first aggressive rap Ive done. 
lyrics:

sharpen my sword, loosen my tongue
waitin for the bell to be rung
came here on my own accord
hittin the rug gettin charged up
VERSE 1(12)
always for seconds never first place
always so easy I won this rank
threw too fast watch my lane
like Talladega, Ill win this foot race
Ill raise the roof put you someplace
this aint a joke this aint fort wayne
hit you hard go to outer space
I aint talkin drugs or the dopamine
CHORUS(8) 
charging up, headed for the top
lock and load hit you with my glock
watch your body drop
call the cops put you in the ambulance
no need to be discrete
with a bag over your head, now youre fucking dead
VERSE 2(16)
knocked unconscious, on the staircase
Ill burn your fuckin workplace
pressure got me actin polar,
feel like Im the main attraction
like Im stuck  in the fuckin zoo 
this my situation dont judge
chew on you like metaphysical food
at most your burnt toast, lets not boast
 sauce too weak for my high horse on this high ass boat
Im like pennywise watching you float, 
CHORUS2
Im charging up, to break your wall
stunted my growth, but Im too tall
I see the mountains, I see it all
Im at your gates no need to withdrawal
had me cornered but I will not fall
VERSE 3(12)
be packin dirty birdy dont, 
fuck around, or get a hole like an uncooked turkey
dont jump anakin, obi wan threatened
far away on the high ground was safe and sound, 
make this point profound, this isnt a warning
this a psychological takedown
CHORUS BUILDUP(4)
tongue is sharp, blade is dull
I will not fall
still charging up
now hear my call
FINAL CHORUS
charged up, already hit the top
locked and load got had with my glock
watched your body drop
called the cops put you in the ambulance
no need to be discrete
bag over your head, left your feet to reek

Charged Up

Mulholland Ave.

The Book of Goddesses
For Flute, Harp, Percussion, and Optional Choreography
Commissioned by MAYA with funding from the  New York State Council on the Arts
Duration: 36'

Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&products_id=1011

For more information: https://robertpaterson.com/the-book-of-goddesses

PROGRAM NOTES
My initial inspiration for The Book of Goddesses, and the source of the title, is the beautiful, lavishly illustrated book of the same name by Kris Waldherr, a Brooklyn based author, illustrator, designer and cellist. Waldherr’s book contains descriptions and images of hundreds of female deities from around the world, some featured more prominently than others. Rather than focus on goddesses in one particular culture, I highlight a few that seem to evoke something musical, dance-related or sensual. The cultures, countries and continents I draw on for musical material and styles are India, China, Greece, Ireland, North America, Nigeria and Cuba.

The flute and harp parts in each movement are often inspired by similar instruments found in each culture. For example, the harp part in Xi Wang Mu is inspired by the Konghou, and ancient Chinese harp, and the solo bass flute movement, Estanatlehi, is inspired by the sound of a Native American flute. Percussion instruments provide an earthiness, at least with regard to timbre, and each of the trio movements uses instruments that are not common in Western music, including an Indian Gatam, a Middle-Eastern Dumbek, an Afro-Cuban Cajón and the Udu drum, an instrument traditionally played by Nigerian women.

In order to achieve the right feel for each movement, I use non-Western scales, rhythms and other elements, and I occasionally appropriate patterns and other material from pre-existing music. My goal is to merge some of the qualities of traditional music with my own sensibility, and then filter it through flute, harp and percussion.

Many goddesses are associated with dance, certain colors or creativity in general, and with that in mind, I imagine The Book of Goddesses being performed live with choreographed dance. It may be presented in its entirety, although subsets—such as all of the movements for flute and harp—or single movements may also be extracted and performed.

The Book of Goddesses was commissioned by MAYA with funding provided by the New York State Council on The Arts.

The Book of Goddesses

The Book Of Goddesses - I. Saraswati

WAYS DAH SAME

Daily Dosage

Sad bells 💝

​Duo for Flute and Marimba - Music by Robert Paterson
Duration 15'
Performers: Sato Moughalian, flute; Robert Paterson, marimba

Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=1209

For more information: https://robertpaterson.com/duo-for-flute-and-marimba-six-mallet-version

NOTE: this work is also available as a version for four-mallet marimba:
https://robertpaterson.com/duo-for-flute-and-marimba-four-mallet-version

PROGRAM NOTES
There were two particular goals I had while writing Duo for Flute and Marimba. I wanted to write a piece that was substantially longer than a usual five-minute, one-movement chamber piece, and I also wanted to write a work with a marimba part that uses six mallets for someone other than me. Ingrid, being one of my most courageous friends, offered to learn this difficult technique if I would write a piece for Kesatuan.

This duo is constructed in three contrasting movements. Although the two outer movements have more in common with each other than with the jazzy second movement, shared motives, melodic fragments, textures and rhythmic ideas permeate all three. The flutist has an opportunity to use an alto flute in the last movement, and the marimbist uses six mallets in the first movement and five mallets in the third. My general goal with this duo is to squeeze as much color, contrapuntal interplay and excitement out of this combination of instruments as possible.

The first movement, Allegro Misterioso, is meant to have a somewhat soothing quality, defined by lightly ornamented flute lines and ostinati in the marimba part. The structure of this movement is essentially a simple A, B, A’ form.

The jazz-influenced second movement, Playfully Seductive, is written for a friend I met during the summer of 1998 named Elyse, with whom my wife Victoria and I became good friends. Elyse not only has a beautiful singing voice but also happens to be a flutist. During one discussion, she told me that her father played the role of Tony in the first Broadway production of Leonard Bernstein's West Side Story. A few times, we had fun playing and singing through her West Side Story songbook. During this movement, I refer to West Side Story and also to Elyse, her bass-playing ex-boyfriend (now her husband), Victoria and even myself through thematic leitmotifs. The form of this movement is similar to the first, in that the introductory material is re-introduced near the end of the movement.

The third movement, Vivace, is similar to the first movement in that it also contains ornamented flute lines and marimba ostinati. Themes are borrowed and developed from the first two movements, and both the first and third movements contain flute cadenzas. The end of this movement provides an exciting conclusion to the entire three-movement work.

Six Mallet Marimba

Duo for Flute and Marimba - II. Playfully Seductive

JCZN presents LIFE-LONG $INNER (7x) 
featuring. James De Santa

Beat Producers - Khail, wetgropes, Instinct (YT)

LOVE BEFORE THE PARTY IS OVER.

Contents - 
1. get up/I didn't
2. had it/it was coming
3. I once/it was felt
4. that one time/i wasn't taken seriously (SINGLE)
5. the other side/this side ft. James De Santa (SINGLE)
6. what I/was missed
7. without/no explanation

(NON-PROFIT)

LONG-LIFE $INNER (7x)

without/no explanation

EVERYTHING IS SPOKEN INTO EXISTENCE!

Remaster of L.I.F.E 1 by DMac (D. Mac) @pushedplay

21 (27) year old Hip Hop artist at the time, DMac drops the follow up tape to Currently Living. This mixtape contains all ORIGINAL lyrics and heavy production. BONUS material with Ray Jr(EST19XX). DMac show's his lyrical presence. Engineered by @cafedisko out of Chicago. Enjoy! Follow DMac on socials @pushedplay
- Live It Free Endlessly -
©-line: Daniel Machowsky

L.I.F.E

yOUR Problems

yOUR Problems (Prod. Canis Major)

MADE✘✘✘ (prod. Waytoolost)

Like I said.... every two weeks you getting something from PeaCoat Slim

Playboi Slim

Congratulations you have found the exclusive.. 333 * 👁 instagram: merkaba_dvjiii

Mulholland Ave.

MERKABA DVJ III