*ionreadthepillnomore
iknowemlikemyalphabet.

*inmyways. w/ Skooh   {walls + naushis}

august 2023 beats w 1sadboi glo hadif d5rko mag srdbeatz cranes sane

{ll/ll/ii}
1. único - 00:00 - 01:21
2. chorizo - 01:21 - 02:40 (+lima)
3. irmão - 02:40 - 04:10 (+vic; ryo)
4. textura - 04:10 - 05:50
5. salvação - 05:50 - 07:50
6. teoria das cores - 07:50 - 09:00 (+lima)

{ii/ll/ll}
7. (a)voidance - 09:00 - 09:24
8. você - 09:24 - 10:25 (+miji)
9. 30/12/2023 - 10:25 - 12:25 (+gotchigo; ryo)
10. 31/12/2023 - 12:25 - 13:12 (+iel; ryo)
11. eu - 13:12 - 15:10 (+lima)
12. benção - 15:10 - 16:30 (+gotchigo)
.,.,...,.,..,.,.,...,.,.,.,.,,,.,.
.
.
.
obrigado!
@40klima @ryoryoryos @silntvic @stepthroughthevalley @gotchigo @sleepingforest2004
.
.
feliz carnaval!

11/2

wisha (me)

⌂⁐bless⨝you⁐⌂

no.4 w @lila_na_pusa
s/o rob and reggie fils-aime
new vox page @vettedotnet

every dream a nightmare {{beattape}}

40404

recouvert de couches de saleté 140bpm

In these uncertain, transversal times,
as I watch the ship slowly sink,
a quiet detachment from the sun prevails.

Trapped along this path,
I wander in thought—unraveling, reweaving—
wondering if the ship will rise again,
if it will ever float once more.

I take flight toward a crude beginning, ticketless,
with a destination made of all the things I miss.

In my small garden of flowers,
which at times consumes most of my days,
I trust that all those lost things will flourish anew.

For now, I water this moment,
hoping that what I tend
will carry me through this ship-bound flight.


Genis Remacha.

IL104

produced by Genis Remacha
mastered by Vlas Presnetsov
image by Immersive love

published by Immersive love

23 Aug 2025

For Layer Heaven

buy on bandcamp

Genis Remacha - A million things missing about you

Something is afoot - there is a turn in my soundworld (even if temporary).   I am becoming more and more attuned to the use of digital noise, field recordings, and scanners - all in the context of memory (both human and digital) - the fallibility of it all and the tense landscape in which I find myself.

Thank you for listening and leaving feedback - encouragement or not - it's all valuable to me.

a flood of obscure memories

READ > https://inverted-audio.com/see-signals-sea-noise-cassette-dianita
CASSETTE > https://inverted-audio.store/products/see-signals-sea-noise-dianita-live-s-p-a-15-june-2024

Limited-edition cassette produced in collaboration with Inverted Audio and Zurich University of the Arts. It features a 47-minute live recording by Swiss sound artist @didianita, drawn from the Computer Signals Archive - an extraordinary collection of over 50,000 hours of underwater recordings captured since 2012 off the coasts of Spitsbergen and Helgoland as part of a long-term climate research project.

Initiated by Swiss visual artist Hannes Rickli and sound artist Valentina Vuksic, the archive documents not only the ambient hum of the ocean but also the inner workings of the observatory itself - from the power draw of instruments to shifting electromagnetic fields - creating a unique blend of marine soundscapes and machine noise. Freely accessible under a Creative Commons license, See signals sea noise has become a fertile ground for artistic exploration.

Musicians including Ben Kaczor, Dianita, Lb Honne, and Hatarii are reimagining this material through performances, installations, and workshops. A standout is Dianita’s live set, recorded during Art Basel in the courtyard of urban winery S.P.A., now presented in full on this cassette.

Marking the first physical artefact of the project’s next phase, @seesignals opens the door to curated events, club nights, interactive exhibits, and special commissions, bridging scientific rigour with artistic imagination and inviting audiences to listen differently - to the sea, to machines, and to the act of listening itself. See signals sea noise is supported by the Swiss National Science Foundation and the Ernst Göhner Foundation.

Music by dianita
Photo by Philipp Fischer / AWI
Design & Layout by Tom Durston
Comissioned by seesignals.art
Produced by inverted-audio.com

11/2

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