S.P.A.C.E 🛰

~ LAAPS 012 ~ [SEQ.02 - LP12]

artist : Federico Durand
album : Herbario
duration : 39.52 mn
 date : June 17th, 2021

edition :
-  vinyl : limited to 300 copies / green colored vinyl / hand numbered 
- cd : limited to 200 copies / hand numbered + handcrafted, sealed

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pre-order : June 07th, 2021 / official release : June 17th, 2021
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Federico Durand: ARP Odyssey, cassette tapes, feedback looper, Sony TCM-459V, Microcosm, El Capistan, EHX 2880, RE-201, sampler, short-wave radio.
 
Mastered by Taylor Deupree.
Artwork by Albarrán Cabrera
Design by Sprflxgrfzm

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"Herbario is the Spanish name given to a collection of dried plants and flowers preserved in an album. The collector usually writes with pencil the name of the herb, the place and date of collection, thoughts, and the habitat where the plant was collected from.
 
I live in a place surrounded by mountains and wild gardens which are, to me, a source of inexhaustible beauty. Through them I feel the passage of time: an ancient, circular temporality that follows the course of seasons, dialogues with the dark stillness of the mountain and the moon calendar. Each musical piece of Herbario has the name of my favourite flowers and trees.
 
Through a year of uncertainty, from March 2020 to March 2021, I composed this album in the same way a botanist would have proceeded: collecting and preserving simple, broken and hypnotic melodies.
 
F. D.
La Cumbre, Argentina. "

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Links :
https://laaps-records.com/
https://www.facebook.com/laaps.records/
https://federicodurand.bandcamp.com/

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℗ & © 2 0 2 1 - L A A P S - L A A P S 0 1 2

Federico Durand - Salvia

This piece is taken from my second album "Drifted Heaven", released on audio cassette by VCO Recordings. (sold out)

It is now available as a digital download from my bandcamp page:
https://abulmogard.bandcamp.com/album/drifted-heaven

Airless Linger

Arturas Bumšteinas
So-called Space
Sloow Tapes- CS 30

Continuum-collage piece by Lithuanian composer Arturas Bumšteinas created in 2015 from incidental music sampled from various Lithuanian radio drama's from the 1950's to 2000's. A strange heady brew which juxtaposes music, sound effects, rudiments of vocal expression and various acoustic instruments among others in a compelling cut-up, reminding at times of People Like Us or Dirk Schaeffer's recent work for Peter Tscherkassky's movies. Edition of 70 copies.

Arturas Bumšteinas

My Absynth version of Aphex Twin's - Rhubarb. This was all done using the envelopes.

Aphex Twin - Rhubarb

Some musings on this album: 

"Hier und Dort" (eng: Here and There) really wasn't written about anything particular or specific. All three tracks were born out of spontaneous "jams" with no set goals in mind. 
When listening back to them, contrasts between the inner and outer world, the inner dialog and outer perceptions come to my mind. For everything beyond that, you are invited to let your own thoughts and interpretations wander. 

As far as the production goes, all tracks, but especially "Hier" (Here) play with tiny snippets of sounds - derived from organic and synthesized meditations on sound, that have been recorded, cut into small pieces and rearranged - somewhat like a puzzle, trying to find interesting rhythms and tonal relationships and to assemble a coherent picture. 

"Dort" (There) opens up the sound world some more, allowing room for reverb - evoking larger spaces. To me, it feels more like a reaction to something that presents itself from the outside, rather than an introspective. It has a sudden change of perspective at about half-way, but emerges back into that external world. 

"Dazwischen" (In-between) was somewhat of a challenge, because it is derived from a somewhat less-than-perfect 4-track recording, so very little editing or volume changes between the instruments and elements of the track was possible. I liked the original, melancholic nature of the improvisation, so I kept that and played with progressively intricate edits of the whole track, as opposed to single elements.. 

As always, I tried to find a balance between detailed, "macro-editing" and a spontaneous flow as well as an element of rawness, as I feel this is what keeps the life in the music, be it electronic or organic. 

In any case, I very much hope you enjoy these pieces. If you want to share your thoughts, you a more than welcome to - I would love to read/ hear what you think. 

Be safe, 
keinseier 

released April 26, 2023 

Everything done by keinseier

04 HIER (REMIX)

After its release 12 years ago, 12k is very happy to welcome Shuttle358's beautiful Understanding Wildlife album to the catalog as a download-only re-release.

"What really makes Dan Abrams special is the sounds he uses and his approach which separates him from the school of clinical reduction and makes him reflect true human emotion in his music. An excellent follow up to 'Frame'. Gorgeous." - Boomkat

"Abrams uses a particular formula because it suits him and allows him to focus on other, more important things--namely, creating emotionally resonant music out of the residue of electronic noise." - Haunted Ink

(Original Press Release, Mille Plateaux, 2002)

Dan Abrams, aka Shuttle358, has made an unforgettable mark on the American electronic music community. His highly revered releases on the legendary label 12k and his release as Dan Abrams on Mille Plateaux (EFA 08099), have established Shuttle358 as a premier standout due to his wonderful ability to create fluent, natural sounding music in a category where clinical approaches to making music has dominated much of the clicks & cuts / minimalist aesthetic out there. Earning critical acclaim and a fanbase that has not forgiven him for taking almost 2 years to release this album, Mille Plateaux is proud to give this anticipated third installment in the Shuttle358 cycle the exposure that it deserves.

Truly magnificent in all means, Shuttle358 expresses his personal experiences and musical ideals about objects and forms that have carried through his whole life. Understanding Wildlife finds deeper meaning and attempts to contemplate the alienating way many perceive the world and act to it as strangers. The sounds of harps, bells, strings and synths give the listener the ability to relate more to the natural affirmation that strikes through Understanding Wildlife. Shuttle358’s makes melodies move and twist amongst unpretentious beats, relaxing and moving the listener in its emotional swell. Captivating.

Understanding Wildlife

I'm Not Afraid

BUY ALBUM NOW

Crow

From the album Certain Limitations, available July 12, 2024 on Western Vinyl
Pre-Order / Pre-Save https://lnk.to/certainlimitations

Certain Limitations

Luke Temple and The Cascading Moms - "I Can Dream"

A Return Home

http://www.recitalprogram.com/dreams-of-india-china/
Limited LP Edition of 500
12-page color booklet with essays and photographs
OUT ON APRIL 19th

Purchase

R59 - Rip Hayman - Dreams of India & China LP excerpt

Released 5 October, 2019 by Whitelabrecs: https://whitelabrecs.bandcamp.com/album/material-forces

Music by Gray Acres
Mastered by Ian Hawgood
Design/Layout by Harry Towell

Scars WIll Fade

by Masayoshi Fujita & Jan Jelinek 
"Bird, Lake, Objects" (2010 Faitiche)

I'll change your life / Masayoshi Fujita & Jan Jelinek

_ph011 Jordan Christoff - Плаващ

from 'Miscellany' [CD|LP|DIGITAL]
Denovali Records · den348
available on all formats at http://denovali.com/origamibiro

After an almost 6 year hiatus, and the break up of the audio-visual trio it had evolved into, Origamibiro returns with Miscellany, a body of work amassed during the years since the release of 2014’s Odham’s Standard.

Though the group never officially disbanded, a number of life-changing events meant it simply became impossible to continue together. As such, the project organically reverted back to the solo pursuits of composer Tom Hill. Fellow multi-instrumentalist Andy Tytherleigh, however, remains a strong collaborator.

Miscellany comprises a varied mixture of work, ranging from electroacoustic to orchestral chamber music. Drawing upon much of the found-sound style for which Origamibiro became known, the DIY approach to sampling and composing continues to play a central role in the process.

Exploration into the tangible nature of everyday objects and textures - both in and outside of the home - is a theme relished in much of Origamibiro’s work. Forest brambles and plastic toy Easter eggs are examined in surgical detail alongside the debris of demolished piano parts, to be repurposed into whatever sonic potential they offer up.

However, new additions to the instrumental palette - viola da gamba, piano, zither, singing bowl, glockenspiel, drum machines and gongs - contribute to an even broader timbre.

Miscellany will be released on Denovali, March 2021.

Miscellany

Origamibiro - Circle Fifth

we will never understand this moment

Kumi Takahara - Ditty (Dylan Henner Remix)

With over 100 physical releases since its inception by Taylor Deupree in 1997, New York-based music label 12k has decisively defined and developed the concept of minimalism in the realms of electronic music for more than a decade. Fusing elements from Ambient and Electro-Acoustic Composition with carefully arranged digital textures and associative micro-noises, the label's aesthetics revolve around a precisely-outlined, yet deeply emotional concoction of the technological and the organic. Eschewing the typical marketing mechanisms of the commercial music industry, Deupree has sculpted a platform whose influence today extends well beyond the confinements of the experimental community. 12k's integral approach, in which the label's instantly recognizable, elegantly spartan artwork enters into an inseparable symbiosis with the music, has created a timeless audiovisual language respected and appreciated all over the world.

I'm Not Afraid

12k

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