Hyness (Unhooded) / La Follia d’amore -Rearrangement-

(Off Vocal)Remix - King Dedede's Theme(Kirby)by Itoki Hana

Tom's instrumental cover of Cher's first commercial number one hit from 1971.

Gypsies Tramps and Thieves (Instrumental)

A battle track from the 4th dungeon in YIIK: A Postmodern RPG. Composed/Arranged by Toby Fox. 

Based on The Essentia 2000 theme by Andrew Allanson.

Into the Mind - YIIK Battle Theme - by Toby Fox

Rivals Of Aether OST - Luna Ascension EX (Tower Of Heaven)

Beloved Tomboyish Girl (Sangetsusei-ish style)

Hello everyone, and happy Cirno day! (It is 9 September in the Netherlands)
I wanted to arrange Cirno's theme in a kind of "what if" style, i was curious what it could sound like if it was never composed for Embodiment of Scarlet Devil, but for the bonus CD's that came with the Touhou Sangetsusei official manga series.
I know it is not 100% fitting for Sangetsusei style, because i used some elements of my own style that i liked to add, like the glockenspiel in the beginning that plays the melody of Like the Brilliance of Fairies from Eastern and Little Nature Deity (fun fact: did you know that all 3 of the fairies of light had an original theme and a slightly redone version in future CD's? You can notice it especially in the mixing/mastering quality and the drums)
But yes, more about this arrange:
I tried emulating some of the mixing/mastering of the earlier Sangetsusei CD's as opposed to the later ones (because i like them more lol)
For instruments, i just picked instruments i know i could identify (i could not identify the cool magical sounding background instrument in Like the Brilliance of Fairies sadly, if i did, i would have used that!)
But yes, i am quite happy with the instruments here regardless, i particulairly like the saw, i think Sunny Rutile Flection used Hybrid Saw on the SD-90, but i used Flanging Saw for this song because it doesn't sound that different, but the small difference it has was more fitting for the composition of this song i think, it just feels slightly better to me in this case.
I used a lot of SD-90 instruments again in this song, just like old times, i also added Brightness Star in the background for fun.
Most of my new songs don't really make much use of the SD-90 as much as before, but going back to familiar grounds is very fun sometimes, especially when you know what you're doing.
I wanted the song to feel slightly more original than like an arrange, but it is composed with Cirno in mind.

Ah, a bit more about the composition:
This song is mainly based on Sunny Rutile Flection, Like the Brilliance of Fairies, Can't Sleep Because It's Nighttime, and Beloved Tomboyish Daughter, but i wanted it to feel like something new, so i tried to make the main melody quite exciting.
I also had a lot of fun with key changes here, i wanted it to sound like the crazy key changes ZUN used to do.
I also hid some easter eggs here and there, you might recognise them, they are Theme of Eastern Story and ...that song you get recommended a lot.

I also drew Cirno for this video, that was quite fun as well!

http://ko-fi.com/sylvysprit
https://www.patreon.com/Sylvysprit
https://twitter.com/sylvysprit
http://melodymonarchy.com/
https://sylvysprit.bandcamp.com/
https://soundcloud.com/user-73726310
https://www.youtube.com/SYLVYSPRIT

If you have read this far, congratulations, and thank you for reading this far, i wish you an extra nice day~!



...So, the 3 fairies, they are Sunny Milk, Star Sapphire, and Nightmare Moon, right?

Arrange/Reimagining: Beloved Tomboyish Girl (Sangetsusei-ish style)

From DELTARUNE Soundtrack
Composer Toby Fox
Arranger さば夫

Rude Buster

Schreuiviër d'r Esteurnia

This is a song for one of my newer (well, i designed her in 2016) OC's, Euphetre van Nanistherre, the King-Empress of the Kingdom of Wallenchia
Because this is a traditional Sylvy song for an OC, i think i should go for the classic long description where i don't hold back, so let's go! First we'll talk about the song, then we'll talk about the character

About the title;
"Schreuiviër d'r Esteurnia" means "writer of history" in English, it's a title in the Wallenchian language, which is a fictional language inspired by many different European languages (for example; Dutch, Serbian, Polish, French, German, Swedish, Norse, Finnish, and Danish), i find linguistics and the development of languages very interesting, so i thought about mixing the things together that i like most about many different languages, while still upholding a cohesive pattern as to actually give the language some realism in how it developed

About the song;
I tried going for an early 2000's vibe, using mostly instruments from MIDI sound modules from that time, but i did mix on some modern VST's
Since Euphetre is a monarch (but with an actual personality mind you!), the "front" of the music should sound fancy, meaning harpsichords and strings should get some spotlight
You might have also noticed the 3/4 time signature, it is a waltz fitting for a noble, but this waltz IS 200 BPM, so it's pretty exciting too
If you listen closely, you can hear the sound of a girl singing in the background, this is because Euphetre is a beautiful and honourable character on the outside, but the disharmonic notes imply a more complicated side to her
Speaking of disharmony, chromatic elements play a key role in this song, especially at 1:05, if you listen closely to the background arp, you can hear some "wrong" notes, but these are very deliberate and follow a pattern of "when" they are wrong, symbolising an orderly chaos, while still staying hidden (this says a lot about Euphetre's character and i really wanted to show that in the composition)
I tried to include some call and response motifs, i really like those
I tried focusing a lot on making the mixing/mastering feel a little "fuller" this time, giving extra emphasis to the lower and higher ends, in particular, i wanted the main chorus part to really feel like a "boom, it's there!" thing, showing both an orderly regal fancy side, but also an adventurous chaotic side of Euphetre

About the character;
Euphetre van Nanistherre is the King-Empress of the Kingdom of Wallenchia
Why is her title "King-Empress"?
It is an English translation of her Wallenchian title, there are no "male" and "female" titles in the Wallenchian language, but the first king of Wallenchia happened to be male, so that is how it is translated in English, but the first empress (controlling multiple smaller kingdoms and city-states as well as their own realm) of Wallenchia was female, so that is why Euphetre's title is King-Empress

Euphetre was raised to be the next ruler of Wallenchia and her vassals, but she was often busy ignoring her duties, preferring to write books under a secret pseudoname, often fantasy stories, but sometimes critiquing the problems in her own country, because in reality, she felt like the title of a ruler had little real power, she was convinced that real power lies in her people's hearts, and for those to be won over, she saw literature as a powerful asset

Euphetre is a very creative and idealistic person, preferring to serve her people, rather than rule them
She often tries to avoid violence, preferring to use diplomacy and intimidation by her armies to pressure her enemies into submission
In public, she speaks in a very clear and direct way, but in casual settings, she can be quite excited and gossipy
Her favourite colour is red, and she loves to eat meat

Euphetre's theme: Schreuiviër d'r Esteurnia

Music: Moonstruck blossom
Original Composer: Hirokazu Ando
Arrangement: MtH, reason

Moonstruck Blossom - SiIvaGunner King For Another Day

(Remix) Vs.Drawcia Sorceress (Kirby Canvas Curse)

I've always wanted to remix this one, but never felt i could properly do it justice. hopefully i managed to do that with this remix

(Off Vocal)Remix - King Dedede's Theme(Kirby)by Itoki Hana

1tok1

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