Mesoform 1222

Torre dm

https://formforum.bandcamp.com/album/car-jazz
Optimally played in a car with radio interference
made Dec 2021

car jazz (full)

"Veering from fractured hyperpop into deconstructed club oddness and ambience, this album is a restless and rewarding experience that will delight fans of the Orange Milk catalogue and the stranger corners of Oneohtrix Point Never’s discography." (https://soundcloud.com/djmag) 

"Time and time again, we have found ourselves lost in this album. A potent stew of element we’d possible not normally enjoy tumbling in space with sections we wish continued into far longer expanses." (Obladada) 

On Organe Solaire (GEN051) by https://soundcloud.com/amselysen a coherent ensemble is presented consisting of digital, hyperprocessed textures, minuscule sound fragmentations and impassioned, pressing vocal broadcasts. Deceptively, the sound at intermittently even approaches something like a sugary sweet pop production: chord stabs, piano tones, heartfelt howling, energetic kicks, the whole works. The most powerful weapons in the electro-acoustic toolkit are used here: sound events occur on a microscopic scale, sliced, granulated, pitch-bent, resonant, bubbling, stretching - but at the same time have an impactful, cinematic, piercing quality. From the arrangement point of view there is a cryptic multi-centered, restless logic, with the trajectory of all tracks constantly getting out of balance, twisting, self-subverting. The human voice, or the remnants of it, form an important thread through this album; spanning a wide tonal, textural range, the voice material is sometimes vocoded, stuttering, crushed, resampled, fried, totally pushed beyond its limits; but at other times innately performative, assertive - a declaration of intent or active intervention, conveying meaning, communicating something important. Organe solaire follows 2020's murky transmission Hypnagogic Surge.

/ Hakeem Lapointe (https://soundcloud.com/amselysen) about GEN051
“My [Amselysen’s] second full length album’s focus, Organe Solaire, strays from conceptual music and goes on dissecting and splaying a dark but colourful sludge of emotions. A major point source in my compositional approach to the record has been imagining the trajectory of hyper-pop if it evolved with a more pessimistic tendency, with the same bells and whistles, but less shiny and squeaky clean — like the rainbow reflections of tar bubbles.
Organe Solaire, unable to afford being cryptic, doubles down on honest, raw lyricism and is quick to open up, building a comprehensive musical and gestural language that reflects the narratives behind each and every track. They range from slow suicidal ballads, to demented hyper-melancholic pop, to interludes containing heavy narratives, like Discrepancies (for Kellyanne): a heavily filtered piano composition dating from my late teens, also acting as a hope to reach out to a long lost then-best friend.
I did not shy away at referencing personal idols who’ve inspired me throughout the years: The Labour of Love samples Akira Fuse’s Shikuramen No Kahori, a song mentioned in Joji Koyama and Tujiko Noriko’s feature length film Kuro, and matches its theme: gazing at the afterimage of a romance long gone. Post-modern Tsunami, as outlined by “shoutout to Hito Steyerl”, is made to the image of Steyerl’s Liquidity Inc.: in its wave-like structure; in its senseless meme aesthetic; and nods at its conceptual approach, dissecting contemporary culture with economic undertones.
To aid me in my efforts, I have called upon two outstanding collaborators to lend their strengths on the album. I’ve recruited the excellent Ubu Boi, providing tactful compositions and solid vocal performances, and the mysterious 2x|n, a.k.a. Seraphim, for precise sound design and incisive aural interventions.
Delving into romantic torment, drug use, artistic frustrations, struggles with mental illness, Organe Solaire brings forth a fundamentally human experience in the form of raw edges thinly veiled under a layer of gloss.”

Buy & Stream

Amselysen - The Labour of Love (feat. 2x|n)

Bride - Mausolea

@dm_sounds
The 27th release of katharsis is the album “Alien Implants” by the Siberian artist and composer Dmitri Mazurov. Throughout the 9 tracks and 77 minutes of the album, the listener is submerged into a haunting maze of mystifying experimental electro-acoustic sound portraying distant conspiracies of another time and place. This almost paradoxical juxtaposition of classical instruments with elements from contemporary electronic music is quite novel to katharsis, but fits perfectly with our vision of showcasing the multifaceted emotional and expressive properties of music.

The album starts harshly off with a flow of rocks, stones and underwater gurgling on the intro track “Burevo”, before a flooding of more delicate but yet restless sounds on “Mimicry” performed by Kymatic Ensemble, who are also featured on the evocative title track “Alien Implants”. This expressive focus is vivid throughout the whole album, but especially on tracks like “Hauntology” performed with novel techniques on the accordion played by Roman Malyaykin, or on the archetypical crying of a guitar played with a comb on the track “Weeping”. The whole thing is concluded by an alienesque communication on the track “Morphing”, which is premiered with the announcement of the pre-order.

Alien Implants

Hauntology

premiere: Dmitri Mazurov - Hauntology

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 +@dipteran+
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Der Mensch spielt Theater.
Theater ist die erste Erfindung des Menschen und zugleich die Erfindung, die den Weg zu allen weiteren menschlichen Erfindungen geebnet hat. 
Theater entsteht, wenn der Mensch entdeckt, dass er sich selbst beobachten und sich in diesem Akt des Sehens selbst in situ betrachten kann. Indem er sich selbst beobachtet, entdeckt der Mensch, was er nicht ist und stellt sich vor, was er hätte werden können. Er erfasst, wo er ist und wo er nicht ist und stellt sich vor, wohin er gehen könnte. Der Mensch ist also in der Lage, sich im Akt des Sehens, Fühlens, Denkens und Handelns zu beobachten. Er kann sich selbst fühlend spüren und sein eigenes Denken wiederum reflektieren. Er kann das Malen erfinden, weil er das Theater erfunden hat. Er nimmt sich selbst im Akt des Sehens wahr. Kein Tier ist in der Lage, sich selbst bei der Jagd zu beobachten.
Augosto Boal: Der Regenbogen der Wünsche

⟅kein tier⎢ ⎢ist in de⎨r lage ⎞s⎞ich selbst ⎩bei ⎩der jagd zu⎯ be⎬o⎬bachten⟆ + dipteran

HATE exclusive premiere.
Full streaming of the EP soon on our HATE YouTube channel.

Support the label, buy it here:
https://frenzy.fanlink.tv/workin-ep-frnzyrec006
https://frenzyrecordings.bandcamp.com/album/beau-didier-isaiah-workin-ep-frnzyrec006

For the 6th Frenzy installment, we’re hitting close to home as residents Beau Didier & Isaiah step in.

Artist: Beau Didier & Isaiah
Title: Workin' EP
Label: Frenzy Recordings
Catalogue: FRNZYREC006
Format: 12" Vinyl + Digital
Genre: Electronic
Style: Techno
Release date: May 31, 2024

Follow #BeauDidier here:
https://soundcloud.com/beaudidier
https://www.instagram.com/beaudidier909/
https://www.facebook.com/beaudidier99

Follow #Isaiah here:
https://linktr.ee/isaiah.music
https://soundcloud.com/isaiahtechno
https://www.instagram.com/isajtd/

Follow #Frenzy here:
https://www.instagram.com/frenzynl/
https://www.facebook.com/Frenzynl
https://www.soundcloud.com/frenzynl

Tracklist: 
1. Beau Didier & Isaiah - Workin'
2. Beau Didier & Isaiah - Make The Change
3. Beau Didier & Isaiah - Workin' - (Hertz Collision Remix)
4. Beau Didier & Isaiah - Fusion
5. Beau Didier & Isaiah - CD-Rom 04:37
6. Beau Didier & Isaiah - Fusion (Steve Redhead Remix)
7. Beau Didier & Isaiah - Fusion (Steve Redhead Bonus Edit)

For the 6th Frenzy instalment, we’re hitting close to home as residents Beau Didier & Isaiah step in. Although these stars on the rise need little to no introduction, it feels like the right moment to have a moment to shed light on the ethos of this Dutch-producing duo. Both having roots in the Dutch rave scene, they carved out a true-to-the-core approach to techno, becoming highly functional to keep dancefloors around the globe rolling without any stop to it. They deliver a 6-track storyline that lives up to that craft including remixes by Italian Hertz Collision & Belgium techno-pioneer Steve Redhead.

‘Workin’ introduces the A-side and sets the scene for the EP with vibey rhythms and blissful vocals. The ‘Change’ gets naughty with sway-induced low-ends and striking highs sure to make hips shake across the dancefloor. Landing down from up-high energy, Hertz Collision delivers an atmospheric remix with hypnotic elements and a darker touch. On the B-side, the two residents take over the steering wheel again, which can be felt immediately. ‘Fusion’ is a track that takes repetitive motion to another level, the type of track that makes you stay longer in the morning hours. To close off with elegance - ‘CD-Rom’ elevates to gracious states with enchanting spheres and spells.

Adding another dimension to it all, Steve Redhead delivers two remixes of which one is a digital bonus. Words can’t live up to the force, this is a transition back to the 00s hard techno era.

Wipe the dirt off your shoulders, Beau Didier & Isaiah will get you Workin’ on FRNZYREC006. 


___
DISCLAIMER: All tracks are uploaded in a low quality for promotional purposes only and with buy links to respect label and artists.

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Workin' EP

Workin' - (Hertz Collision Remix)

Premiere: Beau Didier & Isaiah - Workin' - (Hertz Collision Remix) [FRNZYREC006]

Cheng Daoyuan - 旣 Apeiron
(FPRS008)

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「旣」，同「既」
引伸之義為盡也已也。
旣者、終也。終則有始。小食則必盡。盡則復生。

Apeiron, the end is the beginning, death is birth, nothingness is everything.
-

旣 Apeiron (FPRS008), is the debut album by Taiwanese artist Cheng Daoyuan. Its waves of distortion crash into, and over one another; buried tones are barely visible in a dark sea of fuzz and decay, occasionally drifting towards the surface to groan. This collection should only be purchased with currency issued by the Bank of Hell.

旣 Apeiron is structured into three chapters, each of which have their own independent themes and changes. Track eight, “幽示 Divulging,” is a collaboration between Cheng and the Taiwanese conspiracy psychedelic trio, Mong Tong. The album also includes remixes that feature interpretations by peers - Wa?ste, Yearning Kru and Yun Hao.

Contrasts are what Cheng presents. Throughout this numinous volume, impossible sounds are brought together, like the artificial bleeps meeting somber piano tones on “離界 Eidolon.” These unlikely partners are forced together to compete in an arena of noise – summoned, perhaps, like minor demons. Here sounds burn, like hellish bank notes - consumed by flames and sent to another, darker realm.
-
released December 29, 2019

Label : Future Proof : 面向異日
Format : Cassette / Digital
Cat.No : FPRS 008
Release Date : 29 December 2019 (Digital)
29 January 2020 (Cassette)
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Mixing & Mastering / Hom Yu
Cover Artwork / Cheng Daoyuan
Photography / Danist Wen
Installation Assistance / Danist Wen, Jazmin Pan
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music by: @clansie-cheng

collaboration on track 08 w/ @mongtong
remix tracks 13, 14 & 15 by @yearning-kru, @yunhaoc & @wa-ste222

2x|n & wim dehaen - Bedroll Locus

2x|n

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