r3n8uyha

problem child )SHOULD I FINISH?(

Step into my world of snapping

lyrics: 
im the diva 
im the diva
im the diva  
im the diva 
im the diva
im the diva

what can I say?
im the one that slays yuh
my sick bars i spray
people listen everyday yuh

what can I say?
luka lowkey gay yuh
thats okay with me 
cuz im gon shoot that three yuh

pull up to mizuki and i say hi
we can sing some songs at your sekai
making some tunes 
we ain't finna goon 
what about you yeah

im the diva 
im the diva
im the diva  
im the diva 
im the diva
im the diva


hardstyle part: (distorted)
im the diva
im the diva
im the diva

project diva (feat. Hatsune Miku)

everyone's favorite weapon

stop callin stop callin i dont wanna think anymore

BURNT_TELEPHONE 100225

Immersive collaborative album of Atmøsphäre and Dionisaf, steeped in cold textures, shadowy resonance, and layers of abrasive noise, conjures a bleak sonic tundra — where icy drones, distorted textures, and shadowy pulses stretch across vast, unforgiving landscapes.

Produced, mixed and mastered by Tom Lievens (Atmøsphäre) and Dionis Afonichev (Dionisaf)
Cover picture by Tom Lievens
Cover design by Dionis Afonichev

Northern Dreamscapes

Icebreaker

Hell Canto

On 7.10.23, Palestinian forces, led by Hamas, broke down the fence separating the Gaza enclave from Israel and unleashed a savage day of slaughter and kidnapping that ended with 1,195 dead on the Israeli side and 251 taken as hostages. The Israeli response was just as savage but much longer lasting and much, much more devastating. It resulted (at the time of writing) in around 72,000 deaths (70,000 - most likely, many more - Palestinians, largely non combatants, and 2,000 Israelis, largely soldiers) in Gaza, as well as at least 170,000 Palestinians injured, compounded by a genocidal policy of starvation and destruction of civil order. A response that has destroyed most of Gaza and accelerated the expansion of illegal settlements in the West Bank - where there have been around 1,000 Palestinian deaths caused by Israeli settlers and the IDF since October ’23. There have also been many deaths and injured in Lebanon, Syria, Iran and Yemen.

The horrors of the Unholy Land felt near at home, and like the invasion of Ukraine, pushed me to give some kind of personal response - however pointless and inadequate - beyond following and sharing news and commentaries. Already far into Luna rising, a text and electronica album about Ukraine and Russia, I didn't feel capable of responding with texts so I embarked on a wordless album called Hell Canto.

The parameters are the same for each of the Hell Canto pieces. I’d call the methodology a way of comprovisation, of making sound poetry, derived from vocal improvisations and electronic manipulations. In November '25, having recorded 50 pieces, decided to stop adding more - also the fragile and unlikely October '25 ceasefire remains in place though in practice the word ‘ceasefire’ is a bad joke, with no sign of real peace and humanitarian and political solutions on the horizon. I’ve listened through the 50 pieces and chosen 27 that I’d like to be included in the album and 23 which are orphans for the time being at least. The 27 pieces come to a total of 80 minutes which might be too long for a CD. It’s not sure yet. Anyway, for now there are 2 Soundcloud playlists - the 27 in the draft order for the album, and the 23 which for now are in order of recording.

Raining Spiderling
Istanbul, December 2025

Threshold (mix 3.12)

This is a compilation of dark noisy ambient pieces, made with care on tape using old modded cassette recorders, it contains sounds made with my synths, AM/FM broadcast noise in addition to selected,worped and distored samples of my own music.

Computers have only been used to process the recordings and edit/export to audio standards.

6

roxy

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