That's a really nice piano sound, as well.

Personally I think the lead is a bit too loud, and more importantly it doesn't really seem to go anywhere. It dances around but I'm missing a melodic contour and some phrasing. It is a nice clear sound, though.

I do really enjoy these sections, and the melody here is much more defined and balanced.

Apart from the nice quirky kickoff, this whole track sounds to me like being recalcitrant just for the sake of it. Come on ! You can do much, much better than this. I know you can !

yeah nice game vibes here, i like this part a lot!

this part - nice kit, that lead isn't really taking me with it to be honest!

Reminds me a bit of one of those creepy Cyriak videos

I really like the melody - it goes round and round - then nice change up!

Sounds like the asylum let you out for a day or two to make a track....

I really like what you're going for with this, but towards the end it feels like you kind of lost your way a little.  Nice sounds and solid production.

Made for OSC 180 using 16 Regency CLAP synths wrapped in Ildaeil (no parameters automation)

DAW Ableton Live
stock effects: compressor, some overdrive, reverb, equalizers.
MAX 1 on master bus

The Stolen Riff

In The Thin Air Tonight

Single instance of Regency synth.
Used inside Ildaeil mini-plugin host (as suggested for DAWs without CLAP support).
FX: Renoise built-in Reverb, Delay and EQ. Plus Limiter6 on Master.
Preset made by myself.
DAW: Renoise
This is my third song made for OSC (and probably last one). Greetings for all participants.

PeterBPL - Very Lonely Preset

Shadow Figures OSC#180

Of Hope and Sorrow

An entry for One Synth Challenge 180 - Nakst Regency 


Made in REAPER 7, using:   Nakst Regency  (25, 18 patches ) ; TDR Nova (9) HOFA gain (4) ; HOFA pan  (7) ; Flux Bittersweet ; HY-Delay 4 ; Oril River ; Blue ARP  ; JS Channel Time Delayer  — on tracks. 

Oril River (12) ; Solaris (4) ; TDR Nova  (4) ; HOFA Pan (16) ; JS Mixer (4) ; A1 Stereo Control (4)  — on reverb buses (4) 

TDR Nova (4) ; U-he Protoverb ; JS mixer ; A1 Stereo Control ; JS MS encoder & decoder (3) ; JS Bandsplitter & joiner (2 ) ; Flux Bittersweet (4) ; Limiter No6 (4) — on master bus

Fool's Errand

Here's my OSC made in bitwig with....
43x regency

ToTape5
TDR Kotelnikov
TDR Molotok
TDR Nova
Delay 2
Supermassive
STFU
Khs Transient shaper
Limiter No6
Air2
KplateA
Raum
TDR VOS SlickEQ
Epic Plate 2

Phunky Phased Distortion Sessions

one instance of regency in bitwig 5.1.4.

also using micropitch, eq+, chow tape model, wider, epic clouds, cramit, tdr nova, tdr kotelnikov, loudmax.

Voices Stacked To Grasp For Heaven

An entry for the KVR One Synth Challenge #181 - Surge XT.

The anachronistic tales of a washed up barfly continue...

The air was thick with a haze of smoke, amber fluid and regret. A neon sign flickered through the grimy window, casting the room in a sickly green glow. In a darkened corner booth slumped Spaceman D. Bassman, one time Space Corp Trooper extraordinaire, now Terra's most despondent drunk.

Bassman's once celebrated career had been a shooting star, blazing bright before burning out in a fiery re-entry. The mission to the Sinfony system, meant to be his crowning achievement, had ended in catastrophe. No longer heralded as a hero but as a liability, Bassman had been humiliatingly dismissed from the Corp, deemed unfit to serve by the medical board who cited bee-related psychological trauma and chronic dub abuse.

The dive bar he found himself in offered little solace. Under a single incandescent bulb in the corner of the room, a raggedy-assed band were grinding out a strained one drop pastiche that only served to drive him deeper into despair. He had played bass himself a long time ago. His fretboard heroics used to attract admiring glances but now all he could muster were pitying stares and whispered condemnations. His attention drifted back to his drink, the dubby skanks replaced by the deafening roar of his own failures.

One night, a young woman slid into the seat on the other side of the booth. Her eyes, the colour of honey on a stormy day, held a curious glint. Seemingly unfazed by his haggard appearance and the strong smell of urine, she spoke passionately of her dreams of travelling to the stars, her voice a sweetly buzzing melody that cut through the fog clouding his mind.

That night, for the first time in a long time, Bassman didn't drown his sorrows in silence. He spoke of the cosmos, of the dance of celestial bodies, of weird musical bees, his voice regaining a spark it had lost for so long. The woman listened, enthralled, her eyes reflecting the distant stars he could no longer reach.

As the night wore on, a camaraderie blossomed between the washed-up space trooper and the aspiring star traveller. In the flickering neon glow, an unlikely friendship was forged, a melody of hope born from the depths of despair. Perhaps, he thought, even a broken star could find solace in the rhythm of a new dream.

Fin?

Reaper 7
Surge XT (14)

Track FX: CHOW Tape Model (3), JSFX MIDI Note Filter (6), ReaComp (10), ReaEQ (11), ReaLimit, TAL Reverb 4, TDR Molotok, TDR Nova, Venn Free Clip 2

Send FX: Sixth Sample Deelay, TAL Reverb 4, Surge XT (audio in), ReaEQ, ReaComp

Stereo BUS: CHOW Tape Model, Blue Cat Gain, TDR Nova, VladG Limiter #6, ReaLimit, Cockos Loudness Meter

Spiffing Sausage

3lu5iv3

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