Name: 2serhat5bz No Thoriental No Exotic Ep.20 (21.02.2023) by 2serhat5bz movement
Duration: 1 h
Description: https://movement.radio/show/no-thoriental-no-exotic-ep-20-2023-02-21 Audio collages and selected tracks of heterodox plundered-roars, of Istanbulians and Anatolians, who were exposed to population engineering, as well as of those of the refugees and all of the glocal movements without any extra traditionalist simulation or hologram touch doctrine.

' Jin Jiyan Azadi & Gezilla '  https://movement.radio/show/no-thoriental-no-exotic-ep-19-2023-01-17 * ultra-traditionalist ideologies that are nationalist, fascist and tend to always hold power. The reason for his interest in history is never his concern to understand the past. https://praxis-records.net/refocus-lauschangriff-02-02-2023/? -- Historical memory is an important field of ideological struggle. For this, it is necessary to distort and exoticize history.In the past, for those with little to brag about, the relevant past is reinvented, offering a more dignified background to the present.

2serhat5bz No Thoriental No Exotic - Flashcore Darbuka 17.01.2023 Berlin

Rudolf Eb.er - HEIMOROR - HEXES I-VI
2CD, 118 minutes, published by the Om Kult and available at:

rudolfeber.bandcamp.com/album/heimoror

HEIMOROR - HEXES I-VI - excerpts 1

Taken from SBKT055: TRANCE BAND - Entrancing
Release date: 3rd March 2023

'A Seagull's Hymn'
Electric guitar - Felix-Florian Tödtloff
Drums – Will Ballantyne
Bass – KIM KHAN
Chains & vocals – Ican Harem

In a global landscape that increasingly prioritizes individuality over collaborative expression, TRANCE is a distinctive project. Initiated by Chinese multidisciplinary artist Tianzhuo Chen, best known for his work with Asian Dope Boys, TRANCE is as artistically amorphous as its constantly evolving line-up, that fluctuates as it shimmers across borders and time-zones. In 2019, the project was demoed in Beijing as part of a solo exhibition from Chen, a 12-hour durational performance that examined the altered states of living and dying and pondered the sounds, sensations, bodies and spaces that notion might suggest. On hold for three years due to COVID-19 restrictions, TRANCE was eventually premiered in Hamburg at the Kampnagel Theatre last year where it was presented as a surreal three-day ceremony. This time around the Trance Band was made up of Berlin-based noisemaker and vocalist Dis Fig, Indonesia's Gabber Modus Operandi, musician and MC KIM KHAN, guitarist and engineer Felix-Florian Tödtloff, and Vancouver-based percussionist and producer CITY. Chen directed the show, channeling each artist's unique energy into an alliance that highlighted their independent skills while pushing towards ideas that simply couldn't have been realized discretely.

"Entrancing" is a live documentation of that incendiary Hamburg session, powered by the performative fireworks that came from having the project halted for two years before it was allowed to burst into life once more. Just as with previous iterations of TRANCE, the space was terraformed into an alien landscape that allowed the collective to enact a carnivalesque display that was tightly controlled but creatively boundless. Musical u-turns were accompanied by monumental stage overhauls that reshaped a muddy, fog-filled outdoor riverscape into an arena, or a sweaty nightclub. This theatrical impact can't be visualized as clearly on the record, but musical cues do just enough heavy lifting to provide a tantalizing contour. When the alluring electro-acoustic plucks and resonant sustained string tones of 'There's a Ghost in the Lantern' cascade into cinematic drone metal on 'Ylva's Theme', it's impossible not to be drawn into the TRANCE narrative. Sonic stage lights flicker with uncommon intensity as the nebulous group rewrite their collective personal stories into stirring, synergistic poetry.

"Something changes!" KIM KHAN calls out on 'Soft and Black', cutting through warbling synths and itchy beatbox percussion. The track builds quickly, reaching a sizzling crescendo of buzzsaw noise and acidic electronics. It's a stylistic sea change that channels the group's kinetic energy into a rock show, and CITY picks up the message on 'Trance Genesis', adding rapid-fire drums to a barrage of guitar skronk. 'Shaolin Affliction' glues Trance Band's jagged artistic edges to a vintage metal template, gradually dissolving into throaty post-hardcore, while 'My Fortress' brings the show to a powerful conclusion with Dis Fig assuming the role of grunge balladeer, bellowing into the void over cacophonous live instrumentation. Unbound by musical and artistic conventions, TRANCE peers out from the basement, the gallery and the playhouse to forge an expression that's all of this and something new entirely. It's refreshing, witty, exhilarating and most of all, completely unpredictable.

Entrancing

TRANCE BAND - A Seagull's Hymn

https://movement.radio/show/no-thoriental-no-exotic-ep-20-2023-02-21 Audio collages and selected tracks of heterodox plundered-roars, of Istanbulians and Anatolians, who were exposed to population engineering, as well as of those of the refugees and all of the glocal movements without any extra traditionalist simulation or hologram touch doctrine.

2serhat5bz No Thoriental No Exotic Ep.20 (21.02.2023)

Bedouin Records: Prosperity - 26/07/2023

Rizmi invites Alliyah Enyo for this months Healing futures show 

 Alliyah Enyo’s interdisciplinary vice gravitates towards èmbodied and meditative processes. Believing frequencies in sound are healing, she harnesses ritualisation to create sonorous myth' installations and performances. Her process involves designing, recording, antarchiving sound. Using field recordings like archacologicat objects, memories are preserved and discovered throughout her soundscapes, echoing and resonating, reflecting her interest in 'echoic memory:
The work exists as a mythologisation' of her emotional landscape, embedding ancient stories into emotional layers that are slowly revealed. Woven soundscapes are multilayered as if growing, crafted through her use of analogue hardware.

Healing Futures w/ Alliyah Enyo 06/08/23

NEK (Novembre 2023)

Our dreams are our antennas. With this radio show, we scroll through their signals. “On the back of that dream” is a search for connections. Where do we go when we dream? And are we alone?

Our dreams are our flipsides. In this radio show, we turn to our backs, we connect to the ground. The sky is the mirror. The night is the sheet. What do we see? What does it sound like? Is it far away?

Our dreams are our vowels. In this radio show, we connect their pearls on our strings; we feel their gaps, we make them meet in their words and let them shape their sentences. “On the back of that dream” is a dream coming true on the back.

We are so lucky to have met there.

Warm thanks to Samantha Lippett, thanks to Shortwave Collective, thanks to André 3000, thanks to Shortwave Collective for skill sharing and inspiring thoughts, thanks to 80 year old friend 

Made for OOO Radio and Forum Box, Helsinki. Co-broadcasted by The Lake Radio

xxx ell, aoi, lou pearl

On The Back Of That Dream

Entrée dans l'hiver avec @gregoirebruno aka DJ Musique Muscle invité par @theobeguin pour Gueule de Bois Sentimentale.

Pope Dub - Cremallera arriba, cremallera abajo
Neu! - Paradise Walk
Bravo Tounky - Goldfinch Flight Simulator
Three Little Cavies - Wistful Weekend
The Clash - Hitsville UK
Martin Rev - Mari
Lisa Lotion - Malibu
Cluster - Marzipan
Capelo - Utrecht
Nina Harker - Me Comin
Habibi - Sweetest Talk
Craig Leon - One Hundred Steps
Mott Flyf - You Can Drive
Lispector - Your Silence is Loud
DJ Dawn & The Ranking Queens - Peace Truce Thing

2serhat5bz No Thoriental No Exotic Ep.20 (21.02.2023)

2serhat5bz movement

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