Name: Too Fast For Life To Young To Die by Sïckö
Duration: 3 min 3 s
Description: Story of the born, rise and the fall of Partiboi.....

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windy soars

[ Tchou Space A.I Version ]  DYB

The Night Is Falling/The Night Has Fallen

Je chante des chaussettes perdues
( I sing of the lost socks)
Parties et disparues,
(Gone and vanished)
Laissant leurs partenaires impairs.
(Leaving their partners unmatched)
Au désespoir je ne peux rien faire.
(Despairing - I can do nothing )
J'ai fouillé dans chaque tiroir,
(I have rummaged in every drawer)
Sous mon lit, au fond de l'armoire.
(Under my bed, at the back of the wardrobe)
C'est toujours la même histoire,
(Always the same story)
Les chaussettes perdues.
(The lost socks)

Pourquoi elles sont parties 
(Why they left)
On ne le saura jamais.
(One will never know)
Elles n'ont rien dit
(They said nothing)
Mais elles s'en sont allées;
(But they went away)

Et en s'en allant 
(And by going away)
Elles  m'ont brisé le coeur.
(They broke my heart)
Et moi, je soupire, je pleure et enfin je meurs.
(As for me, I sigh, I weep and in the end I die)

Et celles qui restent ne servent à rien  
(And those that remain are useless)
Se moquent de moi d'un air villain
(Laugh at me evilly)
Inutiles et superflueuses,
(Useless and superfluous)
Elles comme moi sont malheureuses.
(They like me are unhappy)

Disparus sont mes sourires
(Vanished are my smiles)
Je vis avec mes souvenirs.
(I live with my memories)
Plus de joie dams ma maudite vie
(No more joy in my accursed life)
A cause des chaussettes désunies  !
(Because of the separated socks)

Tim Holden 23/06/16   


La Chanson des Chaussettes Perdues

Story of the born, rise and the fall of Partiboi.....

Too Fast For Life To Young To Die

Sun Trio for Violin, Cello and Piano
Duration: ca. 35'
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=908
For More Info: http://robertpaterson.com/sun-trio

PROGRAM NOTE
Sun Trio originated when I first started the film score for a documentary entitled Journey Into Courage. After writing opening music to the film, director Bess O’Brien and I concluded that it was best to change some parts in order to properly compliment the film. The theme was kept, but some of the other sections were changed and/or edited. I never discarded the original sketches, even though much of it remained on the cutting room floor. Thankfully, it came to good use later in this work.

The first movement, Sun Day, begins with the theme from the Journey Into Courage introduction. This movement is meant to evoke the feelings you get when summer, mid-day sunbeams appear from between the clouds and warm your skin.

Sunset, the second movement, was inspired by Lake Champlain in Burlington, Vermont and my wife Victoria. I envisioned us embraced, doing a Tango–like dance under a multi–colored sunset—at times, to themes from Stravinsky’s L’Histoire du soldat. Victoria is a much better dancer than I, and in this movement, she teaches me the steps. I fumble around and finally get it right, and then the sun sets.

The third movement, Absence of Sun, is connected from beginning to end by one long melodic line. The cello melody is modeled after a classical Indian Sitar raga, specifically the traditional, slow introductory section of a classical Indian composition. The bass piano part supplies the drone while a high-pitched tone row supplies a "starry night" texture. This texture gradually melds into a wind chime accompaniment. The movement peaks in the middle with an intense cello line. At this point, the violin intervallically supports the cello line. Each instrument—and in the case of the piano, each stave—represents a specific, individual texture. This movement intended to sound somewhat improvised.

Sunrise, is meant to evoke the feeling you get when watching the sun rise. There is a "Sun" peak of an octave, a bright yellow ‘E’, symbolizing the first, intense, bright sunbeam peaking over the horizon. In the middle of the movement, a string of rising chords mimics a "fast-forward" of the sun rising in the sky. Later in the movement, the violin and cello play decelerated bird motives. I wrote the bird songs down on the morning of April 17, 1995, while watching the sun rise behind the University of Vermont music building. I use the "mystic chord" by Alexander Skryabin as melodic and chordal material for the anticipation of the rising of the sun. While I was waiting for the sun to rise, I watched the mountains intensely. I finally was about to give up, thinking that the sun tricked me and rose behind some clouds when I wasn’t looking. As soon as I turned around to walk away, I felt an intense heat hit the back of my neck. I turned around and there it was! The sun was there, in all of its glory and splendor, lighting up the mountains. As well as evoking a sunrise, this movement also uses themes from the previous three movements.

The sprightly Sun Dance is a closure movement written to provide a vibrant contrast to the other four. The initial piano motive is taken from Five Movements for string quartet by Anton Webern. The first section introduces the themes, motives and patterns which are then used in subsequent sections. The second and fourth sections are percussive, while the third section is more placid and melodic. The finale is hard and driving, utilizing both snap pizzicati (plucking the string so it bounces against the fingerboard) and loud four-note chords in the strings.

Sun Trio was commissioned by Dennis O’Brien to commemorate the 98th birthday.

Spheres

Sun Trio - V. Sun Dance

Sun Trio - Mvt. V. Sun Dance

Sense rock seems to be going extinct, I am on a mission to breath a little life back into it.  Influenced by, Metallica, Godsmack, STP, Rage, Nirvana, Killswitch, 7 Dust, Disturbed.

Last Humans On Earth Mp3

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POST PUNK TYPE X GOTHIC ROCK TYPE X DARKWAVE TYPE X NEW WAVE TYPE X ALTERNATIVE ROCK TYPE BEAT

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HYPNOTIC FIRE (industrial Rock x goth Rock type Beat INSTRUMENTAL)

Line-up Retro

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Too Fast For Life To Young To Die

Sïckö

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