Awesome track, great timing match…great mix and production. Thank you!!!🙏🏽✌🏽💚

man! hard to keep up with all the collabs around SC with your lyrics in on the action, but I found this one and love the swing and cadence of it. Not to mention the quick-draw lyrics. sweet!

That was intense man, excellent rendition, great sound and superb groove!!! Love : )

thank you for this collab.. https://soundcloud.com/ipg1 
https://soundcloud.com/ipg1/funky-flow-collab-vox-90-bpm?in=ipg1/sets/vocals
https://soundcloud.com/ipg1/sets/vocals
https://soundcloud.com/30gradx/lazy-dayz-2-with-ipg1-clear-and-pleasant-mix

Lazy Dayz with IPG1

song about Allen Ginsberg

soundclips from AG reading parts of  his poem Howl

Drunken Dumbshow  

Holy, holy, we're holy
This land of prayer and restraint 
Weapon born from society 
An insect stuck in the paint 
Hospital laugh with appended smile
True lust to fake the faint
A faint hope that's close to nothing at all
But it's something for the people who ain't 

Beat down, strung out, colorful, crazy
The weight of the world is love
In the end, it is enough
In the end, it has to be enough 
Broken mother, father 
Like the rest of us fallen ones
On the streets we Howl and run

Kaddish, death convention 
Now he's the King of May
The long hair of Adam
His cosmic beard at play
To ease the pain of living
The work will set you free
That was the message he breathed 
The politics of ecstasy 

Beat down, strung out, colorful, crazy
The weight of the world is love
In the end, it is enough
In the end, it has to be enough 
Broken mother, father 
Like the rest of us fallen ones
On the streets we Howl and run

Poet, pilgrim, sacrilege 
Buddhist, lover, anarchist 
5 to 1, he is on their list 
Acid-dropping dreamer, God's pharmacist 
All else is
Drunken dumbshow







Drunken Dumbshow

VIDEO LINK! https://drive.google.com/file/d/1C__pptxJljIeaIrOwFYjcqTr56xt5HcF/view?usp=drivesdk

Cast of characters:
TexMex Shaman– @texmex-shaman –Stephen– Taylor T5z acoustic guitar, Tom Anderson Custom T electric guitar, Gibson Earle Scruggs banjo, Eastwood MandoCaster mix, mastering, production, composition and video production.
J.J. Terrell-- @j-j-terrell—JJ-- organ
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Fender Precision four string bass, played with a plectrum 
Mistermark-- @user-432503709 -- Mark – harmonica, jaw harp, timpani, hambone percussion, and production editing     
This song began with Stephen, who recorded it on his acoustic guitar and bass to a programmed drum track a few months ago. We were all thrilled to work on it, even though it sat in BandLab as a project for almost a month before Stephen separated the tracks, thus allowing us to trickle in our parts. JJ was first to jump on it, because he could before the tracks were separated, as his part is completely his idea. He added the organ that really set up the entire sound of both dominant sections of the song. 
  Ken was first up to the project once the tracks were replaceable, making the wild, driving beat his own. Inspired by both JPJ and Michael Ivins, Josh laid down his bass line, trying to match Ken's energy. Last, but not least, Mark jumped in with the rumbling timpani. He also added the flavorful harmonica, and unique jaw harp you hear throughout, as well. Finally, Stephen also got the idea to add the hambone percussion at the very end of the song, which we all consider a treat, and after showing us how it's done, Mark volunteered his percussion skills to give it a go. Stephen wasn't done, though, and still had some magic to sprinkle. He went in and added the howling electric guitar you hear prominently in the second main section. Also, he added the tempting intro with his acoustic guitar and electric mandolin. 
  Once it was in the bag, we thought it appropriate for our master mixer Stephen to put it to bed, which he did in his always expert manner.
  This is a gift from Stephen to all of us, and you, too. It took a lot of teamwork to make the dream work, as always for Eclectic Collective. We hope you enjoy listening to this as much as we enjoyed creating it.

Country Ham - video in description!  (Eclectic Collective)

Un nouveau titre french pop traditionnel, strato caster & tout.. réalisé sur Teac 4 pistes et revox …Merci pour vos écoutes et  chaleureux !!!feedbacks
Written and performed by Dgé breton
Fender Strat guitare, Bass ARIApro II and drum   by Dgé breton pour
Prod: Dgé.BSoundProjectMusic
-----
On YOUTUBE : https://youtu.be/HwZ9Hb8gT1M
——————
a new title... traditional French song, straight from my Revox & Teac 4-track tape players... and 2 strat guitars, a bass and a drum kit... Maybe a little nostalgia, including the way of making my music at a certain time... less confused than at present. In any case, thank you for listening
     Porcelaine sans couleur,quand tu danses
Elle a des fumées dans les yeux
Un coeur comme ça mètronomique
Qui bat tout seul ou si tu veux
Comme celui d’ une poupée mécanique
Elle a des cils moitié baissés
Un raz d’ marée dans le regard
Et des vagues de lumières glacée Qui perle derrière du brouillard
Elle est maquillée noir et blanc
Elle est comme un feu sans chaleur
 Le ciel et l’ enfer en même temps
 C’est une porcelaine sans couleur
REF:
Mais quand elle danse, tu crois t’ y croire Elle se balance et sans savoir,
C’ est toi qui lance comme un regard dans ses silences , dans ses miroirs
Et quand elle danse, tu tends les mains Elle se balance et sur ses reins
Tu brûles un peu tu voudrais bien
Dans ses silences, aller plus loin
Elle a des fumées dans la tête
 
Et des parfums qui restent là 
Sur une vie qui va faire la fête 
Avec un masque qui lui va pas
Elle est maquillée claire obscur Entre le soleil et la nuit
Mais dans ses yeux on voit d’ l’azur Derrière un grand rideau de pluie
tuptuptidou, tuptuptidou
Mais quand elle danse, tu crois t’ y croire Elle se balance et sans savoir,
C’ est toi qui lance comme un regard dans ses silences , dans ses miroirs
Et quand elle danse, tu tends les mains Elle se balance et sur ses reins
Tu brûles un peu tu voudrais bien
Dans ses silences, aller plus loin
REF....
 Traduction google
She has smoke in her eyes   A metronomic heart like that
Which beats by itself or if you like   Like that of a mechanical doll
She has half-lowered eyelashes
A tidal wave in her gaze
And waves of icy light Which pearl behind the fog
She wears black and white makeup
She is like a fire without heat
Heaven and hell at the same time
She is porcelain without color
REF:
But when she dances, you think you believe it She sways and without knowing,
It's you who casts a look into her silences, into her mirrors
And when she dances, you stretch out your hands She sways and on her lower back
You burn a little, you would like
In her silences, to go further
She has smoke in her head

And perfumes that remain there  On a life that is going to party
With a mask that doesn't suit herShe wears light and dark makeup Between the sun and the night
But in her eyes we see of the azure Behind a large curtain of rain
tuptuptidou, tuptuptidou
But when she dances, you think you believe it She sways and without knowing,
It's you who casts a glance into her silences, into her mirrors
And when she dances, you stretch out your hands She sways and on her loins
You burn a little, you would like
In her silences, to go further
REF....

PORCELAINE SANS COULEUR, QUAND TU DANSES

LYRICS

When you realize there's always tomorrow
When you realize you can change the routine
When you realize there's no one like you
Then you 
Can finally see
Then you 
Can finally breathe

This whole world is a stage
That's what they say
But maybe it's because we've learned how to play
I like the grace of you
I like the sound of you
I like the looks of you
I like your attitude

Grind it out
Grind it out
Grind it out
no one like you

Grind it out
Grind it out
Grind it out
no one like you

When you realize there's always tomorrow
When you realize you can always believe
When you realize there's no one like you
Then you 
Can finally see
Then you 
Can finally breathe

This whole world is a stage
That's what they say
But maybe it's because we've learned how to play
I like the grace of you
I like the sound of you
I like the looks of you
I like your attitude

Grind it out
Grind it out
Grind it out
no one like you

Grind it out
Grind it out
Grind it out
no one like you

(Lyrics and title have been changed - they worried me and I had a few comments from others that are wiser than me about how it made them feel and I found it best to put a more positive spin on this track)

People Pleaser

No One Like You

you dirty sod...you dirty bastard...you dirty f#$kr...what a f#$ng rotter...Dec 1976...The Sex Pistols brief live TV interview with  presenter Bill Grundy resulted in 30 seconds of Profanity as a very drunk Steve Jones, goaded on by a drunk and lecherous Grundy, let him have it... the encounter was headline news the next day and controversy followed .... 
here is a  link to the 90 second interview that cost Mr. Grundy his job.
https://youtu.be/boQGEyAcZwo?si=AkWVhxeDK7PJeRJ0

Now, as my angst turns to anger with the politics of today,  I borrow Mr. Jones' knack for the profane to punctuate my verse..thx Steve.
...like him I'm just an ole punk rocker in decay...

What Steve Jones Once Said

To all you two-faced
Doublespeak
Money grabbing politicians 
Noise polluting nonsense
I'll say what Steve Jones once said
#&*!@$!!!!
His voice inside my head

To all this short-stick
Tariff shit
Fascist reboot coalition
Nimby ploys and Brownshirt boys
I'll say what Steve Jones once said
&%$#@!!!
His words I have retread

This sonic stone I throw
To Pistol poke the bear
I like to speak some drunk Steve Jones
To the greed
And gob out there

To all you warmonger 
Border breakers
Bomb us to submission 
Wading through your wickedness 
I’ll say what Steve Jones once said
#$%^&!!!
All the lies I have been fed

To all you MAGA rights
And you ultra lefts
Stoking this division
Shut yer traps I'm sick of you
I'll give you some Steve Jones instead
@#%$&!!!
Now our words are wed

His curses from the past
A crude footnote in history 
I have recycled and rehashed
Bill Grundy’s moment
Of infamy

Lyrics HotR/Jones
Music HotR

What Steve Jones Once Said

Pieces - Interlude - Fire Ark Radio Production

Pieces - Interlude

Cast of characters:

K2 and the Three [and the Four] -- @k2andthe3, @k2-kara –Ken–drums, acoustic guitar, song and vocal melody composition

Joseph Shenton -- @joseph-shenton -- lyrics

Gaz Brownie — @user-755327533 — Gaz — vocals, vocal harmonies, and lyrics

one man verity show – @one-man-verity-show – Scotty – electric guitar intro

TexMex Shaman–@texmex-shaman –Stephen– Les Paul Custom electric guitar, mix, pro
duction, and mastering

Llanpsych–@llanpsych –Tez– Epiphone Les Paul electric guitar

Tea R. Sea @tea_are_sea -- Terry – low synthesizer

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – Fender Precision bass and high synthesizer


This song began a few months ago as an idea Ken had to make the quintessential Gen X song. He structured the chords, beat to appeal to anyone of a certain age group, of which most of the folks in the band are a part. He even played wrote it on his acoustic guitar and came up with the vocal melody, which Gaz put a shine on for the final version. Once he had the form of the song down, he tapped the incredibly talented Joseph Shenton to write the lyrics. Gaz not only superbly sung four part harmonies for this, but the came up with the lyrics for the break parts, too. 

  When he first envisioned it, Ken thought it would be fun to invite as many musicians as we could onto it. However, for whatever reason, it stalled out and sat untouched for a couple months, with just Stephen's foundational guitar, Scotty's thrilling guitar intro, Terry's lush, low end synth, and Josh's bass to hold it down. Then, Ken had the great idea to invite Gaz to sing it for us. His awesome vocal track inspired us to heat up the kiln again, and put some real effort into bringing it to life. On that note, Josh redid his bass part to match Ken's rocking drums, as well as added the high, melodic synth you hear throughout. Tez came in last with the fiery guitar fills and solo, which you can hear throughout, as well. 

  Once it was all in the bag, we tapped Stephen to produce and mix it, which he did in his always pro manner. 

  This is the first collab Eclectic Collective has done with Gaz, but we all hope it won't be the last. He is one of the finest singers on the Cloud, and we're honored that he would sprinkle his magic on this song with us. We hope you enjoy listening to this as much as we enjoyed creating it.

Original lyrics by Joseph Stenton:
Where were you on those days gone by
Were you out by the tracks where the lone train whistle cries
Or kicking up rocks on those dusty roads of dirt
Or skating on streets paved with gold
Or wrestling upon the grass beneath endless sky

On days gone bye
On days gone by
To be back there again
For all its lows and for all its highs 

Where were you on those days gone by
Were you tugging at the stars too
In an attempt to release their light
Bonded by hours
To a brotherhood we believed would never die

On days gone bye
On days gone by
To be back there again
For all its lows and for all its highs 

Where were you on those days gone by
From within this dull petrification of time
Comes a crystalline memory
Of those long lost moments, now born free 
Of come what might, come what might be

On days gone bye
On days gone by
To be back there again
For all its lows and for all its highs 

Where were you on those days gone by
With a tape in the walkman
Playing the soundtrack of passing time
To these moments of our lives
That once burned bright but never died

On days gone bye
On days gone by
To be back there again
For all its lows and for all its high

Generation X - Gaz Brownie/Tea R Sea/Joseph Shenton/One Man Verity Show/Eclectic Collective

his project isn’t made for easy listening — it’s made for reflection. The sound is modern and at times upbeat, but at its core, it’s about message over music. It tells the story of a boy who left home and returned as a man, only to realize that the pain, struggles, and lessons he endured not only shaped him, but also revealed the chains his community still can’t break free from.

Across the album, I step into the role of both survivor and storyteller, aiming to be a voice of reason while pushing my pen to showcase lyrical ability that goes beyond the surface. This isn’t background music — it’s a journey through resilience, growth, and the weight of environment.

For fans of Kendrick Lamar, J. Cole, JID, EarthGang, Tyler, The Creator, and Griselda — this project is about sharp lyricism, layered storytelling, and truth-telling through hip hop.

Lazy Dayz with IPG1

30GradX

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