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Autumn Winds

Evy Indigo covers The Cure's classic "Lullaby"

Lullaby (The Cure Cover)

FE Chanfrault : guitar, virus kc, juno-106, drm1, personal computer

Night Runner #3

Gringo and Faux Discx are set to release an expanded version of HOOKWORMS debut EP on CD and digitally on March 4th 2016

Pre-order: http://gringorecords.limitedrun.com/products/566096-hookworms-hookworms-ep-bonus-tracks-cd

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A reissue of a 7 track expanded version of Hookworms 2011 self-titled debut EP off the back of two critically acclaimed albums - 2013's Pearl Mystic on Gringo and 2014's The Hum released worldwide on Domino arm Weird World – is both a marker from where Leeds five-piece have subsequently hurtled forwards from, but also a document and proof of the undeniable character that they've never allowed to waver even as all around them has changed.

The EP contains the first tracks the group ever recorded in vocalist and producer MJ's original Suburban Home Studio, with the group just a handful of local shows into their existence – one such show, supporting Sun Araw lead to its original release.  "It was a very exciting time for us," bassist MB recalls. "MJ having his first studio meant we'd gone from practicing in a tiny basement and receiving noise complaints to having a place where we could do what we wanted. We played with Sun Araw just as we were finishing the EP and Cameron Stallones enjoyed our set and asked to hear any recordings - then subsequently released it on cassette."

Hookworms have long since evolved into a mighty beast, live able to fill cavernous warehouses with a vitriolic form of kosmiche, as when headlining Liverpool Psych Fest, or when supporting fuzzy legends Slowdive during their 2014 comeback. Hookworms as a listen though already has in place several of the traits that have helped elevate them – the strutting bass and four note repetition of Teen Dreams is pure Modern Lovers, mining the group's 60's garage and proto-punk influences and mixing them with a caustic modernity. It's the only track that still makes an occasional appearance live; another highlight is the rolling bass thunder of I Have Some Business Out West crackles with the energy of an approaching storm: "Our gear wasn't as good back then so we did quite a bit of re-amping and post-production," MB comments. "The EP was basically a playground for experimentation with a bunch of new guitar pedals we'd recently acquired."

In addition, the reissue comes with additional early and rare recordings - the drone heavy initial version of Form and Function, which would appear on a split 7" alongside Nottingham-based peers Kogumaza, plus the swaggering rumbles of The Correspondent – which appeared on 2012 Sonic Cathedral compilation Psych For Sore Eyes. The former is a premonition of phase two of the band, foreshadowing the heavier, dense sound around Pearl Mystic; the latter still sounds like a wonderful outlier – which says something for a band whose boundaries have forever stretched towards the horizon.

MJ would also like to take this opportunity to thank everyone for all the support, help and donations he has received after his studio in Leeds was flooded over Christmas. The band had been working on new material at Suburban Home Studios prior to the flood. 

Tracklisting:

Medicine Cabinet
Teen Dreams
I Have Some Business Out West
Resolution
Form and Function (originally released on a split 7" with Kogumaza on Gringo)
Deu (originally released on cassette Spur: Volume One compilation, Magnetic Tapes)
The Correspondent (originally released on Psych For Sore Eyes 7")

HOOKWORMS – Teen Dreams

We're proud to announce the first solo album from Papir guitar player Nicklas Sørensen coming out February 19! 

While there’s certain similarities with the records Nicklas has created with Papir it quickly becomes apparent that this is something quite different. “Solo” begins and ends with the instrument the Copenhagen native fully masters by now: the guitar. Throughout the album his main instrument is being explored as a generator of otherworldly, esoteric sounds as well as a compositional tool and - perhaps most importantly - a transmitter of pristine, cascading melodies.

There’s a peaceful, savory quality to the record that manifests a musical maturity. With help from the rhythm section of Papir as well as Causa Sui’s Jonas munk, who also recorded the album in El Paraiso Records’ new studio, Nicklas has created a wide, shimmering sound that seems to allude to a multitude of different styles and traditions. Considering that Nicklas is best known as a hard rocking guitar player with a knack for improvisation it’s perhaps surprising that his inclination for pattern-based minimalism, blissed-out ambience and experimental british “oceanic” music from the 1980s and early 1990s dominates throughout this set. This is the kind of record that rewards repeated listens - each listen revealing new layers in the architecture of sound. “Solo” is an affable, slowburning album where each component is given its own space and place to gently unfold and work its magic in the mind of the listener.


Nicklas Sørensen: "Solo1"

We're proud to announce the first solo album from Papir guitar player Nicklas Sørensen coming out February 19!

While there’s certain similarities with the records Nicklas has created with Papir it quickly becomes apparent that this is something quite different. “Solo” begins and ends with the instrument the Copenhagen native fully masters by now: the guitar. Throughout the album his main instrument is being explored as a generator of otherworldly, esoteric sounds as well as a compositional tool and - perhaps most importantly - a transmitter of pristine, cascading melodies.

There’s a peaceful, savory quality to the record that manifests a musical maturity. With help from the rhythm section of Papir as well as Causa Sui’s Jonas munk, who also recorded the album in El Paraiso Records’ new studio, Nicklas has created a wide, shimmering sound that seems to allude to a multitude of different styles and traditions. Considering that Nicklas is best known as a hard rocking guitar player with a knack for improvisation it’s perhaps surprising that his inclination for pattern-based minimalism, blissed-out ambience and experimental british “oceanic” music from the 1980s and early 1990s dominates throughout this set. This is the kind of record that rewards repeated listens - each listen revealing new layers in the architecture of sound. “Solo” is an affable, slowburning album where each component is given its own space and place to gently unfold and work its magic in the mind of the listener.


Nicklas Sørensen: "Solo3"

- Instrumental by Saltbird
- Vocals & Lyrics by Katrina Polson  

Beach Daze (ft. Katrina Polson)

SAWAYAKA MORNING

vibraphone / Andy Meyerson
cello / Doug Machiz

recorded by Zach Miley

made in collaboration with choreographer Robert Dekkers / Post:Ballet
Christian Squires / Rachel Coates, dancers
photo credit: Natalia Perez
postballet.org

3.4.2016 (between us)

Woke up with music in my heart, best to record it before the day carries me away...

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Artyom K