Here is the debut, self-titled album from a.s.o., singer/songwriter Alia Seror-O’Neill, and producer Lewie Day. ‘a.s.o.’ is a thematic consolidation of the previous two singles and an impressive artistic progression. Day and Seror-O’Neill show they’ve mastered the format of the radio-friendly pop song and found how to subvert it completely. Across eleven songs, they have built a rich and compelling body of work.

We know where we are now, emotionally complex, trip-hop torch songs for club freaks. But the palette has broadened to encompass ethereal dream pop à la Cocteau Twins, slow-burning AOR-soul, and dubwise stylings. As a result, ‘a.s.o.’ is a satisfyingly coherent listen but never a musical monoculture. Variously there are nods toward Julee Cruise, Fleetwood Mac, and the uneasy listening of Portishead. It’s an album that wears its influences lightly, is never weighed down by them, and always sure of its own identity.

It’s anchored by Alia’s unique voice. Her words speak of restraint and release, taking us from the elegiac to the euphoric. This elegantly crafted, perfect pop music sounds like it has had enough of your shit. And Day’s music is the perfect foil; deep, slightly menacing, restrained, and powerful. The album has a cinematic texture, as with David Lynch; the seemingly familiar becomes uncanny and strange the closer we look. a.s.o. take our emotions for a joyride before leaving us floating in space.

‘a.s.o.’ is a journey; by its end, we all are changed.

Written and recorded by Alia Seror-O’Neill and Lewie Day at Quintagon Studios, Berlin and Palmerston Studios, Naarm/Melbourne in 2020-2023.
Mixed by Lewie Day except for Track 9 “Understand” mixed by Thomas McAlister
Mastered by Mikey Young
Artwork by Dylan Batelic
Words by Piers Harrison

2023 Low Lying Records
Cat. No. LLRLP001 – All rights reserved
www.itsaso.bandcamp.com

03 - Rain Down

02 - My Baby's Got It Out For Me

Southside Bottoms

Bottom Energy

Chill Pill Volume VI

Pendorlan

Shifting Sands

Chainsaw / Trying

Chainsaw

Care Much More Then

Care Much More - with Tom Kitson

From Atlas of Green
Available September 20, 2024
Listen / Buy: https://lnk.to/rvngnl111

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©2024 RVNG Intl. // https://www.rvng.com

Atlas of Green

Ancient Faith Radio

From the album Earth Focus, available November 15, 2024 on Western Vinyl
Listen/Order https://lnk.to/earthfocus

Earth Focus

Elori Saxl - "Grows Along The River Slow"

JUNGLE GYM RECORDS presents "Dream Tendrils", official return of the one and only Tile Plazas! Achieving instant icon status with previous solo albums "Boundaries" and "Forever Cruising", Tile Plazas has long been one of the most beloved (and mysterious) artists on the JG roster, a once in a generation talent with a sound completely his own. "Dream Tendrils" only further solidifies the legend, a flawless collection of psychedelic dub-house and infectious acid-trance, a journey from sun to moon to stars (and everywhere in between)... exclusively via JUNGLE GYM.


written and recorded by
TYLER LOSINSKI
mastered by
JARED CARRIGAN
design by
CALEB DRAVIER

© Jungle Gym Records 2024

[JGT124] "Dream Tendrils"

"Sliding By" - Tile Plazas

The initial seed for this project was planted in 2020 when Nicolás Jaar wrote the song “Piedras” for a concert at the Museum of Memory & Human Rights in Santiago, Chile, which commemorates the victims of human rights violations during the military dictatorship led by Augusto Pinochet between 1973 and 1990. Between 2022-2023 it took on a new form as a radio play entitled 'Archivos de Radio Piedras', which was shared on a dedicated Telegram channel. In 2024, the play was converted into a 24 channel installation at the University Museum of Mexico City (MUAC), where it was exhibited for 5 months.

Piedras 1 and 2 is a collection of the tracks featured within the play, all new music by Jaar, but partly presented within the play as the music of Salinas Hasbún (the name a composite homage to Jaar's grandmothers, Graciela Salinas and Miriam Hasbún).

The play follows two friends mourning the disappearance of Salinas Hasbún, a musician and writer who vanished in the early 2020s. Although they live in a future where technology is advanced, they resort to DIY radio methods because the anonymous group “Las 0cho” has launched a worldwide attack on undersea internet cables, causing a global internet blackout.

The play's central theme revolves around the idea that truths, memories and identities speak from the cracks (“rasgaduras”), or the "in-between" spaces ("en el entre"). This concept is supported by the way much of the narration unfolds - in the liminal spaces between radio frequencies. The instability and transitory nature of a constantly shifting radio dial becomes not just a metaphor but the structure of the play itself. It’s in these moments of noise, static and interference that the deeper revelations of the story emerge. This disjointed, ever-changing medium mirrors the way memory and trauma operate within the play - non-linear, slipping through the gaps, found in fragments or ordinary moments, rather than direct transmissions of “official” historical accounts.

This notion reaches its climax at the end of the narrative, when a text is discovered in which Salinas speaks of finding a new number in a small pond in a cave mentioned in the first episodes of the radio play. This pond, inside the “cochlea of the world”, is seen as a way to introduce real-life randomness to computation. Embodied in the salt lakes of northern Chile, home to the world’s oldest bacteria, this randomness disrupts the rigid order of binary code, paving the way for a transformation of digital life.

Piedras 1 

Viento

BEA1991 is a Dutch British audio-visual artist with an interest in Pantheism, progressive pop music and autodidact learning.

Care Much More - with Tom Kitson

BEA1991

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