'IT WAS ALWAYS THERE vol 2'

It Was Always There vol 2

Stacie-Anne Churchman - Ascension Machine

READ > https://inverted-audio.com/premiere-nvst-request-for-quantity-everworkedonanarchy-mix

NVST's (@ghettonast) debut for @bigscience provides an excellent introduction to the artist’s murky sonic world. Our premiere moves with a certain swagger dominated by a radioactive bassline and drums that feel as though they’re doing things on their own terms.

Drum in the Bass of Attention

NVST - Request for Quantity (Everworkedonanarchy Mix) [Big Science Records]

Slinky, a new album from The Fear Ratio, the collaborative project of Mark Broom and James Ruskin, is forthcoming on Tresor Records. In their first outing since They Can't Be Saved, released on Skam in 2020, they enlist British rapper King Kashmere, who features on two tracks. Where James Ruskin has appeared on Tresor Records for his seminal albums Point 2, Into Submission, The Dash and his recent Siklikal EP, the only appearance of Mark Broom on the label is a 2002 remix of The Golden Apple by Eddie "Flashin" Fowlkes. The duo unveiled this new work and collaboration with King Kashmere in a live show for a 30th Anniversary event for Tresor Berlin televised on Arte, performing amidst a battery of lights and fogged-up refraction. It demonstrated their rough-hewn fundamentals, roving melodies and investigative power, newly advanced by voice. 

Death Switch is the first appearance by King Kashmere, savaging questions on segregation and suffering, encoding into our brains the much-repeated refrain - "You wanna know, why they wanna flip the death switch". Spinning Globe captures Kashmere in a gritty flow over a swaggering beat, bouncing and resonant. This unsanded voice lends an enhanced texture and tension to the highly-processed sonic palette of Broom and Ruskin, accumulating with innate mettle.

Elsewhere, Appi dredges depths as widescreen beats lurk, digital artefacts pave the way to a hauntingly melancholic coda. Lacovset features singer Ella Fleur who has worked with Mark Broom on his solo release F&uuml;nfzig. It enacts a pointillist gated vocal alongside dolphin-like percussive communications. On LFIVE, the duo embalms their sonic textures with digital effects that flutter austerely with syncopation in the crosswind of a beat that recalibrates at points. An urgency slowly draws in on title track Slinky through fizzing electronics and fractured drums all corroded. Effem locates a semblance of euphoria, with a trance-inducing release led by swirling arpeggios. Closer KZAP finds the calmest moment on the record, with its wafting, nebulous synths and swamped hip hop beat. 

Slinky finds an ever-evolving project, The Fear Ratio shapeshifting by bringing in the voice into their work and continually pushing with their incredibly-effected rhythmic styles and peculiar, wandering synthesis. 

https://tresorberlin.bandcamp.com/album/slinky

Slinky

Spinning Globe (feat. King Kashmere)

BANDCAMP

The Fear Ratio - Spinning Globe (feat. King Kashmere)

Driving through the city at night he felt free. The roads were clear, the lights low and barely a sound could be heard: the streets belonged to him and no-one else. For hours he'd snake through the city, feeling the wind in his hair, before taking his journey on to the highways and putting pedal to the metal. It was his adult playground, it granted him an escape that little else could. When he fired up the engine, he awakened his inner child...

Glasgow's LWS has been catching the ear of tastemakers since he started making his percussive and drum-heavy bass cuts. The up-and-coming producer has already made pitstops at labels like Tdsr, Eyeangle Records and MELD, as well as launching his own Matrice Recordings which started life at the beginning of this year. Now he keeps it local again with a debut on Redstone Press, a label who have been making similar waves to the young producer. Hot on the heels of their fourth release with Henry Greenleaf, they draft in LWS for his Aerosol EP, a collection of leftfield bass tracks that range from high energy workouts to wonky chugging grooves. The release is available as a special limited run of 100 records, which are not to be slept on...

Aerosol EP (RED005)

PREMIERE: LWS - Rev Up [Redstone Press]

READ > https://inverted-audio.com/premiere-dr-mystery-modern-love

@leftrightandcentreuk are set to release @drmystery ‘Basquiat’. The producer’s first solo extended player moves deftly between tempo and mood with three diverse cuts that further cement her position as one of the most exciting new producers in the Manchester electronic scene.

Basquiat EP

DR MYSTERY – Modern Love [Left, Right & Centre]

Continuing the journey, Monsters of the sea made us leave the depths… now travelers clinging on for life left in rust and isolation, new life will be born. 
 
DJ UNISEX – Meine Mechanik 

Dataintrang - Hopelessness

Zesknel - AlterDestiny

DJ UNISEX - Bass Shelter

Dataintrang - The Dunning

FNS003 Out now on Bandcamp and soon on all streaming platforms.

Buy at : 

https://fearnosystem.bandcamp.com/album/fns003

FNS003 - Fear No System [Snips] - Out 10 March

do a bunch of drugs and make electronic music !

acid god electronic music production lesson 1

Full stream of Significant Other's "Little Blue Pills," taken from his upcoming EP on Oscilla Sound, out March 6.

Pre-order: https://oscillasound.bandcamp.com/album/club-aura

@oscilla-sound
@significant0ther

Club Aura

Premiere: Significant Other - Little Blue Pills

A1. Glow

Thanks to my alien friend @gilbartemusic - Full EP "Everyone Knows Malcolm Is Full Of Shit" out Nov 27 on @globalwarmingrec 

мσяє αη∂ мσяє мα∂ηєѕѕ ιη¢σмιηg ƒяσм ƒяєη¢н ρяσ∂υ¢єя мαℓ¢σℓм… ƒσя нιѕ ѕє¢ση∂ єρ ¢αℓℓє∂ « єνєяуσηє кησωѕ мαℓ¢σℓм ιѕ ƒυℓℓ σƒ ѕнιт » (qυσтє ¢σмιηg ƒяσм α ѕι∂ νι¢ισυѕ ιηтєяνιєω), нє ιѕ вℓєη∂ιηg нιѕ ¢ιηємαтι¢ αη∂ нєανу вαѕѕ ѕιgηαтυяє ѕσυη∂ ωιтн тнє єηєяgу σƒ ρυηк αη∂ ∂яυм & вαѕѕ, αη∂ тнє ∂αякηєѕѕ σƒ тє¢нησ αη∂ яανє ¢υℓтυяє, ѕмєℓтιηg ∂σωη αℓℓ нιѕ ιηƒℓυєη¢єѕ ιηтσ α яα∂ι¢αℓ нєα∂-вℓσωιηg яє¢σя∂.

αƒтєя нιѕ ƒιяѕт єρ « вαρтєм » яєℓєαѕє∂ ση вισℓσgι¢ єαяℓιєя тнιѕ уєαя, тнє ƒяαη¢σ-ѕ¢σттιѕн ρяσ∂υ¢єя αη∂ νσяα¢ισυѕ яє¢σя∂ ∂ιggєя кєєρѕ ρяσ¢ℓαιмιηg нιѕ ℓσνє ƒσя яι¢н αη∂ ¢σηтяαѕтƒυℓ єℓє¢тяσηι¢ ѕσυη∂ѕ, нєανу єтнηι¢ янутнмѕ αη∂ єтнєяєαℓ αтмσѕρнєяєѕ. тнιѕ 4 тяα¢кєя ¢σмρσѕє∂ тнιѕ ѕρяιηg ιη qυαяαηтιηє ιη тнє ησятн σƒ ραяιѕ, ιѕ єχρℓσяιηg 4 ∂ιƒƒєяєηт тємρσѕ αη∂ мσσ∂ѕ, вυт αℓωαуѕ ∂єєρℓу ιммєяѕινє, ρѕу¢нє∂єℓι¢ αη∂ вяυтαℓ.

αℓѕσ ¢яє∂ιтє∂ ση тнє яє¢σя∂, нє ιηνιтє∂ тнє ℓуση-вαѕє∂ ρяσ∂υ¢єя gιℓ.вαятє (αкα мαякυѕ gιвв, ƒσυη∂єя σƒ кυмρ яє¢σя∂ѕ) тσ α∂∂ нιѕ ѕωαмρу ѕуηтнѕ, ѕσя∂ι∂ ѕσυη∂ѕ¢αρєѕ αη∂ мσ∂υℓαя ℓαуєяѕ тσ тнє нувяι∂ вєℓтєя ’ƒιηαℓ вσѕѕ’. αη∂ αѕ ¢ℓσѕιηg тяα¢к, тнє ¢αηα∂ιαη-вσяη/вєяℓιη-вαѕє∂ мαѕтєямιη∂ σƒ ∂яυмѕ αqυαяιαη (вє∂συιη, нσυη∂ѕтσσтн) ∂єℓινєяє∂ α ℓσηg αη∂ ѕαναgє мυтαηт-נυηgℓє яєιηтєяρяєтαтιση, ℓαуєяιηg тєχтυяєѕ αη∂ вαѕѕєѕ ιηтσ α вєαυтιƒυℓ нαя∂¢σяє вσℓєяσ.

αℓѕσ ƒσυη∂єя σƒ gℓσвαℓ ωαямιηg яє¢σя∂ѕ, ωнєяє мαℓ¢σℓм ¢υяαтє∂ ѕєνєяαℓ ρяσנє¢тѕ ƒяσм ¢яαzу мιη∂ѕ αѕ συαι ѕтéρнαηє, נση вєιgє, η-єяgу σя ѕσя∂ι∂ ѕσυη∂ ѕуѕтєм, тнιѕ 13тн яєℓєαѕє ιѕ тнє ƒιяѕт σηє σƒ нιѕ σωη. тнє ¢σνєя αη∂ мєя¢нαη∂ιѕιηg нανє вєєη ∂єѕιgηє∂ ву мαη¢нєѕтєя ѕтυ∂ισ ∂я+мє, ωнσ’ѕ вєєη ƒσℓℓσωιηg мαℓ¢σℓм ѕιη¢є нιѕ єαяℓу ρяσנє¢тѕ.

Produced by Malcolm Mitchell
Featuring Marc Etienne Guibert & Aquarian
Artwork by Ryan Doyle - DR+ME
Mixed by Ouai Stéphane, Mastered by Lopazz
© Global Warming Records 2020

Everyone Knows Malcolm Is Full Of Shit

stream/buy

Final Boss (ft Gil.Barte)

Peter Van Hoesen - L9T

PLEASE NO DEMOS THROUGH SOUNDCLOUD. CHECK OUT THE 3024 ARTIST MENTORING PROGRAM THROUGH PATREON!  TO CONTACT 3024 PLEASE EMAIL 3024world@gmail.com BOOKINGS s@icartists.net (AMERICAS) carin@outer-agency.com (EU & ROW) THANK YOU

Stacie-Anne Churchman - Ascension Machine

3024 MUSIC

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