This was my contribution for the collaborative Disquiet Junto Project 0610: Speed Limit Pt 2

Here’s a copy of my post on the Disquiet Junto 0610 discussion thread:

Ended up using part 1 compositions by @Timshel0, @dequalsrxt, and @tristan_louth_robins for this piece since they all seemed to work well with the Basinski style vibe I had in mind. I layered them into Ableton Live at 60 BPM and edited the audio in various ways by stretching, warping, chopping and looping the samples. Thank you to the three creators for the opportunity to use these creations, but also apologies for my excessive manipulation and mangling of your source audio.  

I recorded the mix onto a Panasonic RN-125 microcassette recorder and then, played it back into Ableton at half speed. Final tempo should be around 30 BPM. Added plugin effects from Arturia Rev Intensity (reverb), Phonolyth Cascade (reverb), Soundghost Drift (for more tape effects) and AudioThing Noises to the final mix.

The ambiguous title was inspired by reflecting on news headlines referencing "...a fragile peace" in conflict areas around the world.   

More on this 610th weekly Disquiet Junto project, Speed Limit Pt 2 (The Assignment: Combine two or more pre-existing 60 BPM tracks into something new — at half the speed), at: https://disquiet.com/0610/
About the Disquiet Junto: https://disquiet.com/junto/
Subscribe to project announcements: https://tinyletter.com/disquiet-junto/
Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0610-speed-limit-pt-2/

A Fragile Piece [disquiet0610]

Credits to the originators of the tracks being combined here:
@he_nu_ri @Aaron_Taylor-Waldman and @noodletwister

[disquiet0610] Half - Time Triple

This is my submission for this week's Disquiet Junto assignment.

More on this 611th weekly Disquiet Junto project, Music That Listens to Itself (The Assignment: Record a piece of music that repurposes itself as it proceeds), at: https://disquiet.com/0611/

Some of the music resulting from this project may be included in a September 29, 2023, event at the Berkeley Alembic in Berkeley, California: https://www.eventbrite.com/e/expanded-listening-music-that-listens-to-itself-tickets-712124101357 2

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0611-music-that-listens-to-itself/

Feedback Gamelan [disquiet0611]

Disquiet Junto Project 0611: Music That Listens to Itself
The Assignment: Record a piece of music that repurposes itself as it proceeds.

Background: On September 29, 2023, there is going to be an event at a place called the Berkeley Alembic, in Berkeley, California, where I’ll play recordings of music that share a specific theme, and I’ll discuss the sounds with the people who come to listen. The event is titled Music That Listens to Itself, part of the Expanded Listening series developed by Erik Davis (Techgnosis, Burning Shore). That is the theme. Part of the goal of this project is to develop tracks for potential inclusion in the event, and to pursue ideas related to the event’s theme.

Step 1: The underlying idea is to produce music that, so to speak, listens to itself. This would be music that employs techniques to revisit itself — repurposes itself — as it proceeds. From reverb to echo to tape loops to granular synthesis to accessing a buffer, various techniques serve such a compositional and performance purpose. Consider a means to achieve this result.

Step 2: Record a piece of music that employs the technique you focused on as a result of Step 1. Please note: for the Berkeley Alembic event, I’ll be sharing music that is particularly quiet, particularly appropriate to a meditative state of mind. You don’t need to record quiet music for this project, but quiet music is what I’ll be playing at the event.

Additional details: disquiet.com 1. Tickets: eventbrite.com 3. About the venue: berkeleyalembic.org 1.

Eight Important Steps When Your Track Is Done:

Step 1: Include “disquiet0611” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0611” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your track in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0611-music-that-listens-to-itself/

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #DisquietJunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Step 8: Also join in the discussion on the Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion.

Note: Please post one track for this weekly Junto project. If you choose to post more than one, and do so on SoundCloud, please let me know which you’d like added to the playlist. Thanks.

Additional Details:

Length: The length is up to you. About 10 minutes maximum is best, and probably no shorter than three minutes.

Deadline: This project’s deadline is the end of the day Monday, September 18, 2023, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, September 14, 2023.

Upload: When participating in this project, be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is always best to set your track as downloadable and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution, allowing for derivatives).

For context, when posting the track online, please be sure to include this following information:

Memory of a loss - disquiet0611

At SPILL Festival's Think Tank in February, 14 of us co-created an audio visual collage using the letters and poetry of Edward Fitzgerald (audio version here: https://soundcloud.com/leonclowes/something-of-a-queer-nature). This opened Jan Pulsford's Woodbridge Ambient Music Festival 2023 (https://woodbridgeambientmusicfestival.net/) on Friday.

Never one to let any scraps of sound materials go to waste (you should see the hoarding on my Google Drive), I took tiny fragments of sounds we recorded at SPILL (including the recorder playing by @kate-gallaher) and made this piece this week. I'm really rather pleased with it. Clever little thing, Logic Pro X. I call mine Larry: what do you call yours?

This is my response to this week's @naviar-records haiku challenge. Such an encouraging and kind community that Marcus puts a great deal of time and love into, and it really shows. I'm so grateful to have these weekly email prompts, listening back I'm so pleased with what I've taught myself and learned from others.

Here's the information about this week's @naviar-records haiku challenge:

summer sky…
rippling the silence
a watersnake

Janice Doppler spent her writing energy on grant proposals and curriculum development during her career as a teacher and school administrator. Retiring enabled her to develop her creative self—carving realistic birds from wood and nature journaling.

Her heart was captured by haiku during a senior-center workshop that she attended on a whim. Her haiku and haibun have been widely published. She placed second in the Porad Haiku Award in 2021 and 2022. Her collection, Stardust, is available on Amazon. You can read samples of her work at The Poet Hub.

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 27th September 2023

Haiku by Janice Doppler https://poets.drifting-sands-haibun.org/first-name-starts-with-j/janice-doppler/

Picture by Jackson Hendry https://unsplash.com/photos/kKpTHqM2K-c

(In fitting with how I made this piece, I've taken fragments from the picture and haiku for the image and title.)

Summ Rippling (naviarhaiku507)

a reworked version now appears on:

https://howthenightcame.bandcamp.com/album/hostile-architects

[naviarhaiku508] //// moonlight ////

"We are a wandering rhythm."

Music by Stu King
Gretsch Steamliner Guitar
Ibanez Short-scale Bass
Digital Delay
Reverb
Hologram Microcosm
Korg Kaossilator
Conductive Labs NLDR
Mixed in Cubase

Inchoate

Inchoate (naviarhaiku510)

release date :21/10/2023  
foto by Katiuscia Valerio

Quieto Silenzio Modulare(disquiet0616)

Paul Landry is a Uk based musician creating progressive rock, ambien and new age music https://www.paullandrymusic.com/

Linga Sarira Tyrrhena

Music, Lyrics, Performed and Produced by Secondsight 

LYRICS

Timed my inhale
For a chance to glimpse
Enlightenment
On the precipice
Thunder kiss
Thunder fade in
I'm stargazing
Sky draped

Calling back every soul piece
Come
Come feel

It feels so safe now
Held here
Come
Come breathe

Please
Find your way back to me
Whenever you are ready

Calling back every soul piece
Come
Come feel

It feels so safe now
I feel so safe

Stargazer

Seven is a concept album based around the theory of the cosmic and esoteric evolution of the planet, musically depicting the the seven races and their existence on seven continents, past, present and yet to come.

Composed, performed, produced and recorded by Paul Landry
Album cover design and photography Paul Landry 
© 2018 Paul Landry & Aeon Records
℗ 2028 Ditto Music LTD


Memory of a loss - disquiet0611

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