edit)

Buy/Stream

Kiwi - Marmora's Theme (Edit)

Someone's flying up there in the sky, and we'd like to keep her as a secret. Wonderful pearl, don't ya think?

"She Might Be In Heaven" - Private Press LP - Denmark, 1980's

Зруб. Набір патернів навмання і зсув кроку як на льоді...

Zrуб (Digital Taiko)

Einsturzende Neubauten - Total Eclipse Of The Sun (New Vocal Version)

Order: bit.ly/U7z28N

Artist: Standish/Carlyon
Album: Deleted Scenes
catalog #: felte-010

Taken from their debut album 'Deleted Scenes'.

@standishcarlyon
twitter.com/standishcarlyon
www.facebook.com/standishcarlyon
www.feltesounds.com/ 
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Zrуб (Digital Taiko)

Маркіян В.

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