My Submission to Naviar Haiku challenge 531.

The first thunder
Is likely to shake
The tiered doll stand.

Details of the challenges here: https://www.naviarrecords.com/haiku-music-challenge/

The thunder was an obvious component albeit somewhat processed, which led to the idea of a creepy doll being shaken awake.

Everything was created in virtual modular using VCV Rack, including as an experiment the sampled elements so that they could be triggered as live elements.

The samples are all from Freesound: https://freesound.org and are:

NM-Mejor-Lado-Thunder-01 by aaronstar,
20_Run_shoes by Juaner_ and
girly giggle by AlucardsBride.

All are licenced CCO

First Thunder - (NavairHaiku - 531)

Based on 
https://soundcloud.com/tunelight/disquiet0636-1of3-implexus
by @tunelight

My soft R panned synth track (a soloist impro using a mono lead on AAS Ultra Analog) over his L panned original.

I improvised over 6 tracks from last week to see what happened on "first take" , decided to keep 3 for the second week.
Today, while choosing just 2 to share here, I decided to keep this one, even if I didn't develop nor edit my take I thinks it's nice to have a pure 2 synth duet and I like his basic track (reminds me of Penguin Cafe Orchestra's "...Found Harmonium" track) and my impro as as good as I can get, it is rambling  but I am  really happy with of it.

I interpreted his title as "I'm Plexus" before realizing that  implexus was a thing...
Too late, my track was already titled "We'r Plexus"...


The pitch here:
https://llllllll.co/t/disquiet-junto-project-0637-right-2-of-3/

WERPLEXUS - disquiet0637 w/tunelight

I improvised on the track of Daniel Diaz https://soundcloud.com/daniel-diaz/live-bass-soundscape-disquiet0636.
release date:14/03/2024

Semantic Field- Daniel Diaz - Euclidean~~~ (disquiet0637)

Built upon 33per's "(Rock the) Firebells" piece: https://soundcloud.com/33per/firebells

This instrument made of fireballs immediately made me think of the two organ pipes I have in my studio. I took them outside and played them with a shop vac. A bit noisy, but there it is.

Added two elements to 33per's track, both are made from samples of the lowest organ pipe. Left lots of empty space.

As the original track is stereo and makes use of that, my mix is also stereo with my parts layered on. I have a version with hard panning if you prefer.

---
More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

Firebells And Pipes - Stereo - disquiet0637

For a second contribution I used the track by 33per - https://soundcloud.com/33per/firebells - and added an electronic sequence panned toward the right.

More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

Great Bells of Fire - with 33per (disquiet0637)

Submission for Naviar Haiku challenge 533:

Flowing along
changing its colors
a soap bubble.

A fairly paired back generative virtual modular patch assembled using VCV Rack, more or less played itself although I did map physical controls so I could guide the overall shape.

Details of the Naviar Haiku challenges here: https://www.naviarrecords.com/haiku-music-challenge/

Flowing Along - (NaviarHaiku - 533)

Flowing along
changing its colors
a soap bubble.

Takashi Matsumoto was a Japanese poet originally from Tokyo. Born into a family deeply interested in nō theater, he also devoted himself to it in his youth until 1921, when he came into contact with Hototogisu magazine and haiku poetry. Beginning the following year, Matsumoto became a student of Takahama Kyoshi. In 1946, he launched the magazine Fue 笛 ('The Flute').

Flowing along changing its colors (naviarhaiku533)

Pre-dawn inertia
Where do I go
From here?



Marco is the founder of Naviar Records.

Haiku by Marco Sebastiano Alessi

here?  (naviarhaiku534)

An electronic composition created in Pure Data.

Moon Floating (naviarhaiku538)

"A piece of quiet"
Acoustic, Passerelle, Lo-Fi

Music by Stu King
Acoustic Guitar (Passerelle)
Korg Monologue Synth
Delay (Strymon Timeline)
Reverb (Strymon Big Sky)
Mixed in Cubase

Field Recording by Stu King
Blueberry Hill
Schoodic Peninsula, Maine 2022

Kinokawa

Kinokawa (naviarhaiku538)

i am not my appearance

check out my socials :)
https://twitter.com/trulymerciful
https://www.instagram.com/trulymerciful/

here? (naviarhaiku534)

33per

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