Name: Tranquility (Part 2) by BEA1991
Duration: 3 min 52 s
Description: Written by BEA1991 and Sega Bodega, produced by Sega Bodega.

Stream/Download: https://anonymousclub.ffm.to/ketamean

FOLLOW ANONYMOUS CLUB:
Instagram: https://www.instagram.com/anonymousclub.club
Twitter: https://twitter.com/_anonymousclub
Bandcamp: https://anonymousclubdotclub.bandcamp.com/
Web: https://anonymousclub.club/
SoundCloud: https://soundcloud.com/user-922785436

Ketamean

Ketamean (NY Mix) [feat. Sabrina Fuentes]

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Mystery Boy

Stream/Download: https://chemicalx.ffm.to/scripture

Eartheater Socials:
http://instagram.com/eartheater
http://twitter.com/younggummystone

Scripture

Written by BEA1991 and Sega Bodega, produced by Sega Bodega.

Tranquility (Part 2)

DL: https://www.dropbox.com/s/4jz9zuhetcp9eob/Damsel%20in%20Distress.mp3?dl=0

100% crafted/handled/lifted by @LOTIC. 

cover by @M-E-S-H

Lotic - Chunk
Lotic - Heterocetera
Lotic - Hummingbird feat. MikeQ, Bobby Johnson, and Miss Modular
Lotic - 2 Pressed
Lotic - Faded (How The Hell...?) feat. The Queen, barking stans and CBS censors
Lotic - Fractures (but just the chromatic growl)
Lotic - I Don't Just Wanna Chill With You (Love Letter) with help from PARTYNEXTDOOR and Timbaland
Lotic - 9th Inning feat. Rizzla, Missy, and a shy Björk howling in the distance
Lotic - KIDDIKUGKIDDIKIGKIDDIKIDDI feat. the historic Buddah vs. Sugur skirmish
Lotic - Ascension
Lotic - Suspension
Lotic - Battery

Lotic - DAMSEL in DISTRESS (JANUS001)

Eartheater - Metalepsis - to be released on vinyl for the first time on 8/9/2019

Artist: Eartheater
Album: Metalepsis
Reissue Date: 8/9/19 (original release on cassette and CD on 2/24/2015)

pre-order and stream:
https://hausumountain.bandcamp.com/album/metalepsis

For more information, visit:
http://hausumountain.com/?page_id=4995

to visit Eartheater on the WWW:
www.eartheater.solar

Eartheater - Put a Head in a Head

Guilty

For The Beasts

FREE DL

oklou & Casey MQ - LURK

Amnesia Scanner — AS Acá (feat. Lalita)
Format: DL
Cat.No. PAN 108S
Release Date: 19 November 2019
Purchase: https://bit.ly/352sY8t / https://bit.ly/2O9pN88
Video: https://bit.ly/34XnZWn

AS Acá is the first song to surface from a new collaboration between Amnesia Scanner and Peruvian musician and artist Lalita who has both written and performed the song’s Spanish-language vocals. 

More music from Amnesia Scanner and Lalita’s collaboration is forthcoming.

AS Acá is Amnesia Scanner’s first release since the critically acclaimed album Another Life released by PAN in September 2018. It marks the beginning of a new cycle of work to be released throughout 2019-2020.

The single is accompanied by artwork and a music video by Amnesia Scanner’s long-time collaborators PWR. The video features a performance by three Lalitas.

The release is mastered by Enyang Urbiks

@amnesia-scanner
http://p-a-n.org

Amnesia Scanner - AS Acá (feat. Lalita)(PAN 108S)

Doon Kanda Bloodlet Vs. La Isla Bonita (Soho Rezanejad Bootleg)

Eartheater - Phoenix: Flames Are Dew Upon My Skin
Format: LP / DL
Cat.No. PAN 112
Release Date: 2 October 2020
Purchase/stream: pan.lnk.to/Phoenix

Composed, produced, and arranged by Eartheater alone, Phoenix: Flames Are Dew Upon My Skin draws a path back to the primordial lava lake from which she first emerged, as it also testifies to the reincarnating resurrections the project has undergone over its first full decade of existence. While the album renews her focus on guitar performance and legible structure, Eartheater balances the unabashed prettiness of acoustic harmonic songs with the dissonant gestural embroidery of oblique instrumentals. Having fallen back in love with the idioms that first captivated her, she worked to crack open the techniques that had fossilized inside of her, while still seeking to apply the electro-alchemical knowledge she picked up along her journey. The result of a laborious revival in fire, Phoenix recontextualizes Eartheater’s combinatorial approach to production within her most confident abstractions, adjacent to some of her most direct songs to date.

Eartheater composed and workshopped most of Phoenix over a ten-week artist residency (FUGA) in Zaragoza, Spain, housed in a sprawling, cubic glass facility that looked out over wildflower-flecked mountains. Following an intensive period of recording and touring, the residency provided her with an unprecedented period of solitude in the small Spanish town. Her newfound sense of isolation ultimately became liberating, leading her to sidestep the crutches and steady grids inherent to electronic music, and to conceive pieces rooted in her guitar and her desire to perform with other players live. Eartheater’s voice glows brighter than ever at the center of Phoenix’s arrangements — her familiar operatic highs are grounded by newly expanded velvety lows, leaping lucidly up and down octaves. Her intricate guitar work flits across baroque fingerpicked passages and latches into cyclical figures that meet her voice in lush harmonic progressions. From her own guitar parts, to the orchestral string arrangements she wrote for the Spanish conservatory group Ensemble de Camara, to the harp and violin lines performed by her close friends and collaborators Marilu Donovan and Adam Markiewicz of LEYA, Eartheater’s applications of acoustic instruments bring an extraordinary emotional emphasis to her compositions. Phoenix prepares for a future where electronic sound — or even electricity itself — isn’t guaranteed, but where her music could still come to life with a group of hands dexterously winding across instruments against the light of the fire.

Eartheater drew inspiration for Phoenix from geological imagery, whose turbulence and potential for genesis mirror the trajectory of her own life and relationships. The album’s instrumental pieces directly reference these moments of upheaval, colliding audio of volcano and lightning storms with resplendent string and vocal arrangements. “Volcano” looks out over the album from its peak at the center, its tectonic plates colliding in towering melodies and layers of vocal harmonies, as piano accents crest and cascade down the mountainside. When Eartheater sings, “I’m still building mountains underground,” she is trying to reconcile the pinnacles of her ambition with the comforts of a simple existence buried beneath the surface. “Diamond in the Bedrock” finds her admiring the gemstone forming under intense pressure inside her, but rejecting the romantic promise that the diamond signifies, choosing instead to escape a relationship that has come to stifle her.

Read full press release: bit.ly/2XtJGvQ

Phoenix: Flames Are Dew Upon My Skin

Eartheater - Faith Consuming Hope (PAN 112)

BEA1991 is an autodidact Dutch-British musician, design artist and researcher.

Tranquility (Part 2)

BEA1991

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