An unfinished sketch from 2009 conjuring themes of inevitable doom.

Sunday (Doom)

New BANKS tourdates posted at: hernameisbanks.com/shows

-BANKS
www.facebook.com/hernameisbanks
twitter.com/hernameisbanks
@banksbanksbanks

-Dream Koala
www.facebook.com/dreamkoala
@dreamkoala
twitter.com/dreamkoala

Goddess

Change (Dream Koala Remix)

Buy the London EP

XVIIIp-001 @anton oak "Bruises" EP.

Released October 6th on @XVIIIEMEPENINSULE.
Buy it exclusively here: http://bit.ly/ShopXVIIIp

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Bruises

Bruises (Original Mix)

Björk - Joga (Angry Snares Remix)

"Indian Summer" by Jai Wolf is the third release from Foreign Family Collective, an outlet for musicians and visual artists alike curated by the duo behind ODESZA.

iTunes: foreignf.am/indiansummer-itunes
Spotify: foreignf.am/indiansummer-spotify

Jai Wolf: @jaiwolfmusic

More info on Foreign Family Collective at foreignfamilycollective.com

Indian Summer

Buy on iTunes

Jai Wolf - Indian Summer

This Is What It Feels Like (Nautiluss Remix)

Kate Bush  -  Running Up That Hill (Datassette Remix)

Emeli Sande - Heaven

Wonder

Wonder (Kidnap Kid Remix) [feat. Emeli Sandé]

New mini-album 'Night Melody' out August 5th
Pre-order it on 12"/DL: www.erasedtapes.com/store/index/ERATP087
or digitally from iTunes: snip.ftpromo.net/nightmelody
More info: www.rivalconsoles.net

London-based electronic songwriter Ryan Lee West aka Rival Consoles to release his most personal work to date in the form of a mini-album titled ‘Night Melody’ through Erased Tapes on 5th August 2016.

During the release of his acclaimed full-length album ‘Howl’ and heavy touring in late 2015, Ryan came out of a long relationship and found himself making music throughout the winter months. The result of his efforts is a 34-minute, 6-track mini album ‘Night Melody’, born out of and shaped by long hours working into the night. It’s nocturnal in sound; mysterious in the way that the early hours so often are.

“I found myself, in a silent home, with the days getting dark very early. I’ve never before in my life been affected by the lack of light so much. I just remember it always being night time. I would either make music into the night, go out drinking with friends, or go to parties and dance into the early hours, every day, week after week, month after month, until eventually the days became brighter again.”

The opening statement ‘Pattern of the North’ starts off with a collage of spliced synth melodies, inspired by anxiety that accompanies going home for Christmas. It’s followed by ‘Johannesburg’, an early sketch gradually filled out during his tour in South Africa. 

“After playing it around some of the cities, I got a lot of inspiration to bring it to life and push it into something that really moves me. I think this is one of my most colourful pieces of music, with its driving rhythm and almost a homage to Terry Riley’s ‘In C’ towards the end, with a build of very simple, hypnotic parts. I especially love that for over five minutes the piece is tied to just one note. This makes the ending very dramatic, because all of a sudden there is this harmonic change.”

‘Lone’ started life around the time Ryan was working on his ‘Sonne’ EP in 2014. It’s the result of constant adjustments to find the perfect balance of fragility and assurance. As everything on the album, it’s a carefully considered, emotionally mature piece. “I think, as I get older, I need music to represent something and not just sound interesting, though of course the two are connected.”

The closing statement ‘What Sorrow’ is a fitting end to the album, building from gentle melancholia to a joyous crescendo. It’s a sensibility that’s central to the record; joy and sorrow both find their counterpoints.

“This record is very personal to me and I hope it offers something for other people, as it helped me to make it and to listen to it. Almost every synth line was recorded intuitively, without perfection but with a lot of intention and expression. I’m not interested in making something sad or making something happy. I want music to be bittersweet, to be more complex, like life – containing moments of vibrant colour and hope, as much as darkness and sadness.”

This summer will see Ryan follow on from his recent North American Tour with the appearance at many festivals including Lovebox, Secret Garden Party, La Route Du Rock, Sea Change and Tale of Us-curated Afterlife party at Space, Ibiza. ‘Night Melody’ will be available on 12” vinyl and digitally, August 5th.

TRACK LISTING:  	

A1. Pattern Of The North
A2. Johannesburg
A3. Slow Song

B1. Lone
B2. Night Melody
B3. What Sorrow

Night Melody

Johannesburg

Buy 12"/DL

Rival Consoles - Johannesburg

Howl
https://xviii.lnk.to/Howl

So far too close
https://www.youtube.com/watch?v=zgY0dGXFgo8

The Edge

"OffOffOff" by Autolaser is the 13th release from Foreign Family Collective, an outlet for musicians and visual artists alike curated by the duo behind @odesza.

Available on all download and streaming platforms: http://foreignf.am/offoffoff

Autolaser:
SoundCloud: @autolaser
facebook.com/autolaser
twitter.com/theautolaser
instagram.com/autolaser

OffOffOff

Buy and Stream

Autolaser - OffOffOff

Falco Benz - La Féline Mescaline (feat. Agnès Aokky)

Falco Benz - Framework

Buy Blu-Ray: http://s.latenighttales.co.uk/sasha-refracted/

'Xpander' is taken from ‘Sasha : reFracted: Live at the Barbican’ limited edition Blu-Ray (1000 signed copies)

The limited-edition signed Blu-Ray enables fans who missed the two record-sell-out shows in May to catch up with the lucky ones who witnessed Sasha’s towering presence dominating centre stage at his live performance debut. 

Sasha’s focus on the future and fresh worlds to conquer made it unlikely he’d revisit his seminal cut, which electrified dancefloors in 1999 and has been spoken of with awe ever since. So he began a seemingly new piece on stage, which then revealed itself to be a special new rework, bringing the stunned audience to their feet in a goosebump-inducing joyful finale. 

"From day one everyone was like “We’ve got to do Xpander!"” Sasha says. "Of course, it was the scariest thing to tackle because it was such a big old record. We slowed it right down, put this really teasing intro in it that sounded very [Steve] Reich-ian. The moment that it opened up and the riff came in was a really special moment at the Barbican."

The rework rounded off Sasha’s live interpretation of his highly-acclaimed Scene Delete album on the eminent Late Night Tales label along with tracks from his back catalogue, on keyboards and accompanied by vocalists, band and string ensemble. 

The Blu-Ray package includes the full show (plus interviews with several of the musicians and singers, including Charlie May and Dave Gardner), along with two audio CDs for both halves of the show and a high-quality audio download. Each booklet is individually numbered and personally signed by Sasha. 

"It was a mountain to climb. The last few days of rehearsals, it just got tighter and tighter. It went from this frantic atmosphere a month before the show, everyone panicking, to suddenly everyone going, “Oh this is working, it’s going to be great!” It achieved everything and more by doing it the way we did. In terms of a personal achievement, the fact that I’ve learned to play again is such an important part of this for me. The way we worked together, the way we interacted with each other, just buzzing off each other and playing as a band, I’ve never had that before." SASHA SEPTEMBER 2017

Follow Late Night Tales:

Web: http://latenighttales.co.uk
Facebook: http://www.facebook.com/latenighttales1
Twitter: http://twitter.com/LateNightTales
SoundCloud: http://soundcloud.com/latenighttales
YouTube: http://youtube.com/latenighttalestv
Instagram: http://instagram.com/latenighttalesofficial
Spotify: http://goo.gl/Q98T7d
Apple Music: https://music.apple.com/us/curator/late-night-tales/1233898093
Bandcamp: https://latenighttales.bandcamp.com/

Follow Sasha:
 
Facebook: https://www.facebook.com/sasha/ 
Soundcloud: https://soundcloud.com/sashaofficial 
Instagram: https://www.instagram.com/djsashaofficial/ 
Twitter: https://twitter.com/sashaofficial

Buy Blu-Ray

Sasha - Xpander (reFracted : Live At The Barbican)

Dj Chus & David Penn Ft. Concha Buika - Will I(Dassent Matter Rmx)

Order 'Gravity Pairs Remixes' at: https://ghostly.com/products/gravity-pairs-remixes
Or at the retailer of your choice: https://ghostly.lnk.to/Beacon-Gravity-Pairs-Remixes

Beacon - Be My Organ (CRi Remix)

Flume UK + Europe Tour 2019: http://flu.me/Europe

Let You Know feat. London Grammar (Ross from Friends Remix) out now: http://flu.me/LetYouKnowRemix

Stream 'Let You Know' feat. London Grammar: http://flu.me/LetYouKnow
Spotify: http://flu.me/LetYouKnow/Spotify
Apple Music: http://flu.me/LetYouKnow/AppleMusic
Amazon: http://flu.me/LetYouKnow/AZ

Follow Flume
Facebook: https://www.facebook.com/flumemusic 
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Twitter: https://twitter.com/flumemusic
YouTube: https://flu.me/YouTube
Spotify: https://flu.me/Essentials
Apple Music: https://flu.me/AppleMusic

Follow London Grammar
Facebook: https://www.facebook.com/londongrammar
Instagram: https://www.instagram.com/londongrammar
Twitter: https://twitter.com/londongrammar
YouTube: https://www.youtube.com/channel/UC1oCOqdqlNDz5Sxnlk08ZrQ

Follow Ross From Friends
Instagram: https://found.ee/rff-ig
Facebook: https://found.ee/rff-fb
Twitter: https://found.ee/rff-tw
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Apple Music: https://found.ee/rff-am
Soundcloud: https://found.ee/rff-sc

Subscribe for new Flume music alerts via Messenger: https://m.me/flumemusic?ref=music

Stream/Download

Let You Know (feat. London Grammar) [Ross from Friends Remix]

Berlin based composer and producer Ben Lukas Boysen has announced the release of his third album, the progressive and shape-shifting 'Mirage', on 1 May 2020. It follows 2013’s 'Gravity' and the acclaimed 2016 full length 'Spells', a record as much admired by his peers as it was loved by fans that not only yielded remixes from Max Cooper and Tim Hecker, but also opened Jon Hopkins’ Late Night Tales compilation.

Since the release of 'Spells', Ben collaborated with cellist and composer Sebastian Plano on the score for David OReilly’s landmark innovative video game 'Everything'. It was added to the long list for the Best Animated Short at the 90th Academy Awards, making it the first video game to qualify for an Oscar. 

As with 'Gravity' and 'Spells', Ben has an array of musical guests adorning Mirage, including long time collaborator, Berlin based cellist and composer Anne Müller as well as Australian saxophonist and composer Daniel Thorne — for whom Ben wrote parts specifically, having heard his 2019 solo debut 'Lines of Sight'. Lead track 'Medela' features both and takes the listener on a kaleidoscopic journey that slides with ease across sonic terrains.

While on 'Spells' Ben made programmed pieces sound indistinguishable from human playing, with 'Mirage' he set out to do the opposite and make the human touch unrecognisable, creating something of a mystery or a mirage.

“A lot of the elements and instruments you hear on the album are either not what you think they are, or exactly what you think they are but behave differently or they’re elements you definitely know but they are hidden, processed, or morphed into something else. With 'Spells' and 'Gravity' I was trying to hide the machines. On 'Mirage', I’m trying to hide the human” — Ben Lukas Boysen

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