MBEP0104/Dérangement - DIGITAL LOVER
Available on www.mareebass.fr/digital-lover

Créé en 2017 en région parisienne, Digital Lover propose un Reggae instrumental atmosphérique aux frontières du Rock, du Dub et de la Synthwave. Pendant 3 ans, Digital Lover a façonné son univers sans se soucier des codes, laissant libre cours à sa créativité. L’enregistrement de son premier EP a été réalisé de façon nomade, au gré de ses voyages à travers la France.

L’EP “Derangement”, qui signifie “Dérèglement” en français, propose un premier opus exclusivement instrumental. Digital Lover y invite l’auditeur par le choix des titres et à travers ses clips à une réflexion sur les différents dérèglements que traverse notre époque. D’entrée de jeu, l’EP s’ouvre sur ce thème avec le titre “Data” qui expose les multiples dérives liées à l’utilisation des données et la nécessité de contrôler les champs d’action de l’IA. “Data” est aussi le premier titre clipé de l’EP et met en lumière les dérives de l’environnement numérique, le piège de l’addiction aux smartphones…. Il a été créé uniquement à base de GIF, placés bout à bout, détournant ainsi un outil du numérique non destiné à cet effet, transformant ces éléments graphiques isolés en un discours.
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Uk
Created in 2017 in Paris, Digital Lover offers atmospheric instrumental reggae on the edge of rock, dub and synthwave. During the past three years, Digital Lover has shaped his universe regardless of codes and letting his creativity run free. He recorded his first EP nomadically and was largely inspired by the different musical practices he witnessed during his journey around France.

The EP ‘Derangement’ offers an exclusively instrumental first opus. Through his video clips, the choice of titles and its various meanings, the listener is invited to reflect on the deep upheavals of our time. The EP opens with the song ‘Datas’, highlighting the multiple drifts related to data use and the need to control the scope of AI. ‘Data’ is also the first video clip of the EP and it emphasizes the digital environment excesses, the trap of smartphone addiction and so on… It was created solely from GIFs put together, thereby diverting a digital tool and creating a narrative from isolated graphic elements.

Tracklist :
1.Data 6:13
2.Journey 3:12
3.Fears 4:15
4.Pyro 4:52
5.Blindness 5:11
6.Mindset 5:05
7.Pyro Dub 5:45 
8.Data Remix 4:40

Crédits :
Composé et arrangé par Patrick Dethorey
Arrangements clavier par Johan Blanchart
Programmations rythmiques par Vincent Charpin
Saxophone sur «Fears » par Olivier Blanchard
Guitares additionnelles sur «Journey » par Xavier Derouin
Pyro Dub par Olivier Blanchard aka The dubmaker
Data Remix par Junkaz Lou 
Mixé et masterisé par Pierre Dohey aux studios la Caisse Claire/MJC de Sceaux
Photo : Boris Sanassarian
Graphisme : Guillaume Heribert
Digital Team Management et Communication : Hélène Kermaidic et Stessy Malquy

Links :
https://www.facebook.com/DIGITALLOVERMUSIQUE
https://www.instagram.com/digital_lover_official/
https://soundcloud.com/digitallover-music
https://www.youtube.com/channel/UCNvSAUoeFaW3AcVxrgZCvpg
https://open.spotify.com/album/5yWJJj9gX7WU32qsr0hr4S
https://www.deezer.com/fr/artist/112623452

Dérangement

FREE DOWNLOAD

3-FEARS - Digital Lover

2-JOURNEY - Digital Lover

THIS IS THE TUNE

INSPIRATION PART 2

Hatman - Dancehall Culture - Part I

this anozer version of the instrumental  "wild like a riddim" inspired by Eek a mouse "wild like a tiger" song  , with more filters, more delays as i love it.

https://www.facebook.com/jahailsmusic/

Wild like a dubz Part II

Interview réalisée au No Logo Festival 2023

Roots Raid is read pour le show

“Once upon a trap” is a free and accessible collaborative compilation-album produced by the e-label Vaticaen Production. It brings together 19 musicians, dubmakers, singers who participated in the development of this unique project implemented through file exchanges on the internet. Some rec their voices on the instrumental that I had originally composed and others remixed the multitrack that I had posted online. I reworked all of this in my basement for about a year and a half to come up with different versions adapted to all the voices I received. The remixes come from all over the world (Montreal, Saint Petersburg, Palermo, Zagreb, Oslo, Wiesbaden
) and all offer a different vision, sometimes organic like Translippers, ethnic like Jah Billah and Mayeul, or digital dub for Lofi Menta or Bissoman.
We must keep in mind that this production is self-produced and made in a home-studio with resources that are not those of  companies. However, it is developed with the greatest seriousness and maximum energy. “Once upon a trap” results from a collective and participatory dynamic which humbly aims to redefine the listening standards offered by classic media. One of Vaticaen's goals has always been to offer content that offers an alternative channel in opposition to generalized formatting. By discovering anonymous or sometimes recognized artists, Vaticaen highlights the capacities for international artistic collaboration of several musicians in opposition to the lack of solidarity and humanity often too present around us.
This project is only a grain of sand in an infinite desert but it is there, it is free, it is for you.
Unity !
When you go to Bandcamp, you have to click on “Buy digital album” and put 0 euros.
You can give something if you want, but there is nothing obligatory. Donations are used to promote Vatican activities.
This show was recorded on Monday December 11, 2023 in my homestudio.

Mise À Flow

143collectif

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