This will be my theme song as paul fresno

really an insane track!!!you have To be lucky To get a release for this strange stuff!!!love It! !!

AUGUST 2015

LIES-026.5
Antenes-Fire Rises
from upcoming three track ep
to be released April 2015

www.antenes.net
https://www.facebook.com/lesantenes

Antenes-Fire Rises (LIES-026.5)

Second volume in a small new 12" series - each limited to 300 vinyl copies mastered & cut @ D&M, with stamped colored sleeves & labels designed by Bernie van Vlijmen.

Out now > ex-l.bandcamp.com

Buy at Bandcamp

ex_libris - 002 - A1 - #3 (running out)

First volume in a small new 12" series - each limited to 300 vinyl copies mastered & cut @ D&M, with stamped colored sleeves & labels designed by Bernie van Vlijmen.

Out now > ex-l.bandcamp.com

ex_libris - 001 - A - #13-20 (wetlands)

JAN LOUP 10.6.25

@fatalefurylax invite @sleek-fata

Tracklist :
stravsky & pelé – i am thou (Original) 
Preset – Night Stalker 
Dubadelic – Prelude To Madness 
Buena Tarde – Winona's Low Rider
laurel 2 – red alert 
2 CYSP – Farever Nova 
Varnrable – cough 
Preset – Ghost Down 
Nicolo – Fakedrums (Banishsh Remix) 
Galmen – Raining stones 
DalidaCarnage – Nobis 
New York – luvdub 
Cloud Management – Unfinished Business 
6 DJ Ojo – Tongue Tied 
Hidden Operator – Dub You Understand (Live) 
Lotus Wash – Spooky Action at a Distance (Oliver Torr Remix) 
Cloud Management – Unfinished Business 
3 Shell Company – 4U (Luv Thing) 
Wojciech Bąkowski – Tanczy Moj Grób (1996-2019) 
Brokenchord – Future Simple (Original) 
atone – lets get higher in time

A Good Trip In My Mind : Fatale Furylax invite Sleek Fata (18.06.25)

One half of DJ duo Hagva and a key member in the Evolvere Crew, Not Mass's approach to DJing focusses on deep textures, layered sounds, and intricate drum patterns, which help build immersive atmospheres and keep the journey engaging.  

@notmass

𝘛𝘩𝘪𝘴 𝘪𝘴 𝘵𝘩𝘦 𝘴𝘦𝘤𝘰𝘯𝘥 𝘮𝘪𝘹 𝘧𝘳𝘰𝘮 𝘰𝘶𝘳 𝘯𝘦𝘸 𝘴𝘦𝘳𝘪𝘦𝘴 𝘷𝘪𝘴𝘶𝘢𝘭𝘪𝘴𝘦𝘥 𝘣𝘺 𝘱𝘩𝘰𝘵𝘰𝘨𝘳𝘢𝘱𝘩𝘦𝘳 𝘑𝘰𝘳𝘪𝘴 𝘝𝘢𝘯 𝘋𝘦𝘯 𝘌𝘪𝘯𝘥𝘦𝘯. 

---

𝗻𝗮𝗺𝗲 / 𝗽𝗿𝗼𝗻𝗼𝘂𝗻𝘀 / 𝘄𝗵𝗲𝗿𝗲 𝗱𝗼 𝘆𝗼𝘂 𝗹𝗶𝘃𝗲?
Antonio, He/Him , Milan (Italy)

𝘁𝗲𝗹𝗹 𝘂𝘀 𝗮𝗯𝗼𝘂𝘁 𝘁𝗵𝗲 𝗰𝗼𝗻𝗰𝗲𝗽𝘁 𝗼𝗳 𝘁𝗵𝗶𝘀 𝗺𝗶𝘅
This mix explores weird and experimental drum patterns. I wanted to create a journey through dark and weird rhythms that challenge the usual beat structures and that typically characterise my DJ sets. The drums are always different, sometimes off the beaten path, creating varied dynamics—moments that are upbeat as well as static, trippy moments—giving the entire set a mysterious and intense atmosphere. In my DJ sets, I like to bring together all the music and genres that have influenced and shaped my musical path over time.

So, thanks to Dj wiggles for the invite :)

𝗵𝗼𝘄 𝗵𝗮𝘀 𝘆𝗼𝘂𝗿 𝗲𝗻𝘃𝗶𝗿𝗼𝗻𝗺𝗲𝗻𝘁 𝗽𝗮𝘀𝘁 𝗮𝗻𝗱 𝗽𝗿𝗲𝘀𝗲𝗻𝘁 𝗶𝗻𝗳𝗹𝘂𝗲𝗻𝗰𝗲𝗱 𝘆𝗼𝘂𝗿 𝘀𝗼𝘂𝗻𝗱 𝗮𝗻𝗱 𝗮𝗽𝗽𝗿𝗼𝗮𝗰𝗵 𝘁𝗼 𝗺𝘂𝘀𝗶𝗰?
I was lucky to grow up in a family where music has always been a priority. I’m grateful to my parents for passing down this passion to me. My first approach to music was through acoustic drums—my father is a drummer and my mother took singing lessons. For me, playing drums was a moment of freedom, a way to vent, but also a love-hate relationship. I remember that at some point, I couldn’t express myself the way I wanted or with the people I wanted. 
Over the years, I got closer to the clubs in my area, and my love for the DJ figure was immediate. For several years, I lived in Puglia, my hometown, where I took my first steps as a DJ. Those were beautiful years, full of learning and hard work and research, all to start playing in clubs and illegal parties eheh

𝗰𝗮𝗻 𝘆𝗼𝘂 𝘁𝗲𝗹𝗹 𝘂𝘀 𝗮 𝗹𝗶𝘁𝘁𝗹𝗲 𝗯𝗶𝘁 𝗮𝗯𝗼𝘂𝘁 𝘁𝗵𝗲 𝗺𝗶𝗹𝗮𝗻 𝗺𝘂𝘀𝗶𝗰 𝘀𝗰𝗲𝗻𝗲?
Right now, I think the music scene in Milan is one of the most prolific and solid in Europe. There are so many high-level artists, each with their own background and unique sound. Moving here was a turning point for me since the beginning, I’ve felt motivated and inspired by all the artists I’ve connected with. I believe growing in an environment where the scene is this strong and innovative is essential for any artist.
That said, one of the biggest issues in the city right now is the lack of spaces to play, perform, and organize parties. Prices are also insanely high, which makes it really hard to access and self-fund events. What we’re doing is a form of resistance..we have a mission, and we need to keep it alive.

𝘀𝘂𝗺𝗺𝗮𝗿𝗶𝘀𝗲 𝘁𝗵𝗶𝘀 𝗺𝗶𝘅 𝗶𝗻 𝘁𝗵𝗿𝗲𝗲 𝘄𝗼𝗿𝗱𝘀
Textured - Percussive – Trippy

Full interview available via our substack: https://allmovingobjects.substack.com/p/kinetic-mix-039-not-mass-weirdscape

kinetic mix 039: not mass "weirdscape drums"

Il est tard le soir ou tôt le matin quand j’entre dans un nightshop. Pas de conso, seulement des aquariums remplis de poissons et de corails. Je prends un ticket, comme à la piscine, pour nager avec eux. Bientôt, l’aquarium devient la ville, et je nage entre les immeubles, entouré d’un corail multicolore, comme dans un trip psychédélique.


Poterne des Peupliers

Saxophonist Benedik Giske and experimental pop songwriter Carmen Villain stop by the London studio to play some current favourites ahead of their Cafe Oto performance. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/guests/episodes/carmen-villain-bendik-giske-11th-july-2025

Carmen Villain & Bendik Giske 110725

Final hour from the Neukölln studio: NGLY takes us home today! 

NGLY [15.7.25]

Pacing the Platform 28 w/ upsammy on NTS (12.06.25)

Paramat is an Eora-based DJ and co-founder of General Merchant, a label and event series central to the city’s underground scene. Known for sharp, thoughtful and unpredictable sets, he has hosted top local and international artists, released curated records, and is now teaming up with gi for a new regular party series.
In the current mix, he moves between genres, tempos and moods, weaving in pure dub and steppaz, some of his favourite sounds to blend, creating a fresh, subtly tense and surprising journey without overcomplication.
Over the past five years, he has played festivals like Soft Centre, Mode and Woodburnia, performed at clubs and third spaces across the east coast, and supported acts including CCL, Zuli, Loraine James, Helena Hauff and Objekt. His work has featured on platforms such as Animalia, The Lot Radio and Pure Space.

CR#038 - Paramat

Adam X is back with his third album release under his industrial guise, ADMX-71. Following releases with the legendary label Hands and his own imprint, Sonic Groove Experiments, Adam paired up with L.I.E.S Records in 2014 for Redacted Files, a 12” single of slowed-down and tense EBM wizardry. Adam returns to the L.I.E.S. front with Coherent Abstractions, a brand new album of singular experiments that pull from every corner of electronic music's landscape into a comprehensive and propulsive full-length. 

Coherent Abstractions pulsates with fractured rhythms, vacillating melodies and mesmerizing compositions that showcase Adam's impressive history working in all aspects of the underbelly of electronic music. Noise and industrial elements seep into the album's 11 songs, churning the cold and abrasive into feverish new territory. Though Coherent Abstractions operates primarily in sounds of solitude, guest vocalist Janina joins "Bound and Broken" for a rare vocal collaboration on an ADMX-71 track. We also hear a frantic vocal performance from the producer on Nearing Obliteration which is undoubtedly the apex of the album.

Throughout the album the music sweeps from breakbeat noir, anxious electronic dub to reflective industrial modes making Coherent Abstractions an engaging and varied listen, updating a late 80's EBM tone into modern sound design environments, while pushing a reverence for the past and heading into the deep unknown of the future. 

For those unfamiliar with Adam's deeply rooted history in the New York underground, he and his brother, Frankie Bones, pioneered techno in a post-disco, pre-Guiliani, New York City through the late-eighties and onwards past the nineties producing countless records under and finally opening their own shop and record label, Sonic Groove. At the same time they began throwing renegade parties, known as STORM RAVE throughout the 5 boroughs. which was, until this time unheard of in such a major U.S. metropolis and opened the door for what was to come.

Their record store Sonic Groove served as an essential hub for purchasing cutting edge electronic music from which they imported from across the globe. The shop also functioned as a crucial meeting point for likeminded freaks throughout the city to exchange ideas.

Furthermore, Adam was one of the most notorious train writers in the history of NYC graffitti as he trespassed the system and infiltrated train yards during a time when it was thought that the yards were impenetrable. After deciding to exit the world of graffiti he focused his energy solely on music. As time went by we've heard Adam transform his sound from fast paced hard techno to metal beat driven industrialized EBM, the sounds of the train yard always present in his music carrying him forward.

You can also check out a comprehensive article about Adam and Frankie and their relationship with music and graffitti in New York City below.
http://www.thedailybeast.com/features/2015/ballad/index.html

pre-order here

ADMX-71 - Phenomenalist (LIES-067)

sample recorded live at voice of the valley 7/25/15, looped and layered at suite 309 7/28/15

joints4sale

Bonus intro track to Psionics / Brochymena (grip: https://rubbercitynoise.bandcamp.com/album/psionics-brochymena)

Black Unicorn — Psi Prelude

A Made Up Sound - Havoc b/w HHJOABS - AMS008 12"
forthcoming October 5th, 2015
distribution@clone.nl

A Made Up Sound 008B - Half Hour Jam On A Borrowed Synth

ex_libris 001 / 002 out now (june 2025)

fka a made up sound, 2562

Insta: amadeupsound2562
Bookings: amadeupsound2562 at gmail

Utrecht, NL

A Made Up Sound 008B - Half Hour Jam On A Borrowed Synth

Dave Huismans

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