ples

unfinished random old scraps/ideas from the end of  last year - mid this year ft. @tundra2k @winter @soupxo

3rd song is a blank body - opal ease edit &10 is a sweat affectionate edit

noise

@aloegarten - life after life x @lildurk - bang bros

trance 
love
energy
unlimited|

124 114 105 125

⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀

Secondhand Serenade - The Last Song Ever
fate will bind us forevermore edit
lilac - failure
lilac - i adore u
hi-c - tr3nd1ng t0p1c juiced (((lilac simple &clean edit)))
ssaliva x julietta ferrari - moan(lilac forever edit)
lilac - i thought it was over
piano princess - serenas flowers in the sun (h0b12)
unnamed malibu x debit song
interlude
friendzone - moments
7038634357 - lifesaver
city - unkind
cnsglo - RIGHT SIDE (LO - RES)

failing life

ft @winter @bugbu6 @sacred00

#2 is a remix of malibu - camargue

shittily mixed song that i made some time ago
https://open.spotify.com/track/0QQQrmRyDurcd57ZgCa4ks?si=72f352750c1f429e
You were everything I ever wanted 
Usually didn’t find that often
I call your name into the dark you’re gone
Now I’m gonna die of heartache
Meet me in hell meet me there

Hell

from limit7 ep idk when Im releasing it lol

@lilac

live drums by @romechh

art by wey

lilac19 - 2hearts

kate havnevik @y4ndere 2019
the story you're telling yourself about yourself

unlikeyou.mp3

thank you for listening

https://twitter.com/sacred00_
.... ,,,, .... ,,,,

end all, be all

(ᴗ_ ᴗ。)( ᵕ_ᵕ̩̩

just me and you

feelings eternal

the moment i said it

phone call

my lifesaver

i thought it was over

sleep pattern

outside your house

wait it out

coming home

gloom

Adrian Lane about Water Wash Away the Waves:

"I always start an album with a mood or atmosphere I want to create, often something intangible that is hard to put into words, but I can imagine. This leads me to a sound palette that I choose to use for the album and a certain method of working. For this album I knew I wanted to do something that combined old and new technology, and lo-fi sounds with modern digital audio workstations. Key to the sound of the album were a 45-year-old synth, a hundred-year-old piano and perhaps most importantly an old mini-cassette Dictaphone. A variety of sounds, analogue and digital, were recorded into the Dictaphone, which was then re-recorded into the DAW, cut-up and arranged, which gives a very gritty quality. These sounds were also complemented with virtual instruments, some of which were ‘tape’ inspired themselves.

Usually, my music has quite a melancholy mood, but found myself writing much more in major keys, maybe as a contrast to the grittiness of the sounds. Most of my music is quite bucolic in theme and this album is no exception, with tracks inspired by walks in the countryside in my local environment and further afield (notably South Korea)."

Adrian Lane (UK)

Adrian Lane produces quiet, intimate neo-classical music that explores sounds from acoustic sources, mixed with electronic but organic sounding ones. The music feels acoustic, and employs a combination of age-old instruments (piano, violin, alto and baritone bowed psalteries, acoustic guitar, banjo, zither, glockenspiel) mixed with synthesizers and virtual instruments and constructed in a way that could only be achieved with modern technology. Adrian likes to tread the line between the real and the synthetic so that it is difficult for the listener to discern which is which. 

I can't imagine myself ever stopping painting or producing music [Interview with Adrian Lane]: https://www.chitrarecords.com/post/adrian-lane-interview

All tracks were produced by Adrian lane Mastered by Dionis Afonichev (Dionisaf) Photo by Dionis Afonichev (Dionisaf) Artwork and cover design by Dionis Afonichev (Dionisaf)

ples

nab