In a Cistern b/w Into Clouds

Into Clouds

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Infiniti

Taken from the album 'Fragments', released 14 January 2022 on Ninja Tune: https://bonobo.lnk.to/fragmentsSo

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Otomo

Otomo (feat. O’Flynn)

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Art by @stasysmusial

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Roadtrip

Learn about Timing the Future Metropolis here (and use 09POD to save 30%):
https://www.cornellpress.cornell.edu/book/9781501778391/timing-the-future-metropolis/#bookTabs=1

Transcript here:
https://otter.ai/u/s2IqBx8SSmwfPTUZHjSWmc5eHBA?utm_source=copy_url&tab=chat&view=transcript

In this episode, we speak with Peter Ekman, author of the new book Timing the Future Metropolis: Foresight, Knowledge, and Doubt in America's Postwar Urbanism.

Peter Ekman teaches the history and theory of landscape and urbanism in the School of Architecture at the University of Southern California. He is a postdoctoral fellow at USC's Center on Science, Technology, and Public Life, and at the Berggruen Institute.

We spoke to Peter about why within the field of urban planning, the Joint Center for Urban Studies, founded in 1959, took a preeminent role; how the Joint Center’s ideas on the urban future dramatically evolved over a relatively short period of time; and,how the history of planning runs in parallel with the history of time itself.

1869, Ep. 154 with Peter Ekman, author of Timing the Future Metropolis

Rafael Anton Irisarri from "The Shameless Years"
Available in LP & Digital
www.umor-rex.org © 2017 Umor Rex Records

Post-minimalist American composer Rafael Anton Irisarri makes his Umor Rex debut with bold new album, The Shameless Years. Inspired by a troubled socio-political climate, buried melodies punch their way through a bleak cover of noisy drones, periodically veering into some of Irisarri’s most eerily pertinent music to date.

One of Rafael Anton Irisarri’s most thematically and sonically cohesive records to date The Shameless Years came together in a relatively short burst of creativity starting at the end of 2016. Rediscovering some relatively older tools - namely Native Instruments’ Reaktor, Absynth, and Kontakt software - Irisarri combined them with his collection of guitars, pedals, amps, and analogue processing gear, turning his Black Knoll Studio north of NYC into a powerful writing tool. Completed quickly by Irisarri’s standards, let alone during a period of social upheaval in American society, the record faces down several key personal themes. The title, suggests Irisarri, could in fact be seen as a reflection of the era of shamelessness we’re currently living in; a time of fake news and alternative facts.

Two tracks were completely remotely between Irisarri in New York and Umor Rex veteran Siavash Amini from his home in Tehran, Iran. This music came together at the peak of all the anti-Muslim and anti-immigrant rhetoric happening in the USA, not to mention the banning of Iranians from entering the country, explains Irisarri. The diptych with Amini, ‘Karma Krama’ and ‘The Faithless’, seems bathed in additional waves of sorrow and dread. The wash of symphonic stormclouds of synth drones and processed notes on the latter gradually appears and disappears over the course of thirteen mournful minutes.

‘Rh Negative’ marches gigantic guitars through towering valleys of scarred ambient noise dealing with Irisarri’s own heritage, many of his ancestors having come to America to escape poverty and oppression. The refusal of modern America to extend similar sanctuary to refugees escaping turmoil weighs heavily on the composer. Elsewhere an emotional onslaught of notes buried in mounds of greyscale noise on ‘Sky Burial’ aims to deal with Irisarri’s very own mortality – something he was recently confronted with following health scares, an accident, and a near-death experience in 2016. Pushing 40 as this album was being made, the composer is constantly aware that he’s already outlived his own father, who died at the age of 32. Facing down both intolerance and the void, the epic soundscapes of The Shameless Years are a vast cry of emotion from Irisarri. The clock is ticking - gotta make the most out of it while you still can.

All songs written and performed by Rafael Anton Irisarri, except #5 & #6 written and performed with Siavash Amini. Design by Daniel Castrejón, photos by Camilo Christen. Mastered by James Plotkin.

The Shameless Years

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Rafael Anton Irisarri — RH Negative

Podcast series from Cornell University Press. Changing the world one book at a time.

1869, Ep. 154 with Peter Ekman, author of Timing the Future Metropolis

Cornell Press

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