Track 3 from the third album by 400 Lonely Things: A Barsoomian Lullaby, Volume One | A Snow White Egg.

Adrift Over Strange Regions

Track 4 from the third album by 400 Lonely Things: A Barsoomian Lullaby, Volume One | A Snow White Egg.

Cluros And Thuria

Track 5 from the third album by 400 Lonely Things: A Barsoomian Lullaby, Volume One | A Snow White Egg.

Pimalia

Track 1 from the fourth album by 400 Lonely Things: Tonight of the Living Dead.

A remix project over a year in the making, Tonight of the Living Dead is a collage of treated audio taken from an incredibly poor quality bootleg / public domain edition of the 1968 George Romero film Night of the Living Dead.

With their tendency for darkish music told mostly through samples, remixing Night of the Living Dead is a project ideally suited to 400 Lonely Things. While so many people are indebted to this movie for introducing them to the world of horror cinema, Tonight of the Living Dead pays tribute to a lesser-known legacy of this film: the ground-breaking precedent of plunderphonics and remixing established in the composition of the original 1968 soundtrack.

Crew and cast member Karl Hardman, under the editorial supervision of George Romero, took recordings by other composers from stock film music libraries - many of which had already appeared in other movies and television shows - and then "augmented them electronically" to form their own original score for Night of the Living Dead. 400 Lonely Things has extended this notion of augmentation by using mutated samples from the film itself (many with their excellent foley work intact) as the only ingredients, and weaving these treatments into a subtle and creepy, dialog-free, instrumental
companion meant to expand upon this fictional universe. It’s hoped that Tonight of the Living Dead will only add to the legacy of this film in some tiny way, rather than take from it.

Released digitally and on compact disc with a 12-page booklet of treated imagery also culled from the film in 2008.

It Begins

Track 2 from the fourth album by 400 Lonely Things: Tonight of the Living Dead.

There is a video for this track here: https://www.youtube.com/watch?v=E8vWbIQbyXw

A remix project over a year in the making, Tonight of the Living Dead is a collage of treated audio taken from an incredibly poor quality bootleg / public domain edition of the 1968 George Romero film Night of the Living Dead.

With their tendency for darkish music told mostly through samples, remixing Night of the Living Dead is a project ideally suited to 400 Lonely Things. While so many people are indebted to this movie for introducing them to the world of horror cinema, Tonight of the Living Dead pays tribute to a lesser-known legacy of this film: the ground-breaking precedent of plunderphonics and remixing established in the composition of the original 1968 soundtrack.

Crew and cast member Karl Hardman, under the editorial supervision of George Romero, took recordings by other composers from stock film music libraries - many of which had already appeared in other movies and television shows - and then "augmented them electronically" to form their own original score for Night of the Living Dead. 400 Lonely Things has extended this notion of augmentation by using mutated samples from the film itself (many with their excellent foley work intact) as the only ingredients, and weaving these treatments into a subtle and creepy, dialog-free, instrumental
companion meant to expand upon this fictional universe. It’s hoped that Tonight of the Living Dead will only add to the legacy of this film in some tiny way, rather than take from it.

Released digitally and on compact disc with a 12-page booklet of treated imagery also culled from the film in 2008.

Tonight

Track 3 from the fourth album by 400 Lonely Things: Tonight of the Living Dead.

A remix project over a year in the making, Tonight of the Living Dead is a collage of treated audio taken from an incredibly poor quality bootleg / public domain edition of the 1968 George Romero film Night of the Living Dead.

With their tendency for darkish music told mostly through samples, remixing Night of the Living Dead is a project ideally suited to 400 Lonely Things. While so many people are indebted to this movie for introducing them to the world of horror cinema, Tonight of the Living Dead pays tribute to a lesser-known legacy of this film: the ground-breaking precedent of plunderphonics and remixing established in the composition of the original 1968 soundtrack.

Crew and cast member Karl Hardman, under the editorial supervision of George Romero, took recordings by other composers from stock film music libraries - many of which had already appeared in other movies and television shows - and then "augmented them electronically" to form their own original score for Night of the Living Dead. 400 Lonely Things has extended this notion of augmentation by using mutated samples from the film itself (many with their excellent foley work intact) as the only ingredients, and weaving these treatments into a subtle and creepy, dialog-free, instrumental
companion meant to expand upon this fictional universe. It’s hoped that Tonight of the Living Dead will only add to the legacy of this film in some tiny way, rather than take from it.

Released digitally and on compact disc with a 12-page booklet of treated imagery also culled from the film in 2008.

This Old House

Track 5 from the fourth album by 400 Lonely Things: Tonight of the Living Dead.

A remix project over a year in the making, Tonight of the Living Dead is a collage of treated audio taken from an incredibly poor quality bootleg / public domain edition of the 1968 George Romero film Night of the Living Dead.

With their tendency for darkish music told mostly through samples, remixing Night of the Living Dead is a project ideally suited to 400 Lonely Things. While so many people are indebted to this movie for introducing them to the world of horror cinema, Tonight of the Living Dead pays tribute to a lesser-known legacy of this film: the ground-breaking precedent of plunderphonics and remixing established in the composition of the original 1968 soundtrack.

Crew and cast member Karl Hardman, under the editorial supervision of George Romero, took recordings by other composers from stock film music libraries - many of which had already appeared in other movies and television shows - and then "augmented them electronically" to form their own original score for Night of the Living Dead. 400 Lonely Things has extended this notion of augmentation by using mutated samples from the film itself (many with their excellent foley work intact) as the only ingredients, and weaving these treatments into a subtle and creepy, dialog-free, instrumental
companion meant to expand upon this fictional universe. It’s hoped that Tonight of the Living Dead will only add to the legacy of this film in some tiny way, rather than take from it.

Released digitally and on compact disc with a 12-page booklet of treated imagery also culled from the film in 2008.

The Music Box

No Answer

Track 6 from the fourth album by 400 Lonely Things: Tonight of the Living Dead.

A remix project over a year in the making, Tonight of the Living Dead is a collage of treated audio taken from an incredibly poor quality bootleg / public domain edition of the 1968 George Romero film Night of the Living Dead.

With their tendency for darkish music told mostly through samples, remixing Night of the Living Dead is a project ideally suited to 400 Lonely Things. While so many people are indebted to this movie for introducing them to the world of horror cinema, Tonight of the Living Dead pays tribute to a lesser-known legacy of this film: the ground-breaking precedent of plunderphonics and remixing established in the composition of the original 1968 soundtrack.

Crew and cast member Karl Hardman, under the editorial supervision of George Romero, took recordings by other composers from stock film music libraries - many of which had already appeared in other movies and television shows - and then "augmented them electronically" to form their own original score for Night of the Living Dead. 400 Lonely Things has extended this notion of augmentation by using mutated samples from the film itself (many with their excellent foley work intact) as the only ingredients, and weaving these treatments into a subtle and creepy, dialog-free, instrumental
companion meant to expand upon this fictional universe. It’s hoped that Tonight of the Living Dead will only add to the legacy of this film in some tiny way, rather than take from it.

Released digitally and on compact disc with a 12-page booklet of treated imagery also culled from the film in 2008.

Crickets Window

Track 7 from the fourth album by 400 Lonely Things: Tonight of the Living Dead.

A remix project over a year in the making, Tonight of the Living Dead is a collage of treated audio taken from an incredibly poor quality bootleg / public domain edition of the 1968 George Romero film Night of the Living Dead.

With their tendency for darkish music told mostly through samples, remixing Night of the Living Dead is a project ideally suited to 400 Lonely Things. While so many people are indebted to this movie for introducing them to the world of horror cinema, Tonight of the Living Dead pays tribute to a lesser-known legacy of this film: the ground-breaking precedent of plunderphonics and remixing established in the composition of the original 1968 soundtrack.

Crew and cast member Karl Hardman, under the editorial supervision of George Romero, took recordings by other composers from stock film music libraries - many of which had already appeared in other movies and television shows - and then "augmented them electronically" to form their own original score for Night of the Living Dead. 400 Lonely Things has extended this notion of augmentation by using mutated samples from the film itself (many with their excellent foley work intact) as the only ingredients, and weaving these treatments into a subtle and creepy, dialog-free, instrumental
companion meant to expand upon this fictional universe. It’s hoped that Tonight of the Living Dead will only add to the legacy of this film in some tiny way, rather than take from it.

Released digitally and on compact disc with a 12-page booklet of treated imagery also culled from the film in 2008.

Cellar Company

Track 8 from the fourth album by 400 Lonely Things: Tonight of the Living Dead.

A remix project over a year in the making, Tonight of the Living Dead is a collage of treated audio taken from an incredibly poor quality bootleg / public domain edition of the 1968 George Romero film Night of the Living Dead.

With their tendency for darkish music told mostly through samples, remixing Night of the Living Dead is a project ideally suited to 400 Lonely Things. While so many people are indebted to this movie for introducing them to the world of horror cinema, Tonight of the Living Dead pays tribute to a lesser-known legacy of this film: the ground-breaking precedent of plunderphonics and remixing established in the composition of the original 1968 soundtrack.

Crew and cast member Karl Hardman, under the editorial supervision of George Romero, took recordings by other composers from stock film music libraries - many of which had already appeared in other movies and television shows - and then "augmented them electronically" to form their own original score for Night of the Living Dead. 400 Lonely Things has extended this notion of augmentation by using mutated samples from the film itself (many with their excellent foley work intact) as the only ingredients, and weaving these treatments into a subtle and creepy, dialog-free, instrumental
companion meant to expand upon this fictional universe. It’s hoped that Tonight of the Living Dead will only add to the legacy of this film in some tiny way, rather than take from it.

Released digitally and on compact disc with a 12-page booklet of treated imagery also culled from the film in 2008.

400 Lonely Things

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