Very nice vibes and original improvisation!

this improvisation tells hidden stories between the notes, each vibration uncovering secret depths, creating an intimate dialogue between the soul and the sound.

I like the mechanical sounds of the piano good close recording

Lost Son 

So how could I know
The things you didn’t tell me were making you 
so unbelievably lonely and sad 

So why couldn’t you show me
the thoughts you kept inside 
your fortress of gold held by a legion of wardens


My son, my son, where did you go?
I miss you more than you could ever know
I pray for your safety every day
Hoping you'll find your way back to me someday


So I should have known
The path you had to choose was the one of your own 
be guided by angels on all your ways


My son, my son, where did you go?
I miss you more than you could ever know
I pray for your safety every day
Hoping you'll find your way back to me someday



Cover Artwork: M. Besinger 06.07.1955 (dad)

Lost Son

A soundscape describing a WW2 air raid. Nothing jingoistic here, it's meant to describe the horror and twisted logic of 'total war' and how it destroys the line between civilians and soldiers.

Blitz

Hbd-Rina4faceMusik

Reveries

Dawn of Heaven ... That's how I put it into my mind.
thank you for listening！！

DAW: Cubase pro 13

Spotify↓↓
open.spotify.com/artist/312MPUfW0fyacOfLoDMc9u

Instagram↓↓
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Dawn of Heaven

Apophenia

Bandcamp

Faceplant

GREATEST HITS

I’m blowin’ notes streetside in a horn section   
Blown garbage and coppered boots all gone tangling. 
You’re Bixby’s Bridge above Kerouac’s canyon.  
Way above the ruts in your trending fashion      

You’ve been playin’ me your greatest hits.    
But I need from you something ordinary (Like)           
Falling vacant down a slip               
What capture’s me is the fragmentary - humanity

You’re all coiff n pressed jeans uber-reaching
Gripping on to a scene and about it beseeching
You’re jetting over Miller’s Big Sur resident shack
History is nothing but a scratch on your back

You’ve been playin’ me your greatest hits. . .  
But I need from you something ordinary (Like)           
A eureka moment guilt trip               
What capture’s me is the fragmentary – humanity

What was I just a birthright the right side of the tracks
But egalitarian ideas caught you in a trap
Trying to show a social conscience don’t come naturally
Such a handbrake on life’s beckoning verdant tapestry

You’ve been playin’ me your greatest hits. . .  
You’ve been playin’ me your greatest hits. . .

Greatest Hits

Cast of characters:
Ross Smithe -- @ross-smithe – foundational piano, synth, arrangement, lead vocals, first vocal harmony, mix and production.
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums
J.J. Terrell-- @j-j-terrell—JJ-- electric piano, drums, and high vocal harmony
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – four-string fretless bass, rhythm guitar, lead guitar, and lowest harmony in the vocal break

This grateful Dead song has been a favorite of mine for most of my life. So, when Ross and I were tossing around ideas for a Dead song to cover, we landed on this one. Ross, being the superb musician that he is, laid down a skeleton for the whole song on his piano, and added his vocals, as well as some synth that you hear at the very beginning. 
  Once we had a solid foundation to work from, Ken added his raucous main drums. Then, to get the effect of two drummers, like the Dead, JJ added some simpler, back-up drums, too. Once the drums were there, Josh added his four string fretless bass to the stew. Now that the rhythm section was done, JJ added his Brent-like electric piano, sprinkling magic throughout. Then it was time for me to go to work with the 6-strings. First, I added a rhythm guitar, trying to do justice to Bob Weir. Once that was completed, I also got to lay down Jerry's lead part, which I enjoyed immensely.
  After the music was complete, JJ added his high harmony throughout the song. Josh also added the lowest harmony in the a cappella vocal break. Since all the pieces were now in place, it was time for a mix. 
  In the current version, Ross generously did a mix, including some automation, to replace my initial, rough  "audience" mix. This is the better "sound board" version of the song, as mixed expertly by Ross. 
  Our real goal with this one was to have a song we could show our deadhead friends with pride. We hope we did the Dead, their fans, and their music a service by keeping their amazing music alive. We hope you enjoy listening to this as much as we enjoyed making it.

The Wheel by the Grateful Dead (The Eclectic Collective with Ross Smithe)

Astrarium

Afterglow

Midnight

Caravan

New piano session I did for you: 
Live Reflexion #019

Composer on minor keys. I play by ears since my youth days, I love all kinds of music 

All tracks are originals, composed, produced and performed by Rina (myself) at 4face Musik

More about me here:
https://rinashowreel.wixsite.com/4face


Or email me for any other purposes I am open minded :)
rina.showreel@gmail.com

Respect to all Soundclouders, proud to be on this platform and I thank you so Very much..
Peace,
Rina

Hbd-Rina4faceMusik

4face Musik

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