Hawks Way gets after it in an optimistic fashion.

Hawks Way: Push

V-Drums are played in 5, while melodic elements are in 7.

Illusionist Lounge

When jamming on what I believed to be a 17-over-4 polyrhythm, a pattern was discovered and recorded. Upon listening to the playback, it became apparent that this was not a 17-over-4 polyrhythm but a 22-over-4. Sometimes plans point towards new directions, regardless of intentions. Like the blonde goose in the picture, this groove proved to be an oddity worthy of exploration.

Blonde Goose

G# Aeolian 13/3

Off-world Transmissions

Pulse Deviation

Jay Smith and Jon McNeill: all manor of pitched electronics
Jonathan Seeber: electronic battery

Hawks Way - Spanish Fly for Vampires

Shadows on the Moon is an attempt to combine the organic and electronic. The piece was constructed from a variety of environmental field samples, carefully laid out to create a natural rhythm. It was then topped off with electronic drum programming and synthesizers, and was completed during a lunar eclipse occurring in July of 2019.

Shadows on the Moon

Shadows On The Moon (Penumbra)

Hale-Bopp was named after a comet that graced the night sky for months in 1997 when the music was recorded. The product of true group improvisation; this piece was spontaneously composed by Million Minutes each time it was performed. This particular version takes the two studio renditions and presents them sequentially as one piece. 

Million Minutes: Justin Brewster (guitar, vocals), Vernon Rudolph (guitar, vocals), Chris Bettini (bass guitar), and Jonathan Seeber (drums)

Recorded on 8/12/97 and 12/28/97 by Doug Williams at Electromagnetic Radiation Recorders

Million Minutes - Hale-Bopp (Double Feature)

Constructed in a rhythm of 32 bars, with the bars being subdivided 5+7+9+11=32.

13thSacrament

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