The Upload

Produced, Composed and Arranged by Sullivan and Ruizzoidman https://soundcloud.com/ruizzoidman21centurions https://soundcloud.com/esemanolain-ruizzo
Guitars, Piano, Bass: Ruizzoidman
Lyrics: Darren Sullivan (Ruizzoidman translator)
Vocals: Sullivan and Ruizzoidman

Lyrics:
Hey, I was hoping all day, anyway you want, I was green, I’m sorry, for being, this way

Sneaking around, blessed ground, once it was, for me. 
pleasure of the world, blessed ground , I shall walk with thee

"Esperaba todo el día para ser como quieres. Tenía celos. Lo siento por ser así."

Hey, I was hoping all day, anyway you want, I was green , I’m sorry, for being, this way

On the radar , bristling down coming around
Maybe later, bubbling boil toil and trouble
Porous crater, simmering now melting crown
Making pay dirt, exploding sound erupting ground.

Bring in the floating bills
Bring in the frozen lock
Bring in the callous frills
Bring in the broken clock
Bring the jury and judge
Bring in the final gasp
Bring in the resentful grudge
Bring in the ghosts from the past

Sneaking, around, blessed ground, once it was for me.
pleasure of the world, blessed ground , I shall walk with thee 

"Esperaba todo el día para ser como quieres. Tenía celos. Lo siento por ser así."

Hey, I was hoping all day, anyway you want, I was green , I’m sorry, for being, this way

https://topbuzzmagazine.com/music/darren-sullivan-releases-lasses-birgitta/?fbclid=IwAR3lbQNuOMWO_ZjwEOhJA6uW8m2WxP0_mkFc5RSqHG3eqsVwAtfoSzEMZhs

Witches's Brew

Witches' Brew (with RUIZZOIDMAN)

Are you ready? 

Jason Akita: guitars https://soundcloud.com/kobe-akita and https://soundcloud.com/kobe-akita/new-peters-akita-2
Me: the rest, including mean vocal and dirty, demented harmonica

One World Town (Brian Peters)

Let there be darkness
And let there be light
Let the sun and the moon
Keep the day and the night
Let there be evil
And let there be good
Another War of the Worlds
Where the Tree of Knowledge stood

Let there be pleasure
And let there be pain
Let the living mourn the dead
And let the dead rise again
Let there be trouble
Between the old and the young
Another Tower of Babel
A confusion of tongues
-
Don't wanna live in a one world town
Where nobody knows what is real
Where there is no up and there is no down
Cause you were made with magic
On the Potter's wheel
-
Let there be heaven
Let there be hell
From the Book of Revelations
To the worlds of HG Wells
Let there be loving
And let there be hating
Let a man know within himself
Of the road he is taking

Let there be heroes
Let there be gods
Let there be rebels
Who live under the sword
Let there be greatness
Outcasts and giants
Let the martyrs carve the roadways
With the prophets and the saints
-
Don't wanna live in a one world town
Where nobody knows how to feel
Where there is no up and there is no down
Cause you were made with magic
On the Potter's wheel

One World Town (w Jason Akita)

今回も明治時代を題材を題材にしました。
（This time, we also used the Meiji era as a theme.)

鹿鳴館などをイメージし西洋化の優雅さと葛藤を描いています。
（It depicts the elegance and conflict of Westernization in the image of Rokumeikan, etc.)

燈火 (短編）

Scrit II -  muterial / P a b l o

Quartz Glass

Photograph: Sebastio Salgado - Genesis

Lyrics:

Bonsoir (Good evening)
Thoreau
Rousseau
Monroe

Hey
I guess you know
Les ombres qui reflètent le jour (The shadows which reflect the day)

Hey
I guess you’d say
The shadows keep on dancing
When you turn away

How they play
In shades of grey

Hey
To all the shadows here to stay
Broken shards of light
These silent words do convey

Hey
To all the shadows today
Breathing through and through
Dancing their breath away

Shadows Dance

Video: https://www.youtube.com/watch?v=5gsbLFTcD-I

The first part depicts a beast who has been asleep for thousands of years snoring as fireflies gently hang in the air, wind up toys that have come to life move about and a chime plays a demented lullaby. The room is dimly lit with a pale shaft of light. An undulating carpet of small but noisy creatures which cover the monster and the floor carelessly skitter about. 
The metal guitar is the beast waking which frightens the creatures. The monster starts it’s hunt for the human. The creatures are now stirred up. The new percussion is it’s footsteps. 
The quiet bit in the middle is where we find a hiding place. The percussion which represented the creatures is now flickering as our personal life-force that guides us. The beast can be heard searching not far away. 
They find us, we dart out into the forest and the chase is on. The monster noise is the kill, dripping blood can be heard. The hand drum to end is the sacrifice.

K G G - Monster's Wake

“ p a n d e m o n i u m

you have conquered me
this way m a d n e s s lies

I am separated from certainty”

Unreason

I played this improvisation in first take. I thought to play just testing hardwares and sounds but afterwards I realized it`s fresh enough to publish.
First, before playing I made all necessary things to NDLR arpeggiator and MIDI controllers.
Controllers: Nektar Pacer MIDI foot controller with expression pedal and Doepfer MCV4 MIDI to CV equipment.
Synths: Dreadbox Erebus V3 analog mono synth and Analog Four giveng pan effect for Erebus.

Acoustic Guitar And Synth Jam 01052021

© Joe Liberty 2021. All rights reserved.

CallAnyTime

I've heard that change is a good thing
Though not always part of our plan
It takes some time if ever
To understand
The world just keeps on turning
To the sound of a cosmic band
And our time here is but a moment
So make the most of it while you can

As we find our way 
Through the world these days
Sometimes it takes us far away
And it’s hard to say good bye my friend
But I’ll see you again one day

Gone but not forgotten
Out of sight but not out of mind
You know how to reach me 
And you can call anytime 

To those I love 
But far away         
Lets make a date 
Where we can meet 
And spend some time
You know I just can’t wait

Some never leave their home town
And some like to travel the world around
Well, it doesn’t matter what you do
As long as you do what you want to

As we find our way 
Through the world these days
Sometimes it takes us far away
And it’s hard to say good bye my friend
But I’ll see you again one day

Gone but not forgotten
Out of sight but not out of mind
You know how to reach me 
And you can call anytime
You know how to reach me 
And you can call anytime

CallAnyTime

Moonlit Silk

Old experimental piece definitely not for everyone :-)
Photo by Sharon Pittaway on Unsplash

Moletronics

comet dust and river mud - it's just the stuff we are made of
@robbartholomew sax
nicole bv's

Sunspots

この楽曲は、奈良時代を題材にしています。
（This song is based on the Nara period.）
華やかさから争いまで様々な視点で描いています
（I draw from various viewpoints from glamour to strife.）
題材にした時代では最古になります。
（It will be the oldest in the age of the subject.)

ギターの演奏と終盤の演奏を作り直しました。
（Remade the guitar performance and the final performance.）

孔雀開眼二煌キ

様々な時代を音楽にします。
（Make music from different times.)

I have been passionately creating music for a considerable amount of time. My vibe is mainly Rap, Rock and Pop. My purpose in writing music goes beyond mere entertainment. I am driven to compose songs that serve as a source of encouragement, inspiration, and upliftment, carrying a message of hope deeply rooted in the truth that Jesus died for the sins of man. Through my music, I strive to share my personal journey and experiences, revealing how Jesus is an integral part of my life and the creative process.

燈火 (短編）

樂天則

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